96 pages • 3 hours read
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A cleaner found a bloody napkin in Femi’s apartment; Ayoola is unconcerned. Korede will never tell their mother about Ayoola’s crimes: “she would blame me for it because I am the older sister—I am responsible for Ayoola” (92). Only the house girl shows small kindnesses to Korede.
Ayoola wakes Korede to show her a Snapchat post by Femi’s sister: a neighbor saw two women, Ayoola and someone else, exiting his apartment that night. Ayoola wants to say that Korede was seeing Femi behind her back—anything that does not put her in a bad light.
Korede worries about Femi’s family bribing the police into action. If her father were alive “he would know what to do” (96), and he was the only one her sister ever feared. Korede is anxious and her room is too clean, so she goes to clean the bathroom: It helps her think.
Two police officers have come to question Ayoola. Korede and Ayoola have practiced what to say; Ayoola is “already a pro” (99). They do not believe anyone would break up with her, so Ayoola says he “wasn’t really my type” (99), and Korede came to mediate. Femi finally “accepted that things wouldn’t work out” (101). The police want to look at Korede’s car, but their mother refuses.
The next day the police take Korede’s car away “to be rigorously examined” (104), but she knows she has cleaned it. Her sister reminds her of their father who was a sociopath: “Is it in the blood?” (105).
At their father’s commemoration, both sisters wear purple, a color he hated. Tade has come: “He invited himself” (105). Their father had many mistresses, usually college girls whose school fees he paid: “you had to feed the cow before you slaughtered it” (107). After Tade leaves, men vie for Ayoola’s attention.
A man called Gboyega comes to see Ayoola. He is a rich, older, married businessman who funds Ayoola’s fashion business, although Ayoola told Korede the money was “from the revenue from her YouTube videos” (109). Ayoola says he is exciting, whereas Tade “can be so boring. And he is needy” (110). She leaves with Gboyega and does not come back until 1 o’clock in the morning, leaving Korede restless.
On Facebook, Korede finds Gboyega; he has a wife and three sons. They are “the typical upper-middle-class Nigerian family” (115). Ayoola has vanished without informing Korede. Tade calls Korede, but she does not answer. She also checks the Instagram profile of Gboyega’s wife. Today is their anniversary.
The police purposely bring Korede’s car back to her workplace, so they can extract a bribe. She pays them 5000 naira to leave, but not before Chichi notices them. They have not found anything in the car, but they have returned it dirty. Korede lies to Chichi that the car was involved in an accident.
Tade is heartbroken that Ayoola, who is in Dubai with Gboyega has another man. Korede tries to console Tade, telling him he is better off. He claims Ayoola would need less attention from men if Korede supported her more. Korede feels “Ayoola is inconsiderate and selfish and reckless, but her welfare is and always has been my responsibility” (121). She begins to question Tade’s character.
Ayoola returns from her trip, informing Korede that Gboyega died of food poisoning. Tade arrives, and he and Ayoola kiss passionately. Korede searches the web for information on Gboyega’s death; reports indicate he died from a drug overdose. Korede wonders if his death could be coincidental, or if Ayoola does not always use her knife. Korede adds Gboyega’s name to her notebook.
It is Ayoola’s birthday. Mother gives her a dining set, predicting Tade will soon propose. Korede reads Femi’s poetry and leaves an anonymous message on his blog that they should publish his work. Many of Ayoola’s “minions” come to the party. Tade begins apologizing to Korede when Ayoola appears and whisks him away: “They are a very attractive couple; on the outside, at least” (133).
Korede leaves, pondering whether she can see a therapist without disclosing Ayoola’s murders. For the first time, she admits to herself that she loves Tade.
Dr. Akigbe, the senior doctor, promotes Korede to head nurse. Korede is pleased.
Chapters 32 and 33 introduce a peripeteia (a change of luck or a significant modification of circumstances for the characters that furthers the plot): Femi’s family hires cleaners who discover a bloody napkin in his apartment. The police have not done a perfect job of investigating the crime—not surprising in Lagos—and Femi’s family has the financial means to bribe the police into further action. So far, the sisters’ exploits have gone largely ignored and their versions of events uncontested, but in this section, the police intrude upon their isolated home. Even though the novel is set in sunny and warm Nigeria, this setting has gothic overtones: The solitude and oppressiveness in the huge empty house provoke feelings of unease and dread.
Despite Korede’s inner debates about Ayoola’s mental health and the moral consequences of their actions, she coaches her sister in how to respond to police. Her unquestioned dedication to Ayoola results from the family-nurtured, tacit commitment of one sibling to the other, a conditioned behavior from which Korede cannot extricate herself. Korede knows their mother has a capacity to ignore the harsh realities, especially when it comes to Ayoola. On one hand, Mother cannot grasp the idea that her beautiful daughter might be anything but angelic on the inside. On the other, Mother would work hard to maintain that illusion even when faced with incontrovertible evidence to the contrary; she blames Korede for every mistake Ayoola makes because Korede is considered average and inconsequential. Ironically, Korede physically resembles her mother, even though their characters are not at all similar. in Korede, Mother sees a version of herself: She expects Korede to protect Ayoola and hide Ayoola’s true nature, much the way Mother enabled their father.
Gboyega, the married businessman, becomes Ayoola’s latest businessman. Ayoola has started seeing Tade—perhaps in an unconscious attempt to force Korede’s admission that she likes him, perversely punishing Korede for her key role in covering up Ayoola’s crimes—but Ayoola is obviously using Gboyega for his money, and Gboyega, under the spell of her beauty, allows it to happen. He whisks Ayoola to Dubai, leaving his wife alone on their anniversary. Meanwhile, Tade, faced with Ayoola’s heartlessness, chooses to disbelieve Korede’s warnings in favor of keeping his illusions of Ayoola, supplying an outwardly beautiful person with inwardly beautiful attributes she does not have. Korede earns promotion at work based on her competence, but no matter what she achieves, her sister always has the advantage.
Gboyega’s cause of death remains ambiguous and takes place off-stage, which is reminiscent of Greek tragedy. Both the change of method—drug overdose rather than stabbing—and geographic distance confuse Korede and weaken her already shaky determination to face up to Ayoola’s criminal behavior. Even so, and despite constantly feeling inferior and slighted in comparison to Ayoola, Korede continues to support her sister.
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