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On Saturday, Nora and Leo take Bernadette to a soccer game, and Leo uses his famous smolder to charm some other moms into helping with sets and costumes for Oliver Twist. Both kids have plans that night, so Leo asks Nora to dinner.
They go to the nicest bistro in town, and Nora feels self-conscious and over-dressed. The whole restaurant gasps when they enter, but once the two are seated and begin to talk, Nora forgets that everyone is watching. Leo gives her another scenario to make into a romance movie, and she tells him more details of her formula: Any parents must be “exceptionally loving and self-sufficient,” and the female character needs “a quirk that would be annoying to most men, but that this particular guy finds irresistible” (97). Leo teases her about her tendency to “schedule her life like a Swiss watch” (97) but admits that he finds this quality irresistible and suggests they go home.
Back at the house, Leo kisses Nora in the dark. They are interrupted by Arthur’s arrival, and Leo leaves for the tea house. Afterward, Nora can’t sleep. She texts her sister and her friend, Kate, but gets no response. Instead, she starts to spiral, wondering why Leo Vance would want to kiss her, of all people.
The following day, Nora is nervous about going down to the sunrise. Her fears that Leo made a mistake seem to be confirmed when he keeps the conversation focused on the kids’ schedule for the day. However, he points out that if Bernadette can get a ride to soccer, Leo and Nora can have the afternoon alone.
All through breakfast, Nora is anxious for the morning to be over. Once the children are gone, she and Leo go together to the tea house. She tells Leo she is “terrified” (104) of her feelings for him, and he agrees, telling her he hasn’t been in a relationship with someone he really knows. They make love in the tea house, and Nora is sure for the first time that he hasn’t been pretending to like her. She is convinced his feelings are genuine.
The two fall into a new routine: Every morning they watch the sunrise, get the kids ready for school, go for a run, then spend the afternoon together in the tea house making love. Nora tells Leo more about Ben, and he tells her about his mother, who recently died of lung cancer. Nora is reveling in being “Leo Vance’s girlfriend” (112), but in the back of her mind, she knows that she is living in a fantasy; Leo will leave eventually, and she’ll be forced to return to reality.
Meanwhile, Oliver Twist is progressing, and Leo takes his role as co-director very seriously. Too seriously, in fact, and he makes Ty, the 10-year-old playing Oliver, cry, as he tries to get him into character by imagining he is an orphan. He apologizes to Ty and his mother, and that night at dinner, he tells Bernadette and Arthur how important it is to own up to mistakes. Nora remarks that “some might call [his actions] parenting” (115), which she is used to doing alone. She feels like they’re becoming a family.
On a Saturday, the foursome goes to Bernadette’s soccer game, Arthur’s baseball game, and later a food truck festival, where admirers swarm Leo. They run into Nora’s friends Kate and Mickey, and, to Nora’s surprise, Leo invites the other couple over for a barbecue. Kate mentions how beautiful the hydrangeas are when they bloom in July, and Leo says he can’t wait to see them, even though he and Nora have yet to discuss how long he will stay.
On Monday, Ben calls unexpectedly. Nora doesn’t want to answer. She tells Leo that he calls every so often, asks to see the kids, and tells her he’ll call back in a few days after figuring out some “deets” (123). The conversation goes just as Nora predicted; Ben wants to come in two weeks to take the kids for the weekend, which would cause Nora to “drop dead of shock” (125) if it actually happened.
Nora and Leo go for lunch at the bistro in town, and Nora finally broaches the topic of the fast-approaching opening night and deadline for Leo’s departure. He tells her he doesn’t have anywhere else to be, but their conversation is cut short by the appearance of Vicky Miller, a woman who had an affair with Ben. After an awkward hello, Leo pesters Nora for more details of the affair. She tells him she never confronted either of them and wasn’t bothered by the affair. Leo asks if she would care if he slept with someone else. She replies that she would, and Leo seems relieved.
Mickey, Kate’s husband, and Leo become friends. He suggests that Leo visit a nearby bird sanctuary, so Leo and Nora decide to go on their next run. The sanctuary is beautiful, and when they reach it, Leo tells Nora that she is the first woman he has ever been in love with.
Returning one Thursday night after a particularly successful rehearsal, Nora finds a package on the porch addressed to Leo. Inside is a script with a note urging him to call immediately. Leo doesn’t make a big deal out of the note, but after dinner, he makes a long phone call in the tea house. Nora tries to ignore her “awful premonition” (132) as she cleans up after dinner, but when Leo returns, he announces he has been invited to audition for a huge action movie called Mega Man. He has to leave right away and fly to LA, but he promises to be back in a week, just in time for the opening night of Oliver Twist. Nora feels like her “heart is disintegrating into [her] intestine” (133). She sees how much her children count on Leo and regrets allowing them to become so close.
Arthur and Bernadette say their goodbyes and go to bed, leaving Nora and Leo alone. Leo promises to return, says he loves Nora, and wants to make things work. Then he is off.
Nora wakes up feeling devastated and guilty for the grief she caused her children. She finally breaks down when Kate visits but keeps trying to reassure herself that Leo will make good on his promise and return. She and the kids try to go through the motions of normal life, soccer, baseball, and rehearsals, but everyone keeps asking where Leo is.
Nora and Leo text and talk on the phone periodically, but Leo is busy, especially when the director is fired and a new director has to come on board. This change delays Leo’s return, first for one day and then another, causing him to miss the play. Nora feels “like [she’s] been punched in the gut” (142), but she tries to be strong for her children, especially Arthur.
The night of the big play, the romance writer in Nora still harbors a secret hope that Leo will appear. In her movies for TRC, the love interest always reappears right as the important community event starts; there is a kiss, and they live happily ever after. But Oliver Twist ends, and Leo never shows. He texts to see how the play went, tells Nora he loves her, and she goes to bed.
The next day, Saturday, there is no word from Leo. On Sunday, Nora sends him a text, but it goes unanswered.
Monday passes with no word from Leo. Nora tries to call, but he doesn’t answer. By Tuesday, Nora is convinced Leo isn’t coming back. Kate comes over again, and they discuss the strangeness of the situation. Leo told Nora he loved her and missed her, then stopped responding altogether. While Kate is there, a courier arrives with a thick envelope containing $21,000 and a note from Leo’s assistant explaining that the money is back rent from Leo’s stay. Nora bursts into tears. Leo paid her $7,000 for the first week he stayed, but after that, they were sleeping together and never discussed further payment.
She texts Weezie to say there was a misunderstanding, and the next day she heads to the city to return the money in person. Nora doesn’t know exactly why she’s making the drive. She has a vague desire for a change of scenery, to see where Leo lives, or possibly she’s “gone completely insane” (151). When she arrives at Leo’s uptown apartment, Weezie is delighted to see her, but Nora immediately regrets the visit. The penthouse is stark and uncomfortable, like a hotel room. Weezie tells Nora that Naomi decorated the place when she and Leo were dating. She goes on to say that they broke up while filming The Tea House.
Nora is shocked by this news. She tries to rush out of the apartment, but Weezie stops her, asking if she fell in love with Leo. Nora doesn’t have the energy to deny it. She tells Weezie how Leo declared his love and then vanished, and Weezie seems puzzled by Leo’s actions, saying it isn’t like him.
Nora is glad for Weezie’s honesty. Leaving the apartment, she tells herself to “face the very simple facts” (155). She never stood a chance with a man who dated women like Naomi. She needs to accept that her relationship with Leo was only a fantasy.
Nora returns, determined to get her life back. She tries to get back into her old routine, but memories of Leo are everywhere. She has to answer questions about him in town and feels so vulnerable that it’s as if she doesn’t “have skin” (158). She thinks everyone feels sorry for her, that everyone but her knew he would never stay. Kate tries to divert the attention as much as possible, protecting Nora from others’ questions. But one day, she too receives a payoff from Leo, a check for $100,000 for the organization she works for. Nora and Kate agree that Leo must be using money to erase his guilt.
When school lets out for the summer, Nora has paid off her credit cards and managed to save some money. She cannot face writing yet, so she takes her kids to visit her parents in the Adirondacks. Nora’s parents have a beautiful, supportive marriage, and Nora wonders if their model is what makes writing romance movies easy for her. At their house, Nora feels better. Her heart is still broken, but the reminders of Leo are gone, at least until he appears on TMZ one afternoon arm-in-arm with Naomi.
In the middle of July, Nora and the kids return to Laurel Ridge. Nora still cannot face writing and decides she would rather go back into debt than enter the tea house. The hydrangeas that Leo promised to be there to see are blooming, and Nora cannot look at them. She tries to reestablish a schedule, which she calls her “armor” (167), determined to make a new routine that will erase Leo once and for all.
In Chapter 10, the novel’s pacing starts to change. For the first nine chapters, the story describes Nora’s actions day by day as the reader is introduced to the narrator’s all-important routines. Nora wakes up at the same time every day, watches the sunrise, gets her kids ready for school, goes for a run, and writes in the tea house from 10:00am until 2:00pm. In the evenings, Nora makes dinner (always the same meal, depending on the day of the week), has a glass of cheap wine, puts her kids to bed, and watches Wheel of Fortune. Her schedule protects her from the dangerous unpredictability of the outside world and helps her to maintain a sense of control over her life.
Nora’s careful routine is first upset when the film crew arrives, but when she starts sleeping with Leo, time, which moves so predictably in the first part of the novel, starts to speed up and slow down erratically. After they have sex for the first time, Nora’s narration includes more generalizations, talking about what they do “most mornings” (116) or “some days” (125). They quickly fall into a new routine, and this rapid passing of time gives the sense that Leo has always been a part of their family. In the back of her mind, however, Nora doesn’t truly believe that Leo is there to stay. She refers to herself as being “dangerously happy” and “fully aware that [life with Leo] is not a sustainable reality” (108). Nevertheless, she starts to let herself fall in love, and when Leo tells her she is the first woman he’s loved, she believes him.
When Leo gets called away to audition for Mega Man, Nora’s reaction is immediate and extreme. Based on Leo’s actions and everything he has told her, she has no reason to think he won’t return. However, her conviction that their relationship is fantasy is so strong, and the abandonment of her divorce is still so fresh, that she is instantly sure her experience with Ben is repeating. Nora’s self-esteem was damaged more than she realized by her relationship with Ben, and years of being looked at with “either indifference or mild distaste” (40) have left her doubting that she deserves love. She thinks, like Ben, “Leo is going to ‘Asia,’ the mythical place where men go when they’re tired of [her]” (133). Because of her knowledge of the romance genre, Nora feels that she has fallen for the most cliched of storylines, the normal woman falling for the smoldering movie star, and this knowledge leads her to believe that nothing about her relationship with Leo is real.
The opening night of Oliver Twist is a key moment where Nora Goes Off Script deviates from a traditional romance plot. Nora herself points out that “the community event” (67) is the moment where the love interest always comes back; the big reveal happens “just after it’s gotten started and the heroine has moved on and found a way to manage alone […] He’s had an epiphany and this is the life he wants” (143). Leo doesn’t arrive, but neither has he made any indication that he doesn’t want a life with Nora; Leo’s failure to appear is weighted by Nora’s scripted assumptions of what romance should look like. She has no experience with love outside of her unfulfilling relationship with Ben and her fantasy romance scripts, so she cannot imagine a relationship narrative that doesn’t fall into one of these two extremes.
Without Leo, Nora is left to pick up the pieces of her life and continue being strong for her children. She is devastated for herself, but much of her grief comes from guilt over upsetting her children: “I cannot believe I’ve done this to them. I cannot believe I let them get in so deep with this guy, and he’s leaving” (133). Gender Roles and Power Dynamics are key themes in the novel, and Nora has to juggle her identities as a mother, lover, and divorcee, as she maintains her personal power and navigates her relationships and breakups. With both Ben and Leo, Nora makes every effort to think about her children’s feelings before she deals with her own, but this sometimes proves difficult. When Ben leaves, she is filled with a “new buoyance” (73) that makes it hard for her to see how much Arthur is suffering without his father. When Leo leaves, Nora is the opposite of buoyant. However, she tries to keep the subject of Leo light and easy with the kids, bringing him up causally from time to time to pretend his visit was nothing but “a little excitement” (168).
Although Nora tries to attend to her children’s emotional needs, Arthur continues to struggle in the wake of Leo’s departure, and Nora fails to see how her son is affected by Leo’s absence. When they visit Nora’s parents, Arthur follows his grandfather around like “he’s the last man in the world” (161), and he refuses to look at his mother if she mentions Leo: Unbeknownst to Nora, Arthur told Leo that Ben was back in their lives, and this is why Leo stopped communicating with Nora. Now, Arthur feels guilty about his actions but doesn’t know how to fix the situation.
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By Annabel Monaghan