56 pages 1 hour read

Life After Life

Fiction | Novel | Adult | Published in 2013

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Parts 21-24Chapter Summaries & Analyses

Part 21: “A Lovely Day Tomorrow”-Part 24: “The Land of Begin Again”

Part 21, Chapter 33 Summary: “2 September 1939”

Pamela and Ursula discuss Maurice’s family. His wife, Edwina, is very Christian, and Pamela thinks their children, Philip and Hazel, are dull. Pamela has three sons—Nigel, Andrew, and Christopher—but hopes for a girl. Maurice says the war won’t last long. Ursula is part of the Air Raid Precautions department in the Home Office, where incident reports come across her desk in buff-colored folders. Ursula attended a secretarial college run by Mr. Carver and rebelled when he wanted the girls to wear blindfolds. Ursula thinks about a yellow dress she wishes she’d bought. She is involved with Crighton, a man from the Admiralty who had been at Jutland. He is married with three daughters, and Ursula thinks of him as having “a cryptic self” (257). Maurice, Pamela says, is himself and will never change. Pamela remarks that this might be the last ordinary day they have in a long time.

Part 21, Chapter 34 Summary: “November 1940”

Ursula lies on her back in a shallow pool of water. She realizes her apartment on Argyll Road has been bombed. Ursula has heard people speak of “Blitz spirit” and wonders, “really, what was the alternative?” (264). Since the end of her affair with Crighton, Ursula has been seeing a young man from her German course, Ralph. Crighton asked her if she has his cigarette case, which his father gave him after Jutland. Ursula hasn’t told him she kept it.

Ursula has seen other parts of London bombed or burned. She and Ralph discussed once how things could be different if Hitler had had a different fate—if someone had killed him as a baby, for instance. Ursula thinks she would kill Hitler if it would save Teddy, who has just joined the Royal Air Force.

Mr. Miller, part of a big family in the building, has put reproductions of English paintings in the cellar, which is their bomb shelter. Ursula detests the Bubbles by Millais. She says goodbye to Ralph as he leaves for work. Looking at the moon, she thinks how huge the war is and how hard it is to understand it.

The siren goes off, and as Ursula goes down the stairs, she passes the Nesbit sisters going up to fetch their knitting. Lavinia is wearing an enamel brooch shaped like a black cat with a rhinestone eye. A few weeks ago, Ursula saw one of Mr. Miller’s daughters, Renee, having a drink at a hotel with a man whom Jimmy, who was visiting Ursula, called a sleazy gent. Ursula is cold. She can see Bubbles and Lavinia Nesbit’s dress hanging from the staircase. Ursula realizes Lavinia’s body is still in the dress, the eye in the brooch winking at her.

A warden comes to rescue her. She mentions the neighbor Mrs. Appleyard’s baby, who has been crying. He calls her Susie and tells her she’ll get out and have a cup of tea. Ursula thinks of flying off the roof, picking raspberries, playing with Teddy, and then snow and darkness.

Part 22, Chapter 35 Summary: “2 September 1939”

Ursula tries on a yellow dress she bought and listens to her neighbor, Mrs. Appleyard, fighting with Mr. Appleyard. Sylvie denounces Ursula for being a spinster. Ursula has dinner with Crighton, who has left his wife. He invites Ursula to live with him in Knightsbridge.

Part 22, Chapter 36 Summary: “April 1940”

Maurice picks Ursula up at her apartment in Knightsbridge to drive to Fox Corner for Easter. Sylvie has taken in two young boys, evacuees. Ursula’s family teases her for being unmarried. Izzy is leaving for California with her husband, a playwright. Teddy is headed to Canada for pilot training. Mrs. Glover has retired now that George has died. Pamela arrives with her children. Ursula reflects that home, for her, is no longer Fox Corner but an idea lost in the past. Crighton reports that Norway has fallen.

Part 22, Chapter 37 Summary: “November 1940”

Ursula takes baby clothes to Mrs. Appleyard. She thinks of Ralph, a friend she met in German class. The sirens go off, and Ursula joins the others in the cellar, including Renee Miller, whom Ursula and Jimmy saw at a hotel having a drink with a man Jimmy did not approve of. The bomb hits, and Ursula hears a man calling her Susie as everything goes dark.

Part 23, Chapter 38 Summary: “September 1940”

Ursula misses Crighton, who ended their affair the night before war was declared.

Part 23, Chapter 39 Summary: “November 1940”

Ursula, looking at the moon, hears the plane overhead, and sees a dog in a doorway across the street. She goes outside to rescue it. When the bomb falls, Ursula marvels at how long the explosion seems to last, with “a character that change[s] and develop[s] as it [goes] along so that you [have] no idea how it [is] going to end up, how you [are] going to end up” (320). She sees a fireman who looks like Fred Smith. Then the wall of a building falls, crushing her.

Part 23, Chapter 40 Summary: “August 1926”

Ursula reads a novel in the sunshine and watches a small rabbit. Maurice is home and teaching Ursula how to shoot. Ursula speaks of university, which Sylvie says won’t prepare her to be a wife and mother. Ursula takes a walk and on her way home runs into Benjamin Cole, who invites her to a party. After he leaves, Ursula is accosted by a stranger, a rough-looking man. She runs away. The party is disappointing.

Part 24, Chapter 41 Summary: “August 1933”

Ursula, waiting by the roadside with her friend Klara Brenner, watches the Chancellor of the Reich, who is calling himself the Führer, drive by to his mountainside retreat. Ursula is staying with the Brenners during her tour of Germany and goes on a walking trip with the girls. Klara’s younger sisters are in the girls’ version of the Hitler Jugend, a youth group. Ursula intends to take a teaching job when she returns to England after her travels.

Sylvie complained about her choice, and Ursula spoke to Millie about what opportunities there were for an educated woman if she didn’t want to go straight from the parental home to the marital one. On the train to Germany, a man tried to push into the lavatory after Ursula. A pair of officers took the man away. She heard later a man had fallen from the train.

Ursula enjoys the lively Brenners and meets Klara’s friend, Eva, who works in a photographer’s studio. Ursula sees that Hitler’s popularity is growing throughout the country. At a fair, Ursula dances with Jürgen, who is very handsome.

Part 24, Chapter 42 Summary: “August 1939”

Ursula is staying at Hitler’s mountain resort, which she thinks of as the Zauberberg, the magic mountain in the novel by Thomas Mann. Eva enjoys taking pictures of Ursula’s daughter Frieda, who is five. The Berg is Hitler’s retreat, and Eva is his mistress. Ursula is surprised by how fiercely protective she feels about her child. She dislikes the Führer, finding him pretentious, though her husband, Jürgen, pays lip service to the Nazi party.

Ursula was disturbed by the military parade they attended for the Führer’s birthday and regrets that she has taken German citizenship. She thinks Hitler “was born a baby, like everyone else. And this is what he has chosen to become” (360). Ursula brought Frieda to the mountain retreat, at Eva’s invitation, to help the child recover from pneumonia. Klara married a Jewish man who was taken away to work in a factory, they were told. Trapped with Hitler’s self-aggrandizement, Ursula wishes she could go home to Fox Corner. She and Frieda leave the Berg, and the day after, Germany invades Poland.

Part 24, Chapter 43 Summary: “April 1945”

Ursula and Frieda are living in a bombed-out cellar. The city is in ruins from the bombings by the Americans. Jürgen was killed in a raid in ‘44. Ursula had been prevented from returning to England when the war began, but she received a very battered letter from Pamela reporting that Hugh had died. Frieda is ill again, and news comes that the Soviet troops advancing from the east are destroying everything in their path, including women and children.

Ursula goes to the chemist and buys pills. She gives poison to Frieda, then herself. As the dark descends, Ursula thinks, “She had never chosen death over life before and as she was leaving she knew something had cracked and broken and the order of things had changed” (379).

Parts 21-24 Analysis

The timelines of this section offer versions of Ursula as an adult developing self-awareness and experiencing the consequences of the choices she has learned to make. No longer purely a victim of fate, Ursula can shape her future and engage in mature relationships. Where before Ursula married Derek because she thought he could keep her safe, these chapters show her choosing her companions out of love—or at least, in the case of Ralph, affection. She has a love affair with Crighton and, in one version of her life, becomes a wife and mother. She also builds a deep and enduring bond with her sister, Pamela, as well as friendships with her younger brothers. As Ursula’s Search for Meaning continues, she is learning how much of the value of life comes from relationships. Paradoxically, the same relationships that give meaning to her life also work against her in the battle between Fate and Choice: The more she loves other people, the more she is exposed to fate, which may take those people from her.

While Ursula learns and changes, the other people in her life continue to exhibit the same personalities and often make the same choices, as exemplified by Maurice, who in every version grows into the same entitled, selfish, and overbearing man he promised to be in his youth. Sylvie becomes yet more bitter and judgmental as she ages, while Ursula comes to respect her steady, caring father all the more, showing new dimensions of these established relationships.

Like the parts named “Armistice,” the events of the trio of parts named “A Lovely Day Tomorrow” show Ursula stuck in a particular death, here by bombing in the London Blitz during World War II. This repeating death raises new questions about Fate and Choice, as Ursula appears to struggle in one life after another to overcome the end that fate has chosen for her. For several chapters, Ursula seems trapped in the war, unable to escape even if events go in her favor, for instance, Crighton choosing her over Moira. The repeated bombings and the stark images associated with them—Lavinia, hanging from the staircase, still in her dress; the Millais painting Ursula never liked in the cellar—replicates the cycle of trauma. Even when Ursula makes a vastly different choice and stays in Germany, she is still killed by the war.

This German timeline of Ursula’s investigates the causes of World War II through the person of Hitler, and examines how fate and the course of history are shaped by human choices. The figure of Hitler himself stands as a dark example of the power of one individual to impact the lives of many others. Ursula reflects on how Hitler built his power, cultivated the loyalty of his followers, seized control over the German government and stripped its democratic apparatus, and built a massive war machine under the guise of improving the economy and building national character and morale. While Ursula repeatedly learns she has control over only a few elements of her life, Hitler has a massive and indelible effect on an entire swath of history and the fate of millions. In the battle between Fate and Choice, Hitler’s choices impact the fate of millions. This is the immense injustice that Ursula sets out to correct through her assassination plot—making a momentous choice of her own that, if successful, will be as consequential as any of his.

These chapters, in contrast to the previous section, explore how to measure the value of a human life, or what constitutes quality of life. Survival is an urgent question when one is trapped in an endless nightmare of war. Sylvie repeatedly presses the notion that a woman’s most rewarding life is as a wife and mother, but Ursula sees that these roles have not made her mother happy. Her own experience with motherhood is even more fraught, as she kills her daughter and herself, rejecting life to free them both from the certainty of great suffering. She tried once before to embrace death; now she chooses it. This despair contrasts vividly with the stoic endurance Ursula demonstrates in the next section, when she participates in rescue operations.

The German countryside, like the English countryside, is depicted as beautiful, romantic, and bucolic. Life in the mountain villages is scenic, and Jürgen is like something out of a fairytale when Ursula first meets him. The Brenners are lively, warm, and full of life and humor. This idyllic introduction to German life only serves to make the horror of Nazi ideology stand out more starkly. Ursula’s retreat on the mountain, in Hitler’s lair, is an eye-opening education much like that experienced by the narrator of Thomas Mann’s The Magic Mountain, to which Ursula alludes. The dark tone builds the atmosphere for the war soon to erupt. Images of flowers and gardens will become Ursula’s imaginative refuge in times of hardship, while metaphors of death include falling, darkness, and being unable to breathe.

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