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Kai exhibits pride and a competitive nature throughout the novel. However, there are times when his pride turns to hubris and is detrimental to his professional and personal life. Due to the upcoming CEO vote for Young Enterprises, Kai knows that “all eyes w[ill] be on [him], waiting for [him]” to mess up, but he believes that “[he] never w[will]” because he has “too much control of that” (13). Kai exhibits this absolute certainty in his abilities throughout the novel. While confidence is good in moderation, Kai does not see failure as a possibility for him. Though there are five other candidates for the CEO position, he believes it’s his because he “[i]s the best” (13). When his relationship with Isabella progresses, Kai allows himself to become distracted. While this is positive for his character development, he is so self-assured of his superiority that he believes that even without trying, he will get the CEO position. In his mind, there is no room for doubt; he admits that “[he] may [be] distracted, but [he] c[an] still outsell, outsmart, and outperform every other member of the Young Corporation with [his] eyes closed” (160). Even when his mother and other board members remind him that he could still lose the vote, he balks at the possibility because while history remembers the winners, “losers fade[] into obscurity, their names lost over time like statues rubbed smooth by too many hands. Dead in every way, as if they’d never existed” (166). This is a possibility that Kai will not entertain; his pride will not allow it.
Kai’s arrogance and carelessness also cause his secret relationship with Isabella to be photographed and published by the press, causing ruin for them both. In the climactic third act of the novel, Victor Black—the CEO of Black&Co who owns the National Star publication—tells Kai, “You think you’re so fucking smart. That you’re better than everyone […] you were so blinded by your superiority complex—your belief that no one could possibly touch you because you’re so above them—that you didn’t see what was right in front of you” (275). He follows up his monologue by claiming that pride is Kai’s downfall—the main theme of the novel. Kai underestimates both Victor and his co-conspirator, Russell Burton, and dismisses them too easily, which allows them to pull the CEO position out from under him.
However, the novel also portrays the dangers of a lack of self-confidence through Isabella’s character. She is heavily influenced and debilitated by the expectations and opinions of others because she does not rely on her own inner confidence to further her writing. She views herself as less impressive than her family and her peers and believes the negative things others say about her, from her brother Gabriel, to Kai’s mother, to the slanderous press. Though the novel mainly centers around the pitfalls of excessive pride, through Isabella’s character arc, Huang also shows the pitfalls of excessive self-doubt. The story argues that there is a difference between Excessive Pride and Self-Confidence and that the latter, less extreme quality is necessary and important. For success, the two protagonists must reach an equilibrium in their levels of pride.
Both Kai and Isabella suffer from a debilitating pressure to succeed. Kai’s need for control is one of the primary characteristics that drive him to succeed. His life “[i]s quilted with neat squares and perfectly delineated lines, but that [i]s preferable to chaos and whimsy. One wrong tug at the latter, and everything w[ill] unravel” (57). Because Kai has worked so hard to get to where he is and has never not succeeded at anything in life, he maintains total control over all aspects of his life—including personal and romantic—to ensure this control remains. The predictability of his schedule aids him in this, as it doesn’t allow him to entertain distractions.
Kai also places pressure on himself to succeed by leaving his excessive pride unchecked. The thought of losing the CEO vote fills his mouth with “the taste of ashes” (219). He fears becoming a laughingstock, taking orders from Tobias, and simply the idea of losing. Often throughout the novel, his pride doesn’t allow him to “stoop beneath his level” by charming the other board members or making efforts to become well-liked. While these things aren’t necessary, his ego prompts many to form negative perceptions of him and vote against him.
Isabella’s largest worry is failing to finish drafting the erotic thriller novel that she’s been working on for two years. She faces daily guilt for not finishing her word count goals but also lacks inspiration and motivation. The words used to flow freely, and she’d written three fourths of the erotic thriller in less than six months, but when she read it back, her thoughts were filled with negative critiques, and she scrapped it. The “creativity that’d fueled [her] first draft had vanished alongside it” (9). Since then, Isabella has been unable to write a single chapter. Isabella fears writing a full draft that will fail to succeed in the end. This fear causes her to avoid writing entirely, which ironically prevents her from succeeding anyway. Isabella’s insecurities and negative self-talk are debilitating to her motivation.
When asked what her biggest fear is, Isabella states, “[A] life without purpose” (112). The thought of dying without achieving something is stressful, depressing, and terrifying to her. Everyone in her life seems to have a clear-cut idea of what their purpose is. Meanwhile, Isabella struggles. She “ha[s] a steady paycheck and a decent lifestyle, but [she] [i]s merely surviving while they [a]re thriving. [She] d[oes]n’t begrudge [her] friends their success; however, the weight of [her] failures s[its] all too heavy on [her] chest. Why can’t [she] show up for [her]self where it really counts?” (209). Isabella’s hyper-fixation on her shortcomings places too much pressure on her to succeed, which effectively freezes her in place. It is only though letting go of her self-criticisms and of what others think that she is able to find the inspiration and freedom to finish her novel and pursue her dream of becoming a published author. However, much of this pressure for both characters stems from their feelings of needing to uphold their wealthy families’ legacy and expectations.
Kai’s family is not featured directly much throughout the novel, but their influence—especially that of his mother, Leonora—over his life is ever-present in the text. Despite the fact that CEOs for the Young Corporation are voted on, Kai has lived his entire life with the expectation of becoming CEO. This expectation has driven many of his decisions in life. He prefers order over chaos, so as not to be caught off guard or, worse, caught in a media scandal.
The expectations that his mother has for him, particularly regarding his romantic life, are another external pressure that Kai faces. Leonora makes it no secret that Clarissa would make a wonderful wife for Kai. Kai even notes himself that his “mother g[ives] [him] the illusion of choice, but she expect[s] [him] to marry Clarissa one day. Everyone d[oes]. If not Clarissa, then someone exactly like her with the proper lineage, education, and upbringing” (32). When it’s eventually discovered that Kai is dating Isabella, whose purple hair and tattoos are nothing like Clarissa’s refined elegance, his mother exclaims, “You’re willing to throw your future away over a girl? Everything you’ve worked for. Your career, your family, your legacy” (218). Though Kai doesn’t relent to his mother’s expectations by neglecting his relationship with Isabella, her judgment does impact his internal thoughts. During conflict throughout the novel, Kai wonders a few times if things would have gone better with the media and with the CEO vote if he hadn’t pursued a relationship with Isabella.
Though her similar background is a secret for two thirds of the novel, Isabella also suffers from the pressures surrounding her family legacy and struggles under the weight of their expectations. Her family’s motto is “Chase your dreams” (11), and it exerts pressure on this command by disinheriting any heir who does not achieve career success by age 30. Her eldest brother Gabriel’s “bossy tendencies” have led to him becoming judgmental about the way Isabella chooses to live her life (27). This places extra pressure on her to choose a path in life and succeed at it. Unfortunately, rather than motivating her, Gabriel’s particular brand of pressure instead fills Isabella with feelings of self-doubt and inadequacy, which drain her creative well and cause an extended period of writer’s block that further sets her back in terms of career. When rushed to finish her manuscript before February, when she’ll have to deliver it to her family, Isabella fears that she will “face their collective displeasure” if she arrives empty-handed: “[her] mom’s dismay, [her] lola’s disapproval, and, worst of all, Gabriel’s smug, know-it-all attitude” (28).
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