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Stopthief reminisces on his time with Uri. He estimates it to be October of 1939. During that time, their icebox and cellar is full of food and they are happy. The boys steal food for the pleasure of it, instead of out of need. Stopthief steals an endless number of chocolates in the search for his favorite: hazelnut buttercream candies. Uri palms fresh pickles from stores. Stopthief almost exclusively steals from people while Uri thieves from stores and counters.
Stopthief remembers once when Uri went out alone and told him to stay in the cellar. Stopthief disobeys orders and leaves their safehouse. He speaks to a couple of Jackboots, telling them that he hopes to become one someday. The Jackboots laugh at this and ask him if he is Jewish. Stopthief says no, but tells them that he is a Gypsy. He then asks the Jackboots if they are Jewish. Stopthief’s question is met with laughter and derision. Soon after, Stopthief sees a woman carrying a box of cream puffs and steals it. As he runs away from the scene, he crashes into the one-armed boy. The boys laugh and eat their pastries off the floor, occasionally throwing them at one another.
Eventually, a Jackboot spots them and the boys run away in different directions. Stopthief doesn’t recognize his surroundings but he is unconcerned. He winds up in a garden, where he sees tomatoes growing on a vine. Stopthief eats two ripe red tomatoes while a little girl with brown hair and eyes watches him from inside the house. Stopthief feels self-conscious under the girl’s gaze and instead of running away after he finishes eating, he walks home. When he tells Uri about the tomatoes, the older boy does not believe him.
At the end of Chapter 7, Uri finally gives Stopthief a name and a story. Uri renames Stopthief Misha Pilsudksi. Misha Pilsudski was born in Russia and immigrated to Warsaw, Poland, with his father, who is a horse trader and his mother, who tells fortunes. Uri gives Misha Pilsudski many siblings and a favorite horse named Greta. Uri also attempts to explain why Stopthief/Misha is an orphan. Uri blames it on a Jackboot bombing and on farmers, who kidnap Misha in order to enslave him. When Stopthief asks about the yellow stone around his neck, Uri hurriedly says that Misha’s father gave it to him as a gift. Chapter 7 ends with Misha repeating his new name to himself.
Stopthief/Misha returns to the little girl’s house, where he finds arrows leading him to a buried piece of chocolate-covered candy. Misha and the little girl talk, and Misha asks if she is a Jew. She says yes, though her family tells her to keep it secret. The girl is six, going on seven and estimates, based on his height, that Misha is eight.
She invites him to her birthday party the next day and he agrees to come. The following day, when Misha arrives at the house, the little girl tells him that he is late and that some of her friends have already left. She invites him inside, where adults light candles on a beautifully-frosted cake in the shape of a garden and house. When Misha realizes they are setting the cake on fire, he quickly blows out the candles and steals the cake, bringing it back to Uri.
When Misha tells this to Uri, the older boy laughs at him, and proceeds to explain birthday candles to him. Misha finds this amusing as well, and they both proceed to eat the cake. The next day, Misha steals the prettiest cake he can find from the bakery and sets it on Janina’s front step. After putting candles into it, he runs away. Later, he sees fires in the distance that remind Misha of the birthday candles. When Misha gets closer however, he sees that there are men holding torches in front of the bakery he’d stolen from that day. The storefront window has been vandalized with a large yellow star and the men proceed to paint the baker’s face and beard.
The men force the baker out of his clothes and continue to paint his body under the threat of violence. The men laugh at the baker and eventually allow him to return back to his house. It is only then that Misha realizes there are men with torches everywhere, and that all along the street there are Jackboots humiliating Jewish men. Misha thinks that he is glad not to be a Jew. The next day, Misha and Uri head out into the street, where they see a number of Jewish people painting the word “Jew” onto their storefronts. Uri explains that this is so some people will not purchase goods from them.
Misha asks if Uri will have to paint the word on their barber shop but Uri explains that no one knows they live there and that no one would believe that a redhead is Jewish anyway. The chapter ends with Misha saying that he is glad he isn’t Jewish. Uri says that Misha should not be too glad about that fact.
Uri and Misha are forced out of their makeshift home when Jackboots ransack the building in the middle of the night. Uri wakes Misha up and they both grab their shoes and coats before running away. They hear gunshots behind them. The boys keep moving while they search for a place to sleep. They finally sleep among piles of rubble and are constantly cold. Misha remarks that the days of sleeping in beds and sitting in chairs are over; their icebox filled with food is gone, and the boys find that stealing food has become more difficult.
Uri has to go farther out to steal pickles and though they are able to feed themselves, the days of plenty seem to be over. Uri steals candy just for Misha, and the younger boy is delighted whenever he finds one filled with hazelnut buttercream. Misha recounts stealing bread from a wealthy woman, and that she called him a “dirty Jew” (40). In retaliation, Misha screams his name in her face and tells her that he is a Gypsy. When she once again berates him, he calls her a “dirty bread lady” and stomps on the bread while she looks on (40).
The day after, Misha steals five loaves of bread and when Uri tells him that he’ll give the rest to orphans, Misha insists that he is no longer an orphan and not like the other boys. Misha has now become the boy in the story Uri once told him. Uri brings Misha and the loaves to Doctor Korczak, who thanks them for their bread for the orphans. This spurs Misha to steal an extra loaf of bread and leave it on the step of Janina’s house. When Misha returns the day after, the loaf of bread is gone from the doorstep.
In these chapters, Uri and Stopthief’s lives are dramatically changed by the arrival of the Jackboots. At the beginning of Chapter 7, Uri and Stopthief are living in comparative luxury. They steal pickles and throw away candies that are not their favorite. Food is a symbol throughout Spinelli’s Milkweed and reflects not only the state of the city but also the lives of Uri and Misha. The excess and luxury of candies, cream puffs, and pastries represent the ways in which the boys live.
The food fight in the alley with the one-armed boy is particularly reminiscent of the first time Uri brings Stopthief to the stable. This bout of childishness however, is stopped by a Jackboot, who finds them in the alley playing with, and gorging themselves on, their food. The symbol of the red tomatoes, untouched and impossible in a place like war-torn Warsaw, seems to reflect the character of Janina.
Janina proves to be an interesting foil to Misha. While Misha is undoubtedly naive compared to Uri, Janina is sheltered in a way that Misha never has been. Janina’s innocence is a touchstone, a reminder of normalcy, and how children typically live and behave. Janina is worried about her birthday while Uri and Misha are forced to steal food to survive. In wartime Warsaw, it is telling that Janina’s innocence and childishness is rarer and odder than Misha’s way of life. This is made doubly clear when Spinelli has Misha rescue Janina’s birthday cake. When Misha sees Janina’s parents about to light the birthday candles on fire, he snatches it and runs. Misha’s instinctive reactions to childhood normalcy are to run and steal.
As winter enters Warsaw, food becomes increasingly difficult to find. Previously, the boys rolled around in excess food and played with it. Now, the icebox sits empty and the boys are forced to steal for survival, rather than pleasure. Just as food becomes scarcer in Warsaw, anti-Semitic sentiment becomes ever clearer. The Nazis, or Jackboots, begin first with mockery and humiliation. The Nazis make Jews wipe the street with their beards; they cut off Jews’ facial hair, and mark their storefront with giant stars of David to ensure that no one willfully enters the stores.
In Chapter 9, Misha’s position as an orphan is thrown into an even starker contrast against Janina’s life. Misha and Uri are forced to desert their makeshift base and yet, even with food being scarce, Misha leaves bread on Janina’s doorstep. Janina’s home is a constant, even to Misha, whose life is marked foremost by unpredictability.
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By Jerry Spinelli