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Olivia Marshall is the protagonist of the novel and one of two first-person narrators. The chapters and subsections titled with her first name are written from her perspective. Olivia’s parents are Nancy and Fred and her older brothers are Jack and Will. In the narrative present, Olivia is 25 years old. She’s just moved back to Omaha, Nebraska from Chicago, Illinois. Jack invites her to stay with him and his roommate Colin Beck in their downtown condo after Olivia loses her job, boyfriend, and apartment and moves back home, positioning her character arc as a journey of Self-Discovery During Times of Transition.
Painter characterizes Olivia as an empathetic, funny, and determined person whose tendency to feel embarrassed is usually “to blame for [her] trips, spills, and general awkwardness” (13). Colin later realizes that Olivia’s boisterous nature is rooted in her excitement for life—a trait he comes to admire and love. Despite Olivia’s clumsiness and penchant for mishaps, she’s able to laugh at herself and make light of her frequent bad luck. Painter suggests that her keen sense of humor is a survival mechanism that she relies on to overcome difficult situations. Over the course of her arc, Olivia moves from feeling insecure and disempowered in her circumstances to a place of honesty, agency, and renewed confidence grounded in self-acceptance. She starts running, reconnects with old friends, and invests time in Will’s family and kids, Kyle and Brady, in order to establish balance in her life. She also devotes time to pursuing new work opportunities even when she’s feeling professionally discouraged. When Olivia loses her job with the Times in the latter part of the novel, Painter evidences her personal growth in the fact that she doesn’t let this setback disrupt her forward progress and she soon secures a new job with Feminine Rage. Her work on the Oh, Olivia! advice column grants Olivia’s life meaning and purpose and validates her sense of self, emphasizing writing and connecting with others as key facets of Olivia’s identity.
Olivia’s evolving relationship with Colin changes how she thinks about friendship, love, romance, and sex. Olivia’s recent experiences with her ex-boyfriend Eli make her reluctant to become involved with Colin, even after she realizes she has feelings for him. Olivia doesn’t want to let Colin hurt her and doesn’t want their relationship to distract from her professional aspirations, pointing to the novel’s thematic interest in The Challenges of Balancing Personal and Professional Goals. Over time, however, she realizes that she and Colin can foster a balanced, healthy dynamic that motivates her personal and vocational goals and lets her balance her personal needs with her writing pursuits. Once she learns how to be vulnerable with Colin, she discovers a new form of intimacy. She is therefore a dynamic character who grows over the course of the novel because of her experiences.
Colin Beck is one of the novel’s primary characters and first-person narrators. The chapters and subsections titled with Colin’s name are written from his point of view. In the narrative present, Colin is 29 years old. He lives in a condo he purchased with his own money in Omaha, Nebraska. He rents out one of his rooms to his close high school friend Jack and agrees to let Olivia stay with them when he hears about her recent difficulties in Chicago. He has money and status because of the life he’s worked hard to create, but these aspects of his life don’t overshadow his empathy.
Colin comes from a wealthy, elite family and his personal background informs his character in the present. Although he has a close relationship with his older sister Jillian and loves his mother, Colin has always had a fraught dynamic with his father, Thomas Beck. Thomas disapproves of Colin’s choices to attend a public high school and a state university, but according to Thomas, Colin’s “ultimate sin was not going into law” (174). Thomas “and the Becks before him […] spent their entire lives working to build a prominent and thriving practice” but Colin has never wanted to join the family business (174). Instead, Colin has devoted his life to studying mathematics and establishing himself in the finance world. He’s done so because he’s passionate about numbers, and also because he values his own happiness and well-being above “[r]espectability and influence, wealth and connections” (174). Colin’s portions of the narrative trace his attempt to balance his personal and vocational goals and to own his identity with pride.
Colin’s relationship with Olivia grants him a new perspective on life and brings out the best in his character. Olivia is initially surprised when she notices how kind Colin is to her while they’re living together. She’s always seen him as being an entitled, pretentious person and therefore doesn’t know how to reconcile her misconceptions with Colin’s true self. Indeed, Colin is a kind-hearted and generous character. He listens to the people he cares about and goes out of his way to make them comfortable and happy. In his relationship with Olivia, he strives to protect and care for her by investing in her work and giving her gifts. Over time, his physical attraction to her grows into a deep friendship, and finally into a caring, romantic relationship, establishing the Evolution From Friendship to Romantic Love as a central theme in the novel.
Jack Marshall, a secondary character in Mr. Wrong Number, is one of Olivia’s two brothers and Colin’s roommate. Jack invites Olivia to come stay with him and Colin after she burns down her apartment because he cares about his sister and wants to help her, positioning him as a helper and confidante to Olivia throughout the novel. Throughout the novel, Jack often teases and jokes with Olivia, but he also invests in her life in more sincere ways. He asks her questions about her work and relationships, helps her settle into Omaha, and lends her advice when she needs it. Jack is also protective by nature, which is why Olivia and Colin worry about upsetting him when they start seeing each other. However, Jack surprises them by giving them his proverbial blessing, consistent with the character Painter establishes for him.
Sara Mills, Olivia’s friend, acts as her companion and support system throughout her time in Omaha. Olivia and Sara were friends in high school but have since lost touch. They reconnect after they run into each other shortly after Olivia returns to town. They start to meet up on a regular basis and during these visits, the friends share stories from their lives and give each other advice.
Painter characterizes Sara as a kind, sympathetic, and supportive character. She doesn’t judge Olivia for her recent experiences and instead stands by her side throughout the novel, bolstering her whenever she’s feeling down. Sara celebrates Olivia’s successes and supports Olivia’s personal growth by consistently reaffirming her sense of self. The repeated scenes of Sara and Olivia getting coffee or going to happy hour together capture their close connection.
Painter characterizes Glenda Budd, Olivia’s editor and boss at the Times, as a caring and kind individual who encourages Olivia’s writing talents. She eagerly hires her to write the 402 Mom column and other culture and entertainment pieces for the magazine. Glenda also proves herself to be gracious and forgiving. Though she’s compelled to fire Olivia for lying about her circumstances to get the job, Glenda doesn’t allow her view of Olivia to be defined by this mistake—as evidenced by the positive recommendation she gives Olivia when she’s applying to Feminine Rage.
Eli, Olivia’s ex-boyfriend, never appears in the present day of the narrative because their relationship ends before the start of the novel. However, he regularly features in Olivia’s memories and flashbacks. Eli is an unsympathetic character who cheats on Olivia and breaks up with her to be with her best friend. He doesn’t prioritize Olivia’s feelings or needs and proves himself to be selfish and uncaring. Throughout their relationship, Olivia viewed having a boyfriend as evidence of her personal success and stability. However, Eli’s betrayal leads Olivia realize that he never loved her the way she hoped. Her relationship with him therefore complicates her regard for romantic intimacy in the narrative present. Painter positions Eli as a foil for Colin, exhibiting the negative traits that Colin’s character lacks. He also acts as an antagonistic force in the story, disrupting Olivia’s life in Chicago and unsettles her psyche in the present.
Nancy Marshall, Olivia’s mom, creates conflict throughout Olivia’s storyline, because Olivia is often trying to please her. She knows that her mom disapproves of her life and views her choices as immature and irresponsible. When she faces personal or professional challenges, she worries that Nancy’s regard for her will worsen. Olivia often feels tense when she must spend time with her mom because she wants Nancy to feel proud of her. Nancy isn’t a traditional antagonist, because she doesn’t have nefarious intentions. However, Olivia’s fear of disapproval from Nancy adds additional stakes to Olivia’s journey of self-discovery.
The additional members of Olivia’s family, Will, Dana, Kyle, and Brady Marshall, are minor characters. Olivia reconnects with Will, Dana, Kyle, and Brady when she moves back to Omaha. She starts spending more time with Will and Dana and helping them watch their sons. These connections expand Olivia’s familial sphere and help her to reconnect with her true self. Being with her nephews awakens her youthful, buoyant energy, while helping her brother and sister-in-law demonstrates her graciousness and generosity.
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By Lynn Painter