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288
Play • Fiction
London, England • Early 1900s
1903
Adult
18+ years
Man and Superman by George Bernard Shaw follows the story of Jack Tanner, a radical thinker and sworn bachelor, who becomes the guardian of Ann Whitefield, an astute young woman determined to marry him despite his philosophical rejection of romance and marriage. The play explores themes of love, social conventions, and the battle of the sexes, illustrated through Shaw's satirical lens and intellectual discourse.
Informative
Humorous
Contemplative
Romantic
Challenging
Man And Superman by George Bernard Shaw is a witty and thought-provoking play that delves into social, philosophical, and romantic themes. Critics praise its clever dialogue and intellectual depth, although some find its length and complexity challenging. Overall, Shaw's work is celebrated for its humor and insight, making it a significant literary piece.
A reader who enjoys Man and Superman by George Bernard Shaw is likely to appreciate witty dialogues, philosophical debates, and social criticism. Fans of Oscar Wilde's The Importance of Being Earnest and Friedrich Nietzsche's Thus Spoke Zarathustra will find similar intellectual engagement and satirical sharpness.
Roebuck Ramsden
An old family friend who sees himself as liberal and progressive but is conservative compared to Jack, especially shocked and concerned about Violet's secret marriage and Jack's influence.
Octavius Robinson
A romantic and emotional young artist who is devoted to Ann, idealizes her, and is quick to forgive Jack for being the object of her affection despite Ann's manipulative nature.
Ann Whitefield
A charming and seemingly innocent young woman who is skilled at manipulation and sets her sights on men with an intent to captivate them, using her wits and charm.
Violet Robinson
Octavius’s strong-willed and pragmatic sister, who defies social norms to marry a wealthy man, intending to keep hold of the advantages she gains.
Mrs. Whitefield
The widowed mother of Ann and Rhoda, who appears quiet but is perceptive, recognizing her daughter's manipulative tendencies and Jack's potential to manage Ann.
Henry Straker
Known also as Enry, he is proud of his working-class roots and represents a realistic, pragmatic counterpoint to Jack's lofty romanticization of the working class.
Hector Malone, Jr.
An American poised to inherit his father’s fortune, who is secretly married to Violet and struggles with his desire for independence and romantic ideals.
Hector Malone, Sr.
A wealthy American with a focus on social class who fled Ireland’s famine and desires for his son to marry someone with a title, but he eventually accepts Violet into the family.
Mendoza
A former waiter turned leader of a group of thieves, embodying both romanticism and practicality as he navigates his new life outside society’s norms.
Don Juan
Jack’s philosophical ancestor portrayed in the third act, now in Hell, who has turned from pursuing women to focusing on philosophy and the concept of the Superman.
Dona Ana
Portrayed by Ann in the third act, she is a woman who finds herself unexpectedly in Hell and is determined to reach Heaven, having upheld religious and social propriety in life.
The Statue
Played by Ramsden, he is Ana’s father who died in a duel with Don Juan and appears in Hell, preferring its pleasures over philosophy in Heaven.
The Devil
Portrayed by Mendoza, this character counters Don Juan with romanticism, having chosen to create Hell out of boredom and offering pleasure without responsibility.
288
Play • Fiction
London, England • Early 1900s
1903
Adult
18+ years
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