27 pages 54 minutes read

Joe Turner's Come and Gone

Fiction | Play | Adult | Published in 1988

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Act IIChapter Summaries & Analyses

Act II, Scene 1 Summary

While Bertha prepares breakfast, Seth tells her that he is telling Harold Loomis to leave his boarding house after his “carrying on” the night before, insisting that he knew all along that there was something wrong with him (55). Bertha argues that Seth has to think about the child, suggesting that Loomis may have just been a little drunk. Molly Cunningham and Mattie Campbell come down to breakfast. Jeremy has left early for work. Loomis arrives and Seth tells him he has to leave, but Loomis points out that he has paid through Saturday. Seth relents and allows him to remain until then. Loomis exits, and Bertha sends Seth out to make his pots and pans. Molly asks Bynum if he is “one of them voo-doo people” because of the way he talked to Loomis the previous night (58). Bynum tells her that he “binds people together” with song,in the manner his father taught him (58). Mattie is preparing to leave for her ironing job. Molly tells her that she doesn’t do other people’s work and asks Mattie why she’s working if she is with Jeremy. Mattie says she and Jeremy are just “keeping company until maybe Jack come back” (60). Molly adds that she doesn’t trust men because they are “liable to do anything. They wait just until they get one woman tied and locked up with them...they look around to see if they can get another one” (60).

 

Mattie leaves and Seth returns. Jeremy enters and reports that he was fired from his job for refusing to pay the white man a fee. Jeremy complains about the exploitation of the black workers by a white man. Seth advises Jeremy to be practical because even if he pays the fine, he will still come out with more money than he had without a job. Jeremy replies that he can take his guitar on the road and find another situation. Seth leaves and Jeremy starts flirting with Molly. Molly reminds him about his connection to Mattie, and Jeremy tells her that was just temporary, wooing her with quotes from Bynum’s lecture to him, “with a woman like you it’s like having water and berries” (63). Molly leaves with Jeremy under the conditions she doesn’t have to work or go south.

Act II, Scene 2 Summary

Seth and Bynum are playing dominoes in the parlor, and Bynum sings about Joe Turner when Loomis passes through on his way to the kitchen. Loomis tells Bynum he doesn’t like that song. Seth cautions Loomis not to create any more “disturbance” (66). Attempting to engage him in conversation, Bynum asks Loomis about his past. Loomis reacts suspiciously, wanting to know how Bynum can tell what he’s done. Bynum replies his father taught him and that “I can look at you, Mr. Loomis, and see a man who done forgot his song” which reveals Loomis as one of Joe Turner’s victims (67). Harold eventually admits that Joe Turner kidnapped him right after the birth of his daughter and held him for seven years. While he was imprisoned, his wife Martha left Zonia with her mother and went North. He and his daughter have been searching for Martha for the last four years. Loomis needs to “see her face so I can get me a starting place in the world” (69). Loomis wonders why Joe Turner took him. Seth replies that it was to do his work. Bynum tells Loomis it was because Joe Turner wanted his song, but couldn’t steal it, only make him forget how to sing it. Loomis tells Bynum that he is one of “them bones people” (70).

Act II, Scene 3 Summary

The next morning, in the kitchen, Bertha scolds Bynum to stop bothering Mattie about putting his good luck token under her pillow. Jeremy has run off with Molly, and Bertha counsels Mattie to forget about Jeremy, as he is unworthy of her. Bertha advises Mattie that she’s too anxious about finding a man and that if she stops worrying, she will “look up one day and find everything you want standing right in front of you” (71), the same way Bertha met Seth twenty-seven years ago. Seth comes in and reminds Loomis that it’s Tuesday, and he and Bertha leave the kitchen. Mattie asks Loomis if his vision was real and they discuss how he lost his wife. Loomis attempts an awkward advance at Mattie but is unable to follow through on his desire. 

Act II, Scene 4 Summary

The next morning, in the yard, Reuben tells Zonia he saw Bynum last night talking to the wind and the wind responded. Zonia heard the commotion and thought it was a storm. The ghost of Seth’s mother appeared to Reuben early that morning, hitting him with her cane for selling Eugene’s pigeons to Bynum rather than freeing them as promised. Zonia is skeptical at first and questions Reuben for details. Their conversation turns to a discussion of Zonia’s father ‘s search for her mother and their impending departure. Reuben is disappointed at the news and they share a kiss. Reuben tells Zonia that he will look for her when he is grown. 

Act II, Scene 5 Summary

Bertha makes breakfast while Bynum, Loomis and Zonia sit at the table. Mattie enters. She gives Zonia a ribbon and ties it in her hair. Loomis praises her and exits with Zonia. Bertha observes that it is the only time that she has seen Loomis “act civilized” (79). She tells Mattie “all you need in the world is love and laughter” (79). Mattie and Bynum join in the laughter. Seth enters and laughs as well.

 

Martha Loomis Pentecost enters looking for her daughter, followed by Selig. Loomis and Zonia re-enter. Martha tells Herald that she has been looking for him since shortly after he picked up Zonia from her mother’s house and recounts how her “whole life shattered” when Joe Turner took him (82). After five years of waiting, Martha decided that Loomis was dead to her, so that she could continue her life. Loomis tells her that he has been looking for her to say good-bye and that is what has kept him on the road. Now he is free to “make his own world” (83). He then gives Martha her daughter, saying that he has done his best to care for her and now she needs “to learn from her mother” so she won’t be a “one-sided person” (83). He tells Zonia to go with her mother, that he loves her and hopes to see her again. Zonia resists and wants to stay with Loomis, “searching and never finding” (83). Loomis insists she go with Martha.

 

Martha thanks Bynum for reuniting her with her daughter. Loomis accuses Bynum of “binding” him to the road and brandishes a knife (83). Bynum replies that he only bound Zonia to her mother, and that Loomis is binding himself. Bynum tells Loomis he won’t be free until he sings his song. Martha recites from the Psalms. Loomis responds mockingly, referring to Jesus Christ as a white slave driver. Martha tells him that Jesus bled to take away his sins and Harold cuts his chest, “rubs the blood over his face” and has an epiphany, “I’m standing” (86). Loomis exits, still holding the knife. Mattie runs after Loomis. Bynum tells Loomis that he’s “shining…shining like new money” (86).

Act II Analysis

Act Two follows the boarders on their journeys to find who they are and where they belong. Predictably, as Bertha observes, Jeremy runs off with Molly, spurning Seth’s practical advice to focus on earning money. They are the first characters to exit the play. Jeremy optimistically believes, “There’s a big road out there. I can get my guitar and always find me another place to stay,”although as Seth observes “I see you gonna learn the hard way,” predicting the future won’t be as easy as Jeremy believes. (62). Jeremy persuades Molly to join him and repeats a quote from Bynum’s lecture on how to treat a woman: “With a woman like you it’s like having water and berries. A man got everything he need.” (63). This shows that he is evolving as a person. With his guitar, Jeremy has music, though he has not yet found his own song. Molly goes along on the condition that they don’t go South, so she can keep moving forward.

 

Loomis’s search for his wife Martha becomes the central focus of the play. Bynum coaxes Loomis to divulge his past and he reveals that he had been captured by Joe Turner and illegally imprisoned for labor. The title comes from a blues song about women whose men were wrongly imprisoned by Joe Turner and is based on historical events. Joe Turner represents the continued, if illegal, exploitation of African Americans, and Loomis symbolizesthe cumulative effects of slavery. As Loomis shows, enslavement ripped his family apart, broke his spirit, destroyed his sense of self, and took away his place in the world. Loomis is looking for Martha in order to“Find [her] starting place in the world. Find me a world I can fit in” (72).

 

When Martha arrives, she is looking for Zonia, not Loomis, who she decided to regard as dead in order to go on with her life. Martha’s symbolic “killing” of Loomis allows him to start his life over. His antagonistic response to Martha’s scripture quotes can be seen as a rejection of religion: Martha followed her church rather than him. He cuts himself and smears blood on his face, echoing both Bynum’s sacrificial pigeon ritual at the beginning of the play, as well as his mystical vision, which began after Bynum spreads blood on himself. After Loomis smears his face with blood, he realizes he is standing, in contrast to his paralysis at the end of Act One—he is no longer crushed under the weight of the past. Bynum sees his “shiny man” again in the person of Loomis and knows that his song has been affirmed, “that my song had been accepted and worked its full power in the world” and can now “lay down and die a happy man. A man who done made his mark on life” (15). Both Bynum and Loomis have found what they were searching for, their journeys are now complete.

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