42 pages 1 hour read

King and the Dragonflies

Fiction | Novel | YA | Published in 2020

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Themes

Self-Discovery Despite Outside Pressures

King and the Dragonflies is a coming-of-age story, meaning the protagonist, King, is on a journey of self-discovery. At the beginning of the novel, King recalls when his friend Sandy told him he was gay, and King responded that he might be gay, too. However, he decides that he can’t be Sandy’s friend anymore because his brother Khalid overheard their conversation and told King, “You don’t want people to think you’re gay, too, do you?” (27). Khalid is now gone, so King believes that being friends with Sandy would dishonor his dead brother’s memory. King’s father has also expressed anti-gay sentiments. He also recalls his father saying that being gay is “unnatural” (56). During a Thanksgiving Dinner, King’s father said, “Black people can’t be gay. [...] If a Black person is ever gay, it’s because they’ve been around white people too much” (57). Thus, for King to accept the feelings he has for other boys and finally embrace his own identity, he must overcome the anti-gay influence of two people he loves. It is not until the end of the novel that King admits to himself that what Khalid told him about being gay hurt him, even though Khalid meant no harm and was just trying to protect him. King eventually summons the courage to tell his father that he might be gay even though he thinks his dad will reject him as a son. While his father admits to not knowing how he feels about King’s being gay, he does not reject him.

Throughout the novel, King tries to understand the complicated feelings he has for other people. He knows he likes Jasmine as a friend but is confused about what that really means. When he notices that Jasmine may want to be his girlfriend, he asks himself, “Does Jasmine want to go out with me? I’ve never had a girlfriend before. I don’t think Jasmine’s ever had a boyfriend before. If we like each other, is that what we’re supposed to do? What’s the difference between liking Jasmine as a friend and liking Jasmine as a girlfriend?” (19). King even seeks advice about romance from his straight friend, Darrell: “How do you know if you like someone—you know, like that?” (113). Darrell responds, “Either you like someone or you don’t. [...] It’s easy enough to figure out” (113).

However, feelings are not easy to figure out for King. He thinks, “Jasmine is a friend, and I like her just fine—like her a lot, actually—but should that mean I want to hold her hand? To hug in the hallways, same way I see some of the upperclassmen doing before the bell rings? Should that mean I want to kiss her? God, no. No, I definitely don’t want to do that” (113). Nevertheless, when Jasmine tells King she would like to be his boyfriend, King says yes because he knows that’s what she wants to hear. It is not until the end of the novel, after everyone knows that he helped Sandy hide, that he admits to Jasmine that he likes her only as a friend. She is angry at first, but eventually accepts the situation.

This interaction characterizes King’s journey to self-discovery as a whole. Rather than considering how his identity will harm his relationships, he must decide to be himself despite external pressure. His development completes when he comes out to his parents and his friends and decides to attend therapy for his grief.

The Complexity of Relationships

The barriers of prejudice and society’s often frivolous limitations about who should be together complicate the relationships in the novel. The sheriff’s disapproval of his son’s friendship with a Black person shows that in the 21st century, there are still people who think that white children should not socialize with Black kids. Before he dies, King’s brother Khalid tells him he should not be friends with Sandy because Sandy is gay: “You don’t want anyone to think you’re gay too, do you?” (27). King’s straight friend Darrell likes Breanna, but he’s afraid to ask her to be his girlfriend because she is taller than he is. “Of course it matters. The guy is supposed to be taller than the girl” (21), he says. It’s King who convinces Darrell that height is a frivolous reason for not dating someone. However, King must deal with his own complicated relationship with Jasmine. He likes her only as a friend, but she wants to be his girlfriend. He does not tell her his true feelings because he is afraid of losing her friendship.

Sharply contrasting identities also complicate the main friendship in the story. The protagonist is a Black person whose best friend is not only white but a member of a racist family. Sandy is not racist himself, but his grandfather was a member of the Ku Klux Klan. His father, who is the town’s sheriff, is also racist. In fact, the sheriff’s racist disapproval of King causes him to blame King for “making” his son gay. Ironically, King’s father blames white people for making Blacks gay. Sandy’s brother Mikey allegedly helped murder a Black man, although he was never charged, and the allegations apparently were not proven. When King, who is obviously troubled by the reputation of Sandy’s family, confronts Sandy about his family’s racist reputation, Sandy apologizes for the racists in his family and is obviously ashamed of them and points out that King himself acted in a biased manner when Sandy divulged his sexual orientation.

The relationships between the two main characters and their family members are also complicated. King is close to his brother and father, but both have expressed anti-gay sentiments. Thus, while his brother and father have told him they love him, they both have expressed disapproval of a part of who he is. It is a major part of his maturation process to learn that people he loves can hurt him even if they don’t mean any harm. Sandy, who is the victim of domestic abuse, recognizes the mixed blessings of family when he says, “Seems to me like the people who love you are the ones who do the most hurting” (211). At the end of the story, Sandy goes to live with his brother Mikey to escape their abusive father. The question of Mikey’s guilt or innocence in the murder of the Black man is not resolved, yet Mikey apparently provides a safe haven for Sandy.

Death as Transformation: How the Death of a Loved One Affects People

Callender examines not only the stages of mourning that people go through, but the enduring changes that often result from the death of a close family member or friend. His brother’s death causes young King to grow up fast because he must endure something that most people only face in their later years. At first, King is angry about the death of his 16-year-old brother and does not want to talk about it. He snaps at friends when they bring up Khalid’s death and resists his mother’s attempt to get him to see a therapist. King withdraws into his own fantasy world, imagining Khalid has turned into a dragonfly—pretending that his brother is still in this world and that he can visit him when he goes to the bayou.

The death of a close family member or friend often causes people to think about the possibility of life after death and the mysteries of the universe. Khalid’s death has caused King to grapple with these weighty issues at a young age. King finds hope that his brother still lives in the subconscious musings of Khalid himself. While talking in his sleep or visiting King in a dream, Khalid told King, “You’re not your body” (115) and “time’s all one” (98). These messages take on increased importance when King is searching for answers. It’s as if Khalid anticipated his early death and prepared King for it with his dreamy lectures on the secrets of the universe. However, Khalid’s words also inspire King to come up with his own theories about immortality. Upon seeing Khalid’s body at his funeral, King thinks, “That boy lying there in that casket wasn’t asleep. He wasn’t even my brother. He was like a snake’s second skin, shed off and forgotten and empty on the ground. [...] It’s like mourning a moth’s cocoon” (9).

Other characters in the novel express their belief in life after death, which reinforces King’s hopes about Khalid. While showing King a picture of Khalid, Auntie Idris tells him, “The spirits of this world—they never stay dead for long” (222). At dinner, she addresses her prayer to Khalid, saying, “the good Lord will take care of him until we’re ready to see him again [...]” (224). When King tells Sandy that his brother is a dragonfly, Sandy doesn’t tell him he’s crazy. Instead, Sandy listens intently, grasping the spiritual meaning, and says, “No one’s ever really gone. [...] That’s what I think” (166).

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