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Content Warning: This section of the guide includes descriptions of kidnapping, torture, and murder.
When Lark’s sister, Ava, answers the door, Lark introduces Lachlan. Ava is astonished. As Lachlan tries to charm Ava and Lark’s mother, Nina, Ethel tells the extremely shocked family that Lachlan and Lark wanted to marry quickly so that Ethel could be there. Lark is pained by her stepdad’s disappointment in her decision not to invite the rest of her family to the wedding.
Lachlan and Lark tell the family that they became close during Rowan and Sloane’s wedding preparations. Ethel abruptly reveals that she has appointed Lark as the chief security officer of her company. Nina calls Lachlan a killer, but Lark defends him and says that he is not the only killer in the family. Lark tosses her new driver’s license onto the table, showing her new name, and everyone is shocked that she has changed her last name from Montague to Kane. Lark’s stepfather gives his blessing by offering to host a celebration, but he is clearly still troubled and hurt. When Lark and Lachlan leave, Ethel tells them that she believes they have sowed enough doubt to keep Lachlan safe.
Lark is frustrated that she did not secure the Covaci contract that would allow Leander to become the family’s official “cleaner.” Ethel tells her that the name change was a brilliant move, but Lachlan does not understand. Ethel explains that Lark never took her stepdad’s last name, Covaci, because she wanted to keep a piece of her father alive. Ethel tells Lachlan, “Your wife just broke her family’s heart. […] And she did it to save your life” (190).
Ten days after the meal at her parents’ house, Lark finds herself unable to finish writing a song as she sits in her aunt’s room. Lachlan is concerned with how little she sleeps. He makes coffee and breakfast every morning and brings her gifts in the evening, but, despite these signs of care, he has not apologized for what he did to her during their first meeting.
Ethel is not doing well, health-wise, and her prognosis is grim. She asks Lark to sing to her, and she obliges. Lachlan says that Lark can meet Leander and offers her a ride, which she declines. He leaves and sends her Leander’s address. Lark takes an Uber to the estate, along with the muffins that Ethel sent. (Ethel owns a food company and sometimes smuggles illegal items amongst her shipments.)
Leander points a gun at Lark when she arrives, and Lachlan protectively stands in front of Lark. Leander and Lark negotiate a deal that will allow Lachlan to retire. Leander samples Ethel’s muffins and drops to the floor, overcome by the drugs in them. Lachlan is appalled that Lark didn’t warn him about this, but Lark just shrugs. They go to Leander’s office to do research. Lark searches for Louis Campbell, but when Lachlan asks who he is, she sidesteps the question and clears the search history. Then they begin researching Ethel’s business rival, Bob Foster.
Lark visits Ethel and then leaves the Shoreview Assisted Living facility. She is surprised to find Lachlan waiting for her. He says that he is taking her somewhere but refuses to say where. When he says that the passenger seat is comfortable, she makes a joke about it being better than the trunk. Finally, Lachlan apologizes for what he did that night and adds, “I’m not going to ask you to forgive me because I want to earn it” (208). They talk continuously during the drive, and Lachlan stops at a sleep retreat. Lark is reluctant to leave her responsibilities, but Lachlan reminds her that she can call him, and he has no plans for the weekend.
Lark begins crying at her sudden suspicion that Lachlan is using her time away to have a tryst with another woman. Lachlan assures her that he takes his vows seriously, even if the circumstances of their marriage are unusual. Lachlan walks her inside, and she thanks him. He pulls her into a hug and kisses her temple.
Lachlan leaves the sleep retreat and keeps busy for several hours, then waits impatiently for Lark to call him. When she does, he admits that he’s actually still in his car at the retreat. He tells her that the sleep retreat is the perfect alibi for what they are really going to do.
Lachlan has arranged to have his associate, Conor, bind Dr. Louis Campbell to a chair in his own home. (Dr. Campbell is the man for whom Lark has been searching; he is the headmaster of Ashborne Collegiate Institute, which Lark attended as a student.) Now, Lachlan tells Campbell that he was taken because Campbell protected a teacher named Mr. Verdon when allegations of abuse were made against him. Campbell tells Lachlan that he cannot be killed, because he made a deal with the Montagues to help them cover up Verdon’s disappearance, and he is willing to give evidence to that effect to the FBI. However, Lachlan reveals that he has already taken the evidence from Campbell’s hiding place.
Lark enters the room, and Campbell begs for her help. Lark sews Campbell’s lips shut. As she sews, she tells Campbell and Lachlan about how Sloane helped her to fix her uniform after what Verdon did to her, after which Sloane got rid of Verdon. Lachlan offers Lark the gun, and she shoots Campbell. Lachlan stays to clean up the scene while Conor drives Lark back to the sleep retreat. Hours later, Lark calls and asks Lachlan to read to her so that she can fall asleep. He reads from the screenplay of her favorite movie, Constantine. Eventually, Lark falls asleep, and Lachlan mutes his phone but does not end the call, “[j]ust in case she wakes up” (234).
This section illustrates Lachlan’s ability to observe and intuit Lark’s many fears and flaws, thereby emphasizing new aspects of The Transformative Power of Love and Forgiveness even as her resistance to his attentions illustrates The Challenge of Embracing Authenticity. Up until this point, Lark has been hampered by her justifiable anger over the fact that Lachlan put her in a trunk. However, when Lachlan finally apologizes, this moment opens up the possibility of forgiveness and an even more meaningful connection. Significantly, Lachlan refuses to allow her to forgive him when he apologizes, telling her instead that he wants to earn her forgiveness, and this declaration goes a long way toward redeeming him in her eyes. As the couple’s complicated relationship gains momentum, Lachlan demonstrates that he knows Lark better than her closest friend does. Having discarded his previous prejudices about Lark, Lachlan can now see how exhausted she is despite her attempts to mask it, and when he surprises her with a sleep retreat, this moment represents just the first step of his attempt to make amends. Ironically, although his gesture is designed to be a perfect fit for the expected conventions of the contemporary romance genre, Weaver immediately darkens the scene by revealing that the sleep retreat is merely the cover story for a much more gruesome agenda: the capture and murder of a man who played an integral role in Lark’s unresolved trauma. When Lachlan mixes his solicitousness over Lark’s welfare with his willingness to become an accessory to murder, Weaver captures a fine balance between standard romance tropes and the trappings of the dark romance subgenre.
It is also important to note the deliberate strategy underlying Weaver’s overall narrative structure, for she wields the dual perspectives of Lark and Lachlan carefully in order to increase the power of the revelatory scene that occurs in Chapter 15. Although the chapter is told from Lachlan’s perspective, Weaver conceals Lachlan’s actions so that it is not immediately apparent that Lachlan has captured Dr. Louis Campbell on Lark’s behalf. This dramatic reveal also reflects the ways in which Leather & Lark aptly fits the dark romance genre, for the only way that Lachlan can truly show his devotion and love for Lark is to orchestrate an event that allows her to murder a man with no repercussions. While this scene would be morally reprehensible in reality, the conventions of the dark romance genre allow Weaver to create an alternate world in which such an action is perfectly acceptable; because Dr. Louis Campbell is considered a monster for allowing a teacher to sexually abuse Lark, the narrative implies that his violent death is richly deserved. In this light, both Lachlan and Lark are portrayed as dark heroes rather than irredeemable villains.
With this grand gesture, Lachlan shows Lark that he truly sees her and understands her better than she knows herself, and he also helps her to gain some closure after the sexual abuse that she suffered as a teen. While her best friend Sloane killed Mr. Verdon, Lark’s abuser, this was not enough to help Lark process her trauma. Only when Lachlan captures the headmaster who helped hide Mr. Verdon’s abuse can she fully avenge this past wrong. In many ways, Sloane took Lark’s agency from her, but in this scene, Lachlan creates the circumstances that allow Lark to act with her own sense of agency. During this scene, Lark realizes that Lachlan sees her for who she is: both the darkness and the light. As the two characters bond over such an unlikely scene, Lark finally accepts Lachlan’s unspoken offer to accept her vulnerability and her true self.
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