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A few days after the party, Abuelito and the Martín family go to Abuelita’s new tomb to say goodbye to her. Pedro feels sad to be leaving Mexico, but he’s intrigued by Apá’s plan to treat the family to a more scenic route home through the Baja Peninsula. Pedro decides to begin drawing comics of Abuelito’s “new” adventures, but he’s frustrated that they seem to consist of nothing more exciting than sitting at a motorhome table eating half a banana. Excited and nervous about the opportunity to get to know his grandfather better, Pedro asks Abuelito to tell him about his adventures during the revolution. As Abuelito begins to tell Pedro about a very smart mule he once had, he notices that Pedro’s drawing looks more like a donkey than a mule. He takes the pencil and draws the mule and himself. Pedro is impressed with his skill and wonders if he got his artistic talents from Abuelito.
When the family reaches Puerto Vallarta, Apá spends money freely on food and attractions. After an especially expensive lunch, he tips the waiter well, asking for information about somewhere cheap to spend the night. The waiter invites them to park the motorhome at his cousin’s home—Amá is dubious about this plan, but all Apá cares about is that it will be free. Fortunately, the cousin’s house is on the beach outside of the city, and Pedro and his brothers have fun swimming all afternoon. Later, they meet a boy selling homemade fireworks. Pedro overpays for them and even tips the boy, trying to emulate his father. The boys discover the fireworks are fakes and won’t explode. Pedro wants Abuelito to confront the boy and get his money back, imagining that his “hero” grandfather will beat the boy up for him. Abuelito refuses, saying that money is not that important. Pedro feels disappointed and wonders if his understanding of his grandfather is mostly fantasy. Suddenly, real fireworks light up the night, and Pedro thinks that perhaps, if he is patient, Abuelito will show “his explosive power” when he is “good and ready” (238).
The family takes a ferry across to Cabo San Lucas. The boys are impressed with the area’s beauty, but Apá says it is too expensive to stay near Cabo San Lucas. Most of the family naps while Apá drives north along the coast, but Pedro stays awake to help Apá navigate. Apá surprises Pedro by telling him it’s time to learn how to drive. Pedro hits enough potholes to wake most of the family up, and the boys squabble about getting their own turns to drive. Pedro brakes suddenly for a traffic jam and wakes Abuelito who immediately worries that someone may need help. When Pedro grumbles that his grandfather was not this eager to help him with the boy who sold him fake fireworks, one of his brothers tells him to grow up and be his own hero instead of expecting Abuelito to fight his battles. A passerby explains to the family that everyone is waiting for a gas truck that is on the way, because the nearby gas station is out of gas and the next station is 80 kilometers away. Abuelito warns the boys to be careful and not wander around in the desert, which is full of scorpions and snakes. Pedro asks whether Abuelito has ever been bitten by a scorpion. When Abuelito takes a minute to answer, Pedro decides that his grandfather has not heard him, and he wanders away just as Abuelito begins to speak. Hugo chides Pedro, telling him to be more patient with Abuelito.
When the motorhome is finally refueled and back on the road, Pedro tries again to ask his grandfather about his adventures, but he has to keep stopping to ask his father for Spanish words he does not know. Eventually, Abuelito takes Pedro’s pad of paper and begins drawing a picture of Apá as a boy, using a slingshot to kill rabbits. Pedro draws his own version of the same scene, which Abuelito seems to enjoy. Pedro asks whether he too can get a slingshot and learn to kill rabbits. His parents and Abuelito tell him that he must practice to become a good shot, because it is sinful to make an animal suffer with a bad shot—the only moral way to hunt is to kill quickly and eat anything one kills.
As they approach the US border, Pedro feels anxious, but Apá tells him they have their papers in order and not to worry. The guards question Pedro about why he looks different from his identification picture. He explains that he has a new Vicente Fernández haircut, but they do not recognize the name. He mentions “The Fonz,” and the guard responds “Ayyyy!” and lets the family through (257). When the family reaches Los Angeles, relatives have gathered at Adam’s padrinos’ home to greet Abuelito. As they talk with Abuelito at the party, Pedro realizes suddenly that, just as he felt unsure about Abuelito living at their house, Abuelito might have reservations about the arrangement as well. Amá explains that it is possible to be happy and sad about something at the same time. She tells Pedro that Abuelito is like an avocado, covered in tough skin from everything he has endured to protect the richness he contains inside. Pedro is like the avocado’s seed, planted in a new land. Pedro is thrilled to think of himself as Abuelito’s legacy, a “sequel” to Abuelito’s greatness (262).
During the last part of the drive, a group of deer run across the road. A car ahead of the motorhome strikes one. Apá immediately pulls over. After he feels the deer’s neck for a pulse, he directs the boys to help him bring the deer into the motorhome. Abuelito impresses Pedro by dragging the deer back to the shower stall all by himself. The deer comes to and begins banging around in the bathroom. Pedro cannot believe the adults would accidentally bring a live deer into the motorhome, but decides that his father is a hero trying to save the deer’s life. When Pedro sees a ranger station sign, he tells his father they should stop so the rangers can help the deer. His father goes past the exit without stopping. He tells Pedro that rangers are just police for the forest. When Pedro tries to argue with him, he tells Pedro to sit down and be quiet.
Pedro feels terrible for the deer. He decides to go into the bathroom to try to calm and comfort the terrified animal. He sees that it has a badly injured hoof, and asks his mother how to help it. She tells him to cover its eyes so it cannot see the injury, but his attempt to do this with a towel only frightens the animal more. His parents tell him again to sit down and be quiet, but he keeps running to check on the deer and report what is happening. Finally, Amá grows so distressed that she tells him to either sit down and be quiet or really do something to help the deer: He must amputate its hoof and then apply a tourniquet. He looks to Abuelito, who offers his own suggestion: Pedro should euthanize the deer. Pedro tries his mother’s plan, but the knife is too dull. The deer kicks him, and Abuelito hauls him out of the bathroom. Eventually the deer goes silent. Amá explains that Apá thought the deer was dead when they brought it inside. She asks him to forgive her. He agrees, and the family finishes the drive in silence.
The older boys welcome Pedro home by squirting him with the plastic peeing doll. They report that when they got close to the border, it was late and dark. The car died because its battery was drained. Pedro angrily thinks about the too-dull knife he tried to use on the deer when he hears that they used the sharp machete to pop off the covers on the battery. He learns that they used some functional Mexican fireworks to light up their surroundings so they could find water for the battery and the plastic squirting toy to transport water back to the car. Once they got it running again, they drove to a service station to buy a new battery. They are proud of how well they did in overcoming this obstacle and ask how the younger siblings’ ride back was. Pedro refuses to talk about it; he leaves to go read comic books while his younger brothers tell the tale of the deer. He finds that his comic books are not as satisfying as usual; they seem boring, and “[e]verything [seems] different” now that he is home (296).
The next evening, the family hosts a party. The now-butchered deer is used to make plenty of birria to feed everyone. Pedro feels alienated from his siblings as they laugh and tell stories about their trip and enjoy the food. He sits by himself on the porch and refuses to come inside when he’s asked to tell the deer story. His sister tells him that both Apá and Abuelito are saying he acted heroically. He says that he felt stupid, not heroic, and she tells him that, in the moment, it is often hard to tell the difference. She explains that Abuelito let him handle the deer situation by himself because he had faith in Pedro. She points out that all of them had to grow up a little bit on this trip and handle some difficult things. Pedro sees that it is a little like his own parents’ childhoods in this way. His sister assures him that one day he will be ready to tell the deer story, because it will make him proud. When they go inside, Abuelito is telling the story; he makes Pedro sound brave and compassionate, and he even raises a cup to toast the “Deer Surgeon” (305). Pedro feels the familiar surge of happiness mixed with sadness and lets out his first real grito.
In the days following the trip, Pedro decides to keep his odd new haircut and learns to style it well. He feels that it represents his own mixed cultural heritage: half Fonz, half Vicente Fernández. He finds that he really enjoys having his grandfather around to tell stories, and he looks forward to teaching Abuelito all about Star Wars.
Pedro’s return home from Jalisco to Watsonville highlights the changes in his character over the course of the narrative. In the story’s opening, Pedro felt so reluctant to leave the United States that he needed cassette tapes of American television shows to keep himself connected to American culture. In the story’s resolution, Pedro’s experiences have taught him to embrace The Richness of Mexican Culture and learn to embody his Mexican identity. His attitude toward his grandfather also undergoes a dramatic change: He no longer imagines his grandfather as a remote, stern figure who will disapprove of his comic books and love of Star Wars. Instead, he sees Abuelito as an interesting person whom he wants to get to know and whom he wants to truly know him in return. He learns to view himself as a continuation of Abuelito’s legacy, recognizing the similarities between them.
Martín marks Pedro’s character growth in part by his evolving understanding of heroism. At the beginning of the trip back home to California, Pedro still holds some lingering fantasies about his grandfather: He feels disappointed when his questions about Abuelito’s adventures during the Mexican Revolution yield only a story about his grandfather’s favorite mule, and when Abuelito refuses to fight a child to avenge the fake fireworks incident. However, as Pedro discovers his grandfather’s artistic abilities, he begins to form a more grounded understanding of his grandfather and what it means to be Abuelito’s grandson, giving rise to an emerging definition of heroism. During the trip, Pedro’s brothers offer him valuable advice about his attitude toward his grandfather that helps him develop this more mature perspective. They tell him that Abuelito does not need to prove himself to Pedro, that Pedro should be more patient with his grandfather, and that Pedro himself needs to step up and be the hero he wishes his grandfather to be. As a result of this advice, Pedro finally acknowledges that Abuelito is “not a real-real superhero after all” and that his fantasies about his grandfather are just a projection of his own desire to feel special (237).
Coming to terms with the humanity of one’s older role models—parents, grandparents, etc.—reflects a classic trope of traditional coming-of-age narratives. During the trip home, Pedro begins to accept that his parents are imperfect people. When Apá has them bring the deer into the motorhome and it turns out to be alive, Pedro jumps to the conclusion that Apá is trying to help the deer even as Apá drives past the ranger station. He turns to his mother for advice, certain that she always knows what to do. Similarly, he expects his elderly grandfather to help him with his mission to operate on the deer. Desperate to ease the deer’s suffering and frustrated that none of the adults know how to help him or fix the situation, Pedro attempts to take action himself, impressing his grandfather with his initiative and compassion. When the deer finally dies and there is time to talk about and process what happened, Pedro’s mother explains that she and Apá don’t know everything and make mistakes just like him. She asks him to forgive her. Pedro signals his own maturity when he agrees, having faced the fact that the adults in his life are flawed, ordinary human beings, not all-knowing or all-powerful superheroes.
During the incident with the deer, Pedro demonstrates a willingness to be his own hero. Because of the stories he has heard about the past, he now sees his parents and grandfather as people who have suffered, shown courage, and overcome serious obstacles. He feels grateful that his own life is easier, and ready to step up and show courage and determination of his own. This realization underscores the importance of Amá’s analogy about the avocado for Pedro. He finally understands himself as part of Abuelito’s and his parents’ legacies, and he is proud to be a part of this line of brave and determined people. Martín reinforces this realization when Lila later tells Pedro that his grandfather did not help with the deer because he was sure that Pedro was ready to handle the situation on his own. Abuelito’s toasts Pedro for his bravery and compassion toward the deer, signals the completion of Pedro’s narrative arc. He understands that everything in life is a confusing mixture of positive and negative. In this moment he finally understands The Bittersweet Nature of Life and finds himself finally able to release a grito. To Pedro, it signals that he has finally found his “true, 100% authentic, somewhat mostly Mexican self” (306).
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