62 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The excitement about the trip to Norfolk evaporates after the conversation about deferrals. Kathy, Ruth, Tommy, Chrissie, and Rodney walk sullenly through the town to seek out the possible. Ruth quietly seethes when Chrissie and Rodney take a break to buy birthday cards. They explore a large department store. Kathy wanders around and spots Ruth and Chrissie in the midst of a heated discussion. Standing nearby, trying not to be seen, she listens in. Ruth continues to defend the referrals but insists that she knows nothing of the technical details. They spot Kathy, and the conversation ends.
After the store, they try to find Ruth’s possible. They find a glass-fronted office and stare inside. They see an older woman who has some resemblance to Ruth, particularly when she laughs. The possible has just enough of a resemblance to make the theory plausible. They run away when the office workers wave awkwardly. When they regroup, everyone talks excitedly except Ruth, who seems puzzled. She suggests that they return to the office for another look and then silently stares at the window from a parking lot.
The possible exits the office, and they follow her through the town to an art gallery. Everyone begins to realize that the possible is nothing like Ruth. The excitement fades. After they leave, Chrissie is the first to mention that the possible “isn’t Ruth.” Kathy can tell that Ruth is upset, even if she pretends not to care. Chrissie and Rodney try to comfort Ruth. Tommy cannot see the important of the matter, and Kathy agrees with him. Ruth is cold and dismissive to her two old friends. She launches into an impassioned tirade about how the clones are actually modeled on “trash. Junkies, prostitutes, winos, tramps” (100) and other unwanted members of society. Rodney suggests that they visit a friend from the Cottages who now works as a carer and lives nearby. Kathy refuses. Not only is this against the rules, but she is annoyed at Ruth. Ruth, Chrissie, and Rodney visit the carer while Tommy stays with Kathy. Ruth is furious.
Tommy and Kathy talk as they walk through the town. He admits that he searched for her lost cassette tape in the department store. He also searched for it at Hailsham. She thanks him for his kind intentions. Tommy could not remember the title, so they decide to search properly. Kathy does not think they will find the cassette but recommends that they search in secondhand stores. Kathy suddenly feels as though she is truly enjoying herself. After searching in many stores, Kathy finds the exact right cassette. She worries that finding the tape will mean an end to the fun afternoon with Tommy. She finally shows him, and he ruefully admits that he has spent years fantasizing about being the one to find the missing tape. He buys it for her, and Kathy keeps the tape for many years for its nostalgic value.
They leave the shop. The excitement of earlier is gone. Tommy brings up deferrals. Miss Emily once let slip that the artwork “revealed what you were like inside” (106), he says, so perhaps the artwork is used to justify a referral as it can be evidence of true love. Tommy was never good at art, and Madame never selected any of his pieces. He may have ruined his only chance at a deferral. Kathy thinks about Tommy’s theory and agrees that it explains a great deal about Hailsham. They walk back to the car. Tommy reveals that he does not talk about these matters to Ruth, who believes in deferrals and may want to apply. He admits that he has been working on art anyway, “just in case” (107). He draws imaginary creatures in a tiny notebook. Kathy cannot bring herself to tell him how absurd he sounds. They agree that the only way to learn more about the referrals may be to find Madame.
Kathy and Tommy arrive back at the car before the others. He tells her that he thinks he understands what she was searching for in the pornographic magazines: He believes Kathy was searching for her possible. He does not understand why Kathy’s model would have to be “one of those girls” unless Kathy believed Ruth’s theory about the type of people they are cloned from (109). The accusation upsets Kathy, and he comforts her. She confesses to him, as she did to Ruth, that she sometimes feels strong sexual urges and that she worries that this means that she is cloned from a model from the magazines. She asks him to drop the subject. Eventually the rest of the group arrives. Ruth seems to be in a better mood and makes sure to explain all the jokes she and Chrissie share about the carer they visited. Kathy appreciates Ruth’s subtle attempt to make up for her earlier behavior.
None of the group talk about the trip to Norfolk once they are back at the Cottages. Ruth keeps quiet about her possible, and Kathy does not mention her and Tommy’s search for the cassette. Some of the veterans depart to carer training, including people from Kathy’s Hailsham group. The departures reignite the discussions of deferrals, but those who traveled to Norfolk do not take part. Kathy and Tommy do not even talk about their Hailsham theories. The closest they come is when Tommy shows Kathy his drawings. She is impressed by the detail and skill, praising his artistry.
The one-year anniversary of Kathy’s arrival at the Cottages means that a new batch of students arrive. None are from Hailsham. Ruth begins to pretend not to remember her Hailsham years, and this annoys Kathy. Their relationship had improved since months earlier when Ruth helped Kathy to deal with a minor break-up with a boy. One night while they are talking, Ruth discovers the Judy Bridgewater tape. Kathy admits that she and Tommy bought it in Norfolk but notices that the issue seems to linger with Ruth. The conversation moves to Tommy’s drawings, and Kathy finds herself mocking the animals. Later, when Tommy finally tells Ruth about his theory about the Gallery, Ruth uses the conversation to mock Tommy’s art and drags Kathy into the conversation. Kathy is shocked. She does not know what to say to save Tommy from being hurt. Kathy walks away and later realizes that this was a bad mistake.
The incident severs the bonds between Kathy, Ruth, and Tommy. They still have essays to finish, and many of their friends are training as carers. Kathy tries to have a big conversation with Ruth about their falling out. Ruth confesses that she and Tommy may have been right for one another once but that is no longer the case. However, if they break up, Ruth tells Kathy not to even consider anything romantic with Tommy as he does not think of her in a romantic way at all. She tells Kathy that Tommy does not like girls who have been with many men. Ruth finishes by assuring Kathy that Tommy likes her as a friend. The conversation moves on. Kathy remembers something that happened at Hailsham, and Ruth pretends not to understand. Kathy criticizes Ruth for pretending not to remember. Ruth does not react well, but they finish their conversation and return home. A short time later Kathy decides to become a carer. Soon after, she leaves.
The ending of Part 2 marks the disintegration of the friendship of the three characters who grew up at Hailsham. Kathy, Tommy, and Ruth reach a breaking point in their relationships. Though they have argued before, the animosities, resentments, and betrayals become overwhelming. Their friendship cannot endure, and Kathy reflects on how they drifted apart in a melancholic fashion. The breakup is slow and is portrayed as a gradual ripping apart of the individual components.
The foundations of the breakup originate in Norfolk. The cassette tape represents a close bond between Tommy and Kathy that makes Ruth jealous. She understands that Kathy and Tommy share a bond that is deeper and more wholesome than she could ever hope to imitate. Their past and their interactions make them better suited to being a couple, but their fear and their hesitation mean that they never act on their feelings. Ruth’s jealousy emerges from her deep-seated insecurity. She worries that she is not good enough or deserving of love. This insecurity prompts her to lie and obscure the truth to make herself appear more interesting. She lies about deferrals, and she pretends not to remember Hailsham as a way to cope with the world around her. Every single one of her actions is a calculated attempt to make herself less vulnerable. Ruth wants to be interesting, and she wants to be loved. The suggestion that Tommy might be better suited to Kathy threatens this insecurity, so she reacts badly. The discovery of the tape is a reminder of her inadequacies as a partner that preys on her deepest fears that she is not good enough.
The Gallery is a plot thread that also ties into the trip to Norwich. Tommy works on his art as a last-gasp attempt to demonstrate that he has a soul that might be worth a deferral. His art captivates Kathy, but she struggles to express this emotion. The irony of the bond between Kathy and Tommy is that the hushed, unspoken emotion of their relationship is as refined and as nuanced as any form of romantic love. The bond they share is what makes them human, rather than the pictures of imaginary animals that Tommy hopes will save him. Tommy’s willingness to show the drawings to Kathy hints at their bond, and it is this same willingness to open himself to Kathy that makes her later comments all the more painful. Tommy can tolerate Ruth mocking his pictures, but the thought of Kathy turning on him in the same manner breaks his heart. The bond they have nurtured their entire lives, and that they strengthened in Norfolk, is broken when Kathy hurts Tommy in a way he never expected. The sincerity of this hurt reveals the depths of their relationship and suggests the presence of a soul.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Kazuo Ishiguro
British Literature
View Collection
Fantasy & Science Fiction Books (High...
View Collection
Fate
View Collection
Japanese Literature
View Collection
Nobel Laureates in Literature
View Collection
Romance
View Collection
Science Fiction & Dystopian Fiction
View Collection
The Booker Prizes Awardees & Honorees
View Collection