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The first cases of typhus begin to appear in January and increase “week to week, almost exclusively in the Jewish district, where most of Irena’s clients [live]” (104). Irena and her mother search her clothes every day and crush any lice they find. Irena becomes worried that her mother will contract the same disease that killed her father, who himself “contracted [it]from treating sick and impoverished Jews” (104).
The winter brings “historic cold” (104) to Warsaw. Janina suffers a chest infection but isn’t able to find a doctor to treat her for days; the doctor who does tells Irena he has “not seen so much illness since the 1918 Spanish Flu pandemic” (104). As the doctor treats her mother, she recalls her father’s treatment. She was only 7 at the time and was told they would be spending time with relatives. When she tried to kiss her father goodbye, she was sharply rebuked. As his last words to her, he told her to “[a]lways remember […] If you see someone drowning, you must rescue him, even if you cannot swim” (105).
Germany issues new decrees “almost daily—a new restriction, another indignity, a slow tightening of the occupation vice” (106). Streets and transport become operable again; most pedestrians, on the other hand, are Jewish, who dress poorly and plainly in order to avoid “[a]ny evidence of opulence” (106), which might result in the Germans seizing their things.
One day in January, Irena waits on a street corner to meet with Ewa in order to pass her forged Kennkarte identity cards, baptismal certificates, and ration cards provided by a Catholic priest. Ewa is late; while she waits, she fears the Gestapo and observes beggars in search of food. She considers the fact that nearly everyone on that street was involved in some sort of illicit activity. Irena is about to leave when Ewa arrives; she explains that she was seized by two Germans, who forced her to clean a feces-ridden apartment with her blouse.
Ewa’s encounter shakes Irena; in order to “keep despair at bay, [she conjures] new strategies around German welfare restrictions and starvation rations, thoughts that [inspire] […] something akin to satisfaction” (108). In February, she sets up an after-hours meeting with Irena Schultz, Jaga, Jan, and Ewa. Although gifts would typically include flowers, this time they instead include coal and other “more utilitarian” (109)offerings. Their dinner, too, is spartan: “By combining ration cards they scraped together a modest dinner of soup, bread, butter, eggs, and vegetables” (110)—with the exception of Ewa, who was told not to bring any food in order to avoid eating into her already meager rations.
Following dinner, they discuss Irena’s “ideas of how [they] can help [their] Jewish clients” (111), ideas she admits are not legal. Irena has a network of people in different districts who are willing to help distribute papers, goods, and money; she further suggests that they all know others, as well, who would be willing to help. Her plan is to falsify documents, using Aryan names to obtain benefits for Jewish families, while listing the Aryan families as having typhus, using the Germans’ fear of typhus to avoid having them follow up to check.
As the night continues, they flesh out their plans and ideas further. Jan plays devil’s advocate, helping to work out the kinks, but nevertheless casting doubt. By the end of the evening, it is well past curfew and they must all spend the night at Irena’s apartment. Yet they have also all agreed to work together on the plan.
In the spring, the cold subsides, but the German army continues to roll through Europe unchecked. In Warsaw, the Germans force Jews to labor in 12-hour days, largely to build the wall around the Jewish District; “some [die] of beatings and dehydration” (114). Irena meets with Stefan, who was able to buy himself a new identity—he is now living in a run-down apartment, working for the resistance, distributing one of the many underground newspapers. It is through Stefan that Irena learns of the “marketplace of the underground” (114).
In May, Dr. Majkowski, the director of the Zakladow Sanitarium’s Sanitary Epidemiological Station, calls Irena for a meeting. There has been a death from typhus; due to the draconian quarantine laws, this means that the entire building will be taken for delousing and showering. They would then be placed under full quarantine for 21 days. He has learned that there will be an Aktion, “quarantining Krochmalna Street from Ciepla to Walicow. Twenty thousand people. The biggest quarantine yet” (116).
Dr. Majkowski needs Irena’s help; having been waiting for this moment, she knows “exactly how to mobilize her network of social workers” (117). They procure false documents and food, and ahead of the Aktion, distribute it and hide it “under foul smelling dressings, bandages, and sheets […] in cellars and attics” (117). A few days later, without warning, the Aktion begins. Irena is almost arrested when she runs to the aid of an old woman who was hit with a baton but is simply told to leave instead. As she walks away, she feels “the burgeoning vigor of her anger far outweigh her fear, and that in and of itself [is] a welcome revelation” (118).
In October 1940, all Jews are required to move into the Jewish District. Warsaw had become somewhat stable and functional again; however, “the sealing of the ghetto [throws] everything into turmoil again” (120). To add insult to injury, as is common, the Germans choose Yom Kippur for the move, turning a traditional holy day of fasting and praying into a day of labor for the bricklayers, many of whom “fainted or died” (120)trying to complete the wall. By November 15, the Jewish District is sealed. For a time, Germans routinely enter the District in order to steal from Jews; however, with the resurgence of typhus in the ghetto, the practice ends.
Social workers are further forbidden from entering the ghetto, as benefits are forbidden to Jews. The two Irenas continue to enter daily in nurse’s uniforms using Epidemic Control passes signed by Dr. Majkowski. They wear layers filled with contraband to leave behind with families, and in order to allay suspicion, they enter and leave through different gates. Irena Sendler even begins wearing a white armband to further become invisible; it is additionally “a measure of solidarity” (122)that reminds her of her acts of resistance from her university days.
The ghetto is overcrowded; it has become “normal for seven or eight people to live in each room of a flat” (123), and the streets are filled with beggars. Irena begins to note “time in the ghetto by noting the disappearance of those beggars she [has come] to recognize” (123). She notices one family in particular, a couple with six children who sing every day. As time passes, the number of their children continues to decrease, until only the mother and father remain, still singing, but now with the mother in the stroller: “Then she too was gone, and there was no more singing” (124).
By late December, the two Irenas are entering the ghetto several times daily. Irena Sendler meets with Ewa and tells her of her plan to begin smuggling orphans out of the ghetto into foster homes on the Aryan side. Half of the courthouse is inside the ghetto and half is on the Aryan side; through sympathetic accomplices, Irena’s plan is to smuggle orphans through the courthouse’s basement tunnels. Irena suggests, too, that she could sneak Ewa out; Ewa declines, saying that her looks would give her away, and that the “ghetto may be a prison, or a zoo, but outside this wall I’m a hunted animal. Here, at least I have an identity […] a shred of dignity” (125).
Ewa has also begun dating a Jewish Police officer, Schmuel. Irena is disappointed, but Ewa argues that it is a good thing, and that he is one of the good ones. She stops Irena’s protests, though, saying that Irena “cannot know what it’s like to live inside […] We all do what we can and what we must” (126). She also tells her that Schmuel knows which Germans can be bought.
A few days later, Irena observes Schmuel from a distance. At first, he seems “gregarious” (127).She notices, too, that “in spite of the rationing,” he is “one of the few Jews or Poles to still have a slightly rounded belly” (127). Suddenly, a small boy runs by; Irena watches as Schmuel grabs him, holds him in the air, then cracks his legs with the baton, leaving the boy screaming on the ground.
Irena waits for the gate to get busy again, then approaches Schmuel, introducing herself and asking to talk in private. She first inquires about the boy. Schmuel says he’ll be sent to Gensia Prison, where “[a]t least he’ll have a meal every day and a place to sleep” (128). Irena knows that the children in Gensia receive “starvation rations and [sleep] on straw mats in a cold dormitory,” reasoning that Schmuel is “either ignorant or lying” (128). She then makes arrangements with him to move packages through the gate at a high cost—she sees nothing of the “clumsy ‘sweet boy’ that Ewa described” (128).
The next day, Irena meets Antoni Danbrowski, an ambulance driver sympathetic to their cause, to move supplies through the gate. After a show by Schmuel, the ambulance is allowed to pass through; down an alley, teens from Ewa’s Youth Circle collect the supplies and disappear.
The next day, Irena attempts to bring 10,000 zloty into the ghetto. However, she is pulled aside and searched, and the money is found. Thinking quickly, she demands to be let through on the orders of Dr. Majkowski. The guard calls, confirms this with the doctor, and lets Irena pass—but not without taking 1,000 zloty “for [his] trouble” (130).
In October, the Germans begin to shrink the Jewish ghetto even further. Ewa, as a result, is now able to look out her window into the Aryan side of Warsaw; this view makes one of the younger boys “feel like an animal in the zoo” (132). This proves to be particularly prescient, as German soldiers would frequently “sight-see” (132)in the ghetto, even taking their wives and girlfriends along.
Winter comes early, in October, and by January the cold is fierce. The spread of typhus worsens, and Irena and her mother find lice nearly every night upon her return. Irena begins to develop “a sense of how close to death a beggar [is] by the state of his clothes or rags, or if she wore shoes” (133). German soldiers begin to arrest more Poles for aiding Jews: “Every Pole’s worst nightmare [is] Gestapo interrogation; and everyone [has] some secret or another […] It [is] impossible to know whom to trust” (134).
By the end of 1941, America has joined the war, and Russia has stopped the German advance, giving people hope. The decrees, however, continue.
The abstract becomes the personal in a frightening way through these chapters. Ewa’s encounter with the Gestapo, for Irena, makes the oppression real in a way it hadn’t quite been prior to this. The book emphasizes personal connections to tragedy. The girls, for example, relate to the Holocaust and to Irena’s experience through personal connections more than through the abstract, and they search for these kinds of connections as a heuristic for understanding. Irena’s experience here does something similar—it isn’t that she did not previously care, but that the horrors somehow become more real, the need for assistance more urgent.
It could be argued, then, that Ewa’s experience is what prompts the late-night dinner that puts the more dangerous plans into motion. Nevertheless, the dinner is a democratic process. The group puts proposals forward in order to hash out a plan, but it is not naively optimistic. Rather, in part due to Jan, it is often pessimistic, seeking to root out any flaws in the plan before those flaws become their eventual downfall. In this way, the dinner emphasizes the necessity of the collective and its relationship to individual power and efficacy. Despite Irena’s eventual insistence that she needs to know if they’re all in or out, and her frustration with Jan’s nay saying, the book leaves open the suggestion that the plan would not have been nearly as strong without that input. As a result, their first enactment is executed flawlessly.
Ewa’s relationship with Schmuel represents the murky realities and moralities of war, as does Schmuel himself. Irena later wonders at the way the Nazis pit Jews against one another as a further indignity, but Schmuel as a character suggest something more organic and primitive about the actions as ones of survival in a chaotic world. Schmuel may adopt the brutal mannerisms of the oppressors, but he does seem to love Ewa, and he likely believes the more sanitized version of events that is passed along. Ewa likewise understands that her relationship is one of betrayal in a sense, but is quick to rebuke Irena’s critiques, to remind her that until one is in that position, it is impossible to know what one will do. This is a thought the Kansas students continually return to.
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