65 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Lorna’s necklace is a symbol of her childhood prior to her abduction and her true parentage and class. It also highlights Lorna’s ignorance of these things. While Lorna believes the necklace is made of glass, it is actually riddled with diamonds and worth a hundred thousand pounds as an heirloom of her ancient lineage. Sir Ensor Doone originally held the necklace in trust for Lorna, but he returns it on his deathbed, metaphorically freeing her from the Doone’s control. Once she is truly free from the Doones and living at Plover’s Barrow, she wears it, unknowingly stepping into her identity without the Doones to stifle her. It is the value of the piece which calls her identity into question, as the Doones would not be able to afford such a thing. The Counsellor steals the necklace, mirroring the Doones’s intentions of stealing Lorna’s fortune through marriage and thereby making her a Doone. Ultimately, the necklace is returned to Lorna after she has claimed her birthright as Lady Dugal, and her husband has destroyed Doone Glen and its men.
John considers himself to be a man at a relatively young age by virtue of his size and responsibilities. He considers fighting and his success in wrestling and shooting to be a key part in his masculinity. John also makes a point of saying that men are responsible for preventing harm to themselves, their goods, and those who depend on them. This implies a certain level of victim-blaming and the belief that a man who cannot defend himself is not a worthy man. Despite the danger presented by Carver Doone, John repeatedly speaks of him with respect to his fighting and shooting abilities and describes himself as his “match in masculinity” (338-339). Due to this view, John is eager to fight Carver and determine which of them is stronger to validate his own strength. When they first physically fight, John verbally attacks Carver, calling him less than a man. At their last fight, John’s narration makes a point of saying that Carver has recognized John as his superior in strength.
As a proud son of Exmoor, John regularly attempts to record the speech of the people accurately by reflecting their dialects. This is most apparent in the speech of Betty Muxworthy, John Frye, Gwenny Carfax, and Benita Odam. In addition to reflecting dialect through spelling, John also takes pains to describe the scenery of the land in great detail. He also records local sayings and the traditional Harvest Song sung by the laborers. All of these areas provide the reader with a window into 17th-century life at the border of Devonshire and Somersetshire.
John repeatedly demonstrates the psychological phenomenon of “personal epic,” the belief one has experienced emotions which no one else ever has. In John’s case, it is largely focused on his love of Lorna. Throughout the story, John makes a concentrated effort to dramatize his love of Lorna, saying that he can have her love or die. Further, John insists that no one else could possibly understand its depth, let alone love any as deeply. While this fact is repeatedly demonstrated, it is best shown through the following quote:
To forget one’s luck of life, to forget the cark of care, and withering of young fingers; not to feel, or be moved by all the change of thought and heart, from large young heat to the sinewy lines and dry bones of old age—this is what I have to do, ere ever I can make you know (even as a dream is known) how I loved my Lorna (106).
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: