57 pages • 1 hour read
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Cars operate as a recurring motif throughout the novel. They are a throughline between Emma’s past and present, connecting her to her memories with her father and her future with Finn.
It’s clear early in the novel that Emma knows a lot about cars, which are first mentioned when she bonds with Sybil’s father over the Singer Porsche they find in the parking lot. She does not expect it to be Finn’s car, and its early mention foreshadows the significant relationship she will have both with the car and its owner. In fact, it is her only consolation when she realizes that she has to drive with Finn to find her friend: “If I have to chase Sybil, at least I get to do it in a perfect car” (49). Because the car is extremely rare and expensive, with a price tag close to a million dollars, it also characterizes Finn as a highly successful, wealthy businessperson. Like the private jet that Jamie borrows from a friend, this car is one of many symbols of extreme wealth found throughout the novel—a common feature of the romantic comedy genre, which exists in part to offer readers an aspirational fantasy. Part of Emma’s love of cars comes from driving itself, and she comments on “how much [she] miss[es] driving. There’s no need for it in New York” (214). Her love of cars is further apparent when driving the Singer is the prize she chooses for her bet with Finn.
Emma first learned about cars from her father, and she associates many of her memories of them with him. She also links the way in which a car can be an escape with her father’s own departure from her life. For instance, she thinks that “[c]ars are an assurance that no matter how hard it gets, you can always get in and head into the unknown, which is probably why my dad loved them so much” (50-51). One of her most vivid memories of her childhood is watching as the back of her father’s car drove away from her, her sister, and her mom. The author accentuates her relationship with her father through cars by having a car crash be what brings Emma and her father together again. Their interactions with the Singer at the repair shop show how much Finn trusts Emma, a symbolic transition between linking her father with cars and linking Finn with them. Emma appreciates the trust he puts in her and his knowledge that she needs a moment alone with her dad.
Emma’s first memory with Finn Hughes is of being on debate team together. The partnership they formed while on the team provides a template for the romantic relationship that they will have later in life. It is also Emma’s first evidence that Finn is someone she can rely on, even if he makes a few mistakes along the way.
Readers are first introduced to Finn when Emma remembers him as her old debate teammate. Her fond remembrance of their partnership is something she returns to throughout her narration. For instance, she thinks that “Finn never misses anything, and he’s incredibly thorough […] I could follow my instincts, because I always knew that he’d be there to follow through with the research” (34). She did at one point rely on him, and while he did not always show up for her, their relationship on the debate team provided the first spark for a potential relationship. Her comment also illustrates why they worked so well together. They had complementary skills. She felt that his contributions to the team worked well with hers. After he stopped doing debate, she and her new teammate don’t go as far because they didn’t have the same chemistry.
Being together in the present, Emma finds that they both revert to the familiar debate team rapport. For example, as they ride together, making “counterarguments” when they engage in spats, she thinks, “I’m suddenly transported to bus rides to debate tournaments when Finn and I would pass the time by playing round after round of truth or dare” (54). While she views so much of their past as a negative series of what-ifs, her memories of debate competitions with Finn are entirely positive. At first, she does not think that this “bubble where we can just be our old selves together” will last, and they’ll go “back to what we were before. Barely more than strangers” (111). However, as they spend more and more time together, she sees “how [their] chemistry extends beyond just the obvious physical attraction to the kind of mind-meld partnership that made [them] such a good debate team back in the day” (143). They ultimately come back together as a team as they help each work through the struggles of their respective pasts to forge a future together.
Emma carries an old movie ticket with her in her wallet: the same movie ticket her father bought her on the day he left. The stub symbolizes how she still holds onto the past, taking a piece of her life with her father with her. At the end of the novel, she finally lets it fly into the wind, showing how she is ready to move forward and let go.
The movie stub is first mentioned when Emma and Finn are in Las Vegas. Emma is defensive when Finn notices it, telling him it’s “[n]one of your business” when he comments on its presence in her wallet (90). This reaction foreshadows the moment when she reveals its true significance to her future partner. Readers find out in a flashback that Emma’s father purchased the ticket for her and that she saw it as a sign that he’d be back to see the movie with her by five in the evening. She emphasizes to her mother, “[W]e’re supposed to go to a movie” (288), in a heartbreaking memory that shows how she was unwilling to accept the possibility that her father wouldn’t return. Emma’s decision to hold onto the movie ticket shows her true feelings about her father: Although she has pretended not to let his departure affect her, his leaving shapes much of her approach to adulthood. Even she isn’t sure how significant the small piece of paper is until she lets it go, telling Finn, “I don’t know why I’ve even held onto it. […] I just feel like I’ve been holding on to this awful day for the last twenty years” (296). Finally letting the movie ticket go symbolizes her desire to focus on her future, wherever it takes her.
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