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Alex can’t sleep knowing his nightbooks are gone, and he regrets not sharing the stories when he could. He realizes he has only two stories left. When he tries to write more the next day, he can’t. Yasmin brings him an ointment she made for his cuts. She seems different today, more relaxed and confident, and she expresses gratitude that he took the blame for what happened with the plants. After using some of the ointment, Alex puts some on Lenore too.
Yasmin tells the story of her arrival in 4E. There were three other children: Eli, Hwan, and Claire. Claire tended Natacha’s plants, and Yasmin learned a lot from her. She takes Alex to the cabinet with the porcelain figures, and he realizes they are the kids who lived there before. Yasmin points out which ones are Hwan, Eli, and Claire. She explains that, one day, a plumber was coming to fix some pipes. Claire told Yasmin she broke the pipes herself and taped a note under the sink, explaining everything. Somehow Natacha figured it out, and she punished Claire that night.
Alex wonders if the spell can be reversed, but Yasmin reminds him that this is real life and not a fairy tale. Suddenly, Alex has an idea and begins searching among the porcelain figures, looking for one wearing a unicorn pendant, as Unicorn Girl wrote that she always wore one. Not one of the children has one, so he concludes that she must have escaped.
Alex fills Yasmin in on the messages from Unicorn Girl, the forest behind Natacha’s door, and how the shredder destroyed his nightbooks. Yasmin tells Alex to write while she continues the search for more information from Unicorn Girl.
Alex wonders why he grieves his stories so much when he planned to destroy them anyway, and he almost tells Yasmin the whole story about why he made that decision. Instead, he tells her a “lesser truth,” that he didn’t want to be the weird kid anymore. She insists that he is weird and that it’s “cool,” but Alex doesn’t feel cool. Yasmin says she spent an entire winter memorizing two decades’ worth of Mets players and their jersey numbers to illustrate that everyone has their “thing.” This makes Alex feel a little better.
The next day, Alex tries to write again, to no avail. Yasmin, however, finds another note from Unicorn Girl. She writes that the witch thinks she’s stupid, but the girl has figured out how to make a sleeping potion. It smells terrible because of one of the ingredients. She knows she must find something to cover the smell so she can trick the witch into drinking it. Yasmin can’t think of anything that would get the job done, and when Yasmin tells Alex he must write a new story, he realizes he can write a story to get Natacha to reveal the information they need.
Suddenly, Lenore starts yowling and shows herself, and the children realize she heard everything. Natacha bursts into the room, and the children make excuses for Yasmin’s presence in the library. Alex claims to be asking Yasmin questions about plants as “research” for a story. He makes it sound as though Yasmin knows more about the plants than Natacha does, which irritates her. When Natacha asks Lenore, the cat backs up the kids’ lie. Natacha leaves, and when Yasmin asks Lenore if she wants to escape with them, the cat purrs.
Alex explains that he questioned Natacha’s expertise to gauge her emotional response. She is a know-it-all who angers quickly, and angry people often fail to think clearly. Now the writing comes easily to Alex. He realizes that Natacha doesn’t love stories like he does, she only cares about keeping the apartment calm. She seems afraid to lose control of it.
The next time Natacha gets angry with Alex for keeping something from her, Yasmin says she can feel the floor trembling. Alex realizes she is lying and says he can feel it too. Natacha demands a story immediately, “clawing nervously at her hair” (194). Alex reads a story called “Neverworm,” about a monster who is put to sleep by a witch’s sleeping potion, and she uses bindweed to mask its terrible smell. For a thousand years, the monster sleeps while people make the potion and pour it into his ear, but one day, all the bindweed dies. A girl goes to the witch to tell her that a single drop of nightberry juice can replace the bindweed.
The witch doesn’t believe her until she demonstrates. It works, but the witch banishes her. The girl killed the bindweed herself and put a pinch of neverworm, which erases the magic of any potion to which it is added, into the juice she used to trick the witch. Years before, her brother was sacrificed to the monster, and then her parents died of broken hearts. Now, the girl awaits her revenge, watching from a nearby hill as the monster awakens.
Natacha is livid. She cannot believe that a witch would be fooled by a little girl. Yasmin and Alex appease her, saying she would never make the same mistakes. Natacha criticizes Alex for mischaracterizing bindweed, but Yasmin insists she has seen bindweed work this way. Natacha reveals that only cinaroot could cover the stench of a sleeping potion. Yasmin plays dumb, and Natacha proudly proclaims her superior intelligence.
Alex and Yasmin go to the nursery and collect their ingredients. Lenore accompanies them. They can prepare a sleeping oil, which Yasmin says will be more concentrated than a “potion.” Neither wants to kill Natacha, they just want to knock her out so they can escape.
Alex tells Yasmin a scary story about a pair of red eyes in a subway tunnel, and Yasmin suggests that Alex write his next story about something mundane that becomes scary in some way.
Yasmin makes Natacha another meal and they add a drop of the sleeping oil to her lemonade. It won’t mix, however, and leaves a greasy film on top. When the witch enters the kitchen, they pour a new glass, hide the vial, and follow her to the table. Natacha has noticed the friendship between the children and believes this will make tonight’s “lesson” more effective. Natacha knows Alex has been reading old stories, not new ones, and her lesson will “inspire” him. She makes room inside the figurine cabinet and says she’ll decide which one of them to kill after Alex’s story. When Alex goes to get her more lemonade, the vial is gone.
Alex reads “The Top Bunk,” about Keith, a boy who claims the top bed despite his younger brother, Scott’s, protests. Scott never listens and always gets his way, and he pesters Keith every night to give him the top bunk. One day, Scott runs into the street, ignoring Keith’s warnings, gets hit by a car, and dies. The night after Scott’s funeral, Keith hears footsteps in his room and smells something terrible. Scott’s voice whispers that it’s not fair, and Keith says he’s sorry. Keith offers to let Scott sleep in the top bunk if Scott promises to leave.
As Keith climbs down, Scott’s tiny hand grabs his ankle and yanks him to the floor. The next morning, their mother wakes Keith up, but his eyes are blue, like Scott’s, instead of brown, as they have always been. His voice is also higher-pitched than usual, and he hugs her like Keith hasn’t hugged her in years. He says he likes the top bunk.
Alex and Yasmin see that Natacha has fallen asleep inside her misting room. They grab her keys and look for Lenore, finding the cat inside the misting room with Natacha. They realize that Lenore poured the oil into the diffuser while invisible, and this trapped her with the fumes. Alex picks her up, then they steal Natacha’s keys and go through her bedroom door.
The developing friendship and honesty between Alex and Yasmin illuminate The Universality of Weirdness. Alex thinks that he is weird, and he blames this quality for his lack of friends. He tells Yasmin that he tried to destroy his stories because he “wanted to be someone different […] not the weird kid who likes monsters” (169). Yasmin confirms that he is weird but tells him, “It’s cool,” a sentiment with which he disagrees. She explains the things that make her weird, saying, “We all have our things” (170). Her reassurance helps Alex to feel better, and he considers the possibility that writing scary stories isn’t necessarily any weirder than memorizing Mets players’ names and numbers.
Alex then realizes, “Maybe it’s not just me who’s weird […] Maybe we’re all weird in different ways” (170). Everyone has things about themselves that might be considered “weird” by someone else’s standards, perhaps depending on that other person’s type of weirdness. No one is going to be liked by everyone, and some people’s niche interests align with others’ in more obvious ways. The idea that everyone has something that makes them “weird”—or unique, idiosyncratic, creative, or unusual—is demonstrated by the text. The text implies that the key is simply finding people who appreciate one’s specific brand of “weirdness,” just as Yasmin and even Natacha appreciate Alex’s.
These chapters also continue to emphasize The Power of Friendship, most especially through the development of Lenore’s changing relationship with the children. After Alex consistently shares his Froot Loops with the cat, carries her wounded body from the nursery, and treats her injuries with Yasmin’s ointment, she lies for the kids when Natacha finds them together in the library. It is implied that Lenore has been abused for so long that it took her a while to trust the children’s attitude toward her, but once she does, she is willing to sacrifice herself for them. When she sees that they are unsuccessful in their attempt to administer the sleeping oil to Natacha, she takes it upon herself to put it into her misting room oil diffuser, though she knows she will inhale it as well, becoming trapped within the misting room’s walls.
Once the children realize the role Lenore played—that she willingly sacrificed her chance to escape—they call her “brave” and “Our little hero,” and they know they must take her with them (241). Friendship is so powerful that it overwhelms any concern Lenore might have for her own safety and wellbeing, especially once the witch awakens and finds the children gone. Likewise, the children realize that their escape would be incomplete without Lenore, which solidifies their feelings of friendship towards her.
These chapters also highlight The Power of Storytelling via Alex’s “Nightworm” story and his stories’ effect on the apartment, which grows more and more frightening. Despite Alex’s suggestion that the spell on Yasmin’s friends could be reversed, “like in a fairy tale, when the witch dies and everything goes back to the way it was in the end” (163), Yasmin believes that life is not like a story. Ironically, the children’s lives have become very similar to a fairy tale, such as Hansel and Gretel, so Alex’s suggestion foreshadows a potentially happy ending, the kind Natacha hates. Furthermore, Alex uses “Nightworm”—which is just a story, after all—to successfully manipulate Natacha into revealing the ingredient they need to mask the odor of the sleeping oil. In this way, the significance of the story is recreated in reality: A child outsmarts a witch.
In addition to supporting the idea that “real life” and “stories” are closely related, Alex’s success is very similar to the way Scheherazade uses stories to manipulate her powerful, proud husband without his knowledge (See: Background). Finally, Alex’s realization that Natacha is afraid of the apartment confirms how powerful his stories are. This witch can accomplish all manner of improbable things with magic, yet she is powerless to appease the apartment by herself. Thus, his storytelling is more powerful than she is because it is the only thing that can satisfy the frightening lodging.
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