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In the present, it’s been a week since Fern and Will almost kissed after canoeing. Fern thinks about the day they had gone record-shopping because she’s wanted Will for so long.
Fern agrees to let Jamie plan the end-of-summer dance. Will decides to stay two more weeks to continue helping Fern. Fern wants Will to help her make the decision about whether to keep the resort, but he won’t give input outside of a professional context. Will invites Fern to dinner at his place. It’s the first time they’ve planned to get together for nonbusiness reasons.
Fern is anxious about dinner. She wears a tight black dress to accentuate her body. Will greets her in an apron, which makes her swoon. He cooks delicious burgers. Fern asks how Will learned to cook. Will explains that he’s the acting father figure for his sister’s child. The three of them live together, and Will has worked very hard to provide a stable and loving life. The child’s father is not in the picture. Will says that he doesn’t spend a lot of time out of the house when he isn’t working, and that his friend got him the consultant job. Will’s niece is nine now, so he’s been living this family life for a while. He says the early years were difficult, and he lost himself for some time. He doesn’t do art anymore. His family has been an obstacle for women in his life. Will and Fern talk about how plans change from one’s early twenties to early thirties. Will suggests Fern was possibly supposed to end up at the resort all along.
After dinner, Philippe texts Fern a photo of the corner store where Fern has dreamed of opening her coffee shop. For the first time in decades, the property is for sale. Fern cannot believe it. Philippe encourages her to return to Toronto and pursue her dream. Fern and Will discuss it. Fern isn’t sure what she wants anymore. Will believes Fern knows what she wants, but she’s too scared to admit it. Fern gets upset with Will for overstepping. She wants him to stop acting like he knows so much about her after abandoning her.
Fern goes home angrily. Will follows. Fern tells him that she won’t give up on her dream just because he gave up on his, but she knows this is a horrible thing to say. Before leaving her alone, Will tells her that she needs to admit to herself what she really wants.
In the past, when Will goes to the restroom, Fern worries he has ditched her because of her boyfriend confession. Will returns, and Fern can tell he’s somewhat upset. They do shots and go to the dance floor. With everyone dancing around them, they are quickly pressed together. Will is physically flirtatious with Fern but never crosses a line.
Fern grows weary and dizzy from all the dancing and alcohol. Will brings her water, and they decide to leave. It’s storming, and Fern leads Will to her apartment nearby.
In a diary entry, Maggie talks about how Peter grilled Eric while they hung out. Then, she details an argument she and Peter had the next morning.
In the present, Fern cannot sleep. She feels terrible about what she said to Will about him giving up his dream. The rage reminds her of being a teenager, and Fern doesn’t want to be that way anymore. Fern returns to Will’s cabin and apologizes for what she said. Will is hard to read, but invites Fern inside. Fern admits she knows what she wants. She kisses Will, but Will does not kiss back. Feeling embarrassed, Fern tries to leave, but Will catches her arm and asks her to tell him what she wants. Fern reluctantly confesses that she wants Will.
The moment Fern says she wants him, Will sweeps her into a passionate kiss, pulling her close and lifting her off the ground. They kiss for a while. Both have wanted each other for years. When Will takes off his shirt, Fern notices he has many tattoos over his torso, including the name Sofia. She feels jealous of whoever Sofia is.
Fern tries to advance their foreplay into sex, but Will stops her. He’s wanted her for so long, he wants to take his time. They continue to kiss for a long time before eventually having long-awaited sex.
The next morning, Fern wakes up in Will’s bed. Fern asks about Sofia. Will says Sofia is his niece, and Fern feels silly for being jealous. Fern asks if Will misses Sofia. It’s the longest time he’s spent away from the family since her birth. Will does miss her, but he’s happy for the “total break from reality” (182). Fern feels sad that she’s the break and not his reality.
Fern and Will have coffee. Will has also bought his own coffee maker because he couldn’t stand the coffee pods in the cabin. As much as Fern loves what happened the night before, she worries about letting herself develop feelings for Will again, especially after his “break from reality”(182) comment.
In the past, Fern and Will change into dry clothes in Fern’s small apartment. Will asks about a photograph of Fern, her mother, and Peter. Fern tells Will about her family dynamic. Her grandparents lived at the resort until Fern was 12; then, it was just Fern, her mother, and Peter.
Will notices that Fern hasn’t begun packing for her upcoming move. Fern laments the idea of moving into her childhood home with her mom again. Will asks why Fern feels she must go home, and Fern doesn’t want to answer. Fern and Will snack on some of Peter’s bread, which Whitney brought when she came. The power goes out, and Will lights all of Fern’s candles and spreads them around the room. Will suggests Fern teach him how to operate a canoe when he eventually visits the resort. Fern agrees, but only if he shows her his art.
Will gives Fern the sketchbook he’s had on him. Some of his works are portraits of people. One is of his sister, Annabel. Will says it’s hard to find models, so Fern asks him to draw her. Fern poses on her bed while Will sketches her in the candlelight. Will explains that he’s not in Toronto often these days, but that he came back for his father’s engagement party. Fern suggests Will stay the night because of the storm.
Will asks about Jamie. Fern says he’s the “caramel pudding” of people. Will asks what dessert Fern would be. Fern confesses Jamie thinks she’s a lemon tart. Unlike Fern, Jamie loves working at the resort. Will suggests maybe Fern loves it too based on her tears at the art gallery earlier. Fern realizes Will is right. She does love the lake and the people of the resort. Fern recalls how she and her mother have grown closer since she left for college. She tells Will that she doesn’t have a choice about returning to the resort. She hasn’t told Jamie, Peter, or anyone else how she feels.
Fern asks if Will is in love with Fred. Will says he’s realized he isn’t. Will shows Fern the completed portrait. Fern feels Will really captured her.
In a diary entry, Maggie describes her period being late. She’s scared because she has a life plan and having kids right now doesn’t fit. She’s terrified she’s pregnant.
In the present, Fern goes swimming off the dock, which she has fond family memories of. Her grandparents used to sit on the dock, and when it was just Fern and her mother, they would have breakfast on the dock together. When Fern was a rebellious teenager, her mother still insisted she come to the dock in the mornings. Fern has been pushing through her mother’s diaries, but it’s hard to read them. She realizes how young her mother sounds at 22.
Fern thinks seriously about what she wants, which includes both Will and the resort. She remembers telling her mother about swearing off men after catching Philippe cheating. Fern’s mother responded that Fern has too much love to keep to herself. Fern feels she can’t let go of her mother. She realizes people and dreams both change. She wishes she could tell her mother that she’s decided to keep the resort and ask for advice.
Fern calls Peter to tell him about her decision and then invites Jamie over to tell him in person. Fern tells Jamie how much she appreciates his help over the last few weeks while she’s been figuring things out. Jamie jokes that he thought she’d fire him because she’s still in love with him. Amused, Fern tells Jamie that she’s keeping the resort. She wants to make some changes, and needs Jamie’s input because he’s important to the operation.
Jamie and Fern celebrate with alcohol. When Will walks in, Jamie explains that they are celebrating Fern’s good news. Once Jamie leaves, Will tells Fern he’s jealous she told Jamie before him.
Fern and Will quickly become intimate again. Will confesses that he was considering breaking up with Fred over text on their day together 10 years ago until he found out about Jamie. He still has resentment toward Jamie. Will also confesses that he didn’t need Fern’s help varnishing the mural; he only asked her to help so they could spend more time together. They have sex.
Later, Fern brings Will to dinner at Whitney’s home and tells Whitney about her plans to stay. Dinner goes fine until Will excuses himself to take a private phone call. He’s gone for a while, so Fern investigates. Will is distraught and asks to leave. On the way back, Will explains he was talking to Annabel, and she’s begun looking for her own place with Sofia. Fern wants to know more about where Will’s mind is, but Will doesn’t want to talk about it. Will declines Fern’s invitation to sleep together that night because he wants to call Annabel back. Fern laments that he isn’t with her when she sees his light on late at night.
In the past, Fern examines Will’s drawing of her. She’s spent years trying not to draw attention to herself. Fern feels that when she began lashing out as a teen, she unearthed a dark and rotten core. She’s worried for years that that’s who she is; she’s worked hard to be responsible and diligent to make up for that time. Now, looking at Will’s drawing, she sees herself through his eyes and feels beautiful. Will does not see the bad in her. Fern asks if she can keep the drawing, and Will agrees.
Will tells Fern about his grandmother. He spent a lot of time with her shortly after his parents divorced. Everyone struggled once Will’s mother left. Will was angry at her for abandoning them, and he lashed out by picking fights. Fern recognizes that she and Will have felt the same feelings of anger and desire to lash out. Will explains that living with his grandmother helped him work through his emotions. He vowed to never be like his mother, but worries they have things in common. Fern reassures him that he’s not like her.
Will asks Fern to elaborate about why she must return to the resort. Fern explains that everyone is expecting her to return, and she doesn’t want to disappoint her mother. Will feels there’s more Fern isn’t explaining. He wants Fern to tell him about it.
In a diary entry, Maggie describes finding a note on Eric’s bunk. He’s left because he doesn’t want to be a father. Maggie thought Eric loved her. She regrets that Peter was right and that she and Peter haven’t spoken in a month. She worries about what to say to her parents.
In Chapters 13-18, Fortune heavily develops the novel’s main themes and progress the story forward by showing how Fern works through her grief, her difficult choices, and her attraction to Will.
In Chapter 13, it’s revealed that the album Will gave Fern is the same one she said she wished she could own 10 years prior, Horses by Patti Smith. Not only does this gesture reflect Will’s affection for and knowledge of Fern; it explores the importance of capitalizing on second chances. Fern didn’t have the money for records or a record player in the past, but now she has a second chance to own her album of choice, courtesy of Will. Fern begins to let Will into her life again after this. She accepts his invitation to dinner, showing that she is ready to give Will himself a second chance after he hurt her all those years ago.
Second chances are also relevant to the Fern of the past. Her sense of obligation to work hard and be responsible is her way of making the most of a second chance and shaping her life after years of destructive rebellion.
Fortune explores The Gap Between Plans and Reality through the way both main characters have changed since their first meeting. In Chapter 13, Will explains that his life changed about nine years ago when he took on responsibility for his sister and her child. He gave up art, got an office job, and sacrificed everything for his family. He muses: “It’s not what I pictured myself doing when I was twenty-two, but who the hell knows anything in their early twenties anyway?” (158). Here, Fortune develops the idea that plans and reality do not always align. There is a parallel between 32-year-old Will and 32-year-old Fern, as both have wound up in places they didn’t foresee by the time they reunite.
Maggie’s diary entries also stress how plans and reality do not always align. At the end of Chapter 16, her frantic diary entry is revealed: “I have a plan […] I’m not supposed to have kids for at least another five years” (200). Maggie’s realization that she’s pregnant before she wants to be emphasizes how plans must be sacrificed or adjusted to reality.
Chapter 17 explores The Link Between Grief and Tenderness when Fern decides to stay and run the resort. Fern visits the dock where she and her mother used to sit every morning. She narrates: “This was our place—the only one that ever really felt like hers and mine alone” (202). While reminiscing about all the times they spent together, Fern feels she can hear her mother’s voice and wishes Maggie were with her. She experiences a shift: “People change. Dreams change, too” (203). She realizes: “I want to stay” (203). Fern’s decision to alter the course of her life and stay at the resort comes from a place of tenderness. By embracing the good times with her mother, even though it makes her sad, Fern heals her grief; she realizes that she wants to keep Brookbanks and fill her mother’s shoes. Fern’s tender feelings give her clarity that help her make a decision unclouded by grief, suggesting that love can be a cure for grief.
These chapters also develop several symbols. For example, Will’s gifting of the Patti Smith album to Fern explores how music is an extension of affection. The chapters also explore how lemons represent Will’s attraction to Fern. In Chapter 16, Fern confesses to Will that “Jamie thinks I’m a lemon tart” (196). She watches “Will’s chest rise and fall” at the admission, reflecting his emotion (196). Earlier in the novel, it’s established that Will loves everything lemon flavored; this implies Will is fated to love Fern, the embodiment of a lemon tart. Finally, the chapters explore coffee as an indicator of good or bad times. After Fern and Will have sex for the first time, Will serves Fern classic drip coffee, which isn’t a standard feature of his cabin. Will confesses that he bought the machine himself. The improvement of standard coffee reflects the improvement of Will and Fern’s dynamic after their romantic night together.
In both timelines, Fortune explores Will and Fern’s developing intimacy. In the past, they get to know each other on a personal level, talking about their families and their pasts. In the present, they finally get to explore each other on a sexual level. In both timelines, Fern and Will break barriers and build a connection, showing how their attraction to one another is multi-faceted and ongoing.
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By Carley Fortune