57 pages 1 hour read

Madwoman

Fiction | Novel | Adult | Published in 2024

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Symbols & Motifs

Water

Content Warning: This section of the guide includes discussion of child abuse, physical abuse, and emotional abuse.

In Madwoman, the motif of water manifests in multiple forms that reflect and amplify the text’s exploration of The Commodification of Safety. Early on, Clove’s mother’s obsession with bottled water represents both the desperate need for control in an abusive environment and the futility of attempting such control—the water bottles became objects of safety that ultimately could not protect her family against violence and abuse from Clove’s father. The still water contained in bottles contrasts sharply with the threatening expanses of the ocean, where the father’s attempt to drown the protagonist marked a crucial moment of trauma. In this way, water functions as a contradictory symbol—representing both the possibility of safety and the failures of protection—which mirrors the nature of Clove and her mother’s characterization.

The novel also develops water’s symbolic significance through its connection to Hawaii’s island setting, where Clove felt as if the ocean was both an escape and imprisonment. The high-rise apartment’s location above the water created a constant reminder of both potential freedom and deadly threat. Its height also removed Clove and her mother from a potential source of symbolic protection in the ocean itself. When Clove recalls how she swam back to shore after her father attempted to drown her, the water reaches the zenith of its symbolism, as the author contrasts both survival and the beginning of Clove’s separation from her mother’s narrative of events with the potential violence contained in its expanse.

Naming

The motif of naming in the novel functions as a primary vehicle for exploring the theme of The Struggle for Personal Identity Amid Trauma. The protagonist’s progression through multiple names—Calla, Celine, and Clove—tracks her attempts at self-reinvention, with each name marking a distinct phase of her journey toward survival. This pattern of naming and renaming supports the novel’s exploration of how trauma survivors must often reconstruct their fragmented identities to survive, even if that reconstruction results in a significant identity shift.

The author’s decision to leave key male characters unnamed—the butcher, the husband, and the father—creates a contrasting pattern that amplifies the significance of the protagonist’s multiple names. The unnamed status of these characters serves different narrative functions. For instance, the father’s namelessness renders him an archetypal threat, while the husband’s reflects how Clove deliberately chose him for his perceived blandness. The unnamed status of male characters emphasizes the novel’s preoccupation with naming as a form of both power and vulnerability, particularly in the character of Jane/Celine, whose multiple names and physical transformations mirror Clove’s own malleable identities.

Lying

The motif of lying operates throughout the novel as a mechanism of both survival and self-destruction. The text establishes a pattern where truth telling leads to violence and lying enables survival. However, lying is not without its consequences to the characters, as it creates forms of hidden imprisonment. For example, Clove shields herself through lies—from her hidden credit card debt to her elaborate story about her parents dying in a car crash. Ironically, this shield also eventually turns into a cage, preventing her from truly connecting with the people she loves.

The author develops this motif through parallel uses of protective and destructive mistruths. Clove’s careful construction of false narratives for her husband represents survival-oriented deception. This pattern extends to Jane/Celine, whose own elaborate deceptions mirror Clove’s strategies. However, the text is also clear as to how these lies evolve into barriers to authentic healing. This pattern supports the novel’s broader theme of The Commodification of Safety, where lies become another form of currency in the economy of survival.

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