45 pages 1 hour read

Indecent

Fiction | Play | Adult | Published in 2015

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Background

Literary Context: Sholem Asch and The God of Vengeance

Content Warning: This section discusses antisemitism, anti-gay bias, and the Holocaust.

Sholem Asch (1880-1957) was a Jewish writer born in what is now Poland. He came from a big family, and his parents hoped he would become a rabbi. As a young man, he became interested in literature and wrote some short stories in Yiddish that brought him a modest amount of fame. He married Mathilde (Madje) Shapiro in 1903 and in 1906 wrote The God of Vengeance. The play was immediately controversial because it depicted a Jewish brothel owner, which was a common antisemitic trope at the time. Despite this controversy, the play was very successful in Europe and eventually made its way to America, where it again attracted ire, especially from New York’s Jewish population; many people worried that The God of Vengeance would worsen the already vitriolic antisemitism the Jewish community was facing. 

The God of Vengeance was not just controversial because of its alleged antisemitism. It was also considered scandalous because of its sympathetic and romantic depiction of lesbians. In 1923, the Broadway production was shut down and the cast arrested. Officially, the cast members were charged with obscenity, not antisemitism, though witnesses against the cast cited the play’s depiction of Jewish characters as a primary grievance. Asch was not arrested. At the time of the trial, he was dealing with profound psychological distress after spending time in Europe researching pogroms. In the 1930s, Asch and his wife spent more time in Europe, but they returned to the United States and escaped the Holocaust.

Asch wrote more controversial works in his career. In 1953, facing the McCarthy hearings and increasing criticism, Asch and his wife returned to Europe once more, where Asch died in 1957. Since Paula Vogel’s play was first performed, there has been an increased interest in Asch’s work, especially The God of Vengeance. In 2017, Asch’s play was revived in New York City in the original Yiddish.

Historical Context: 20th-Century Judaism and Antisemitism

Indecent draws extensively from the real experiences of Jewish communities in Europe and America in the first half of the 20th century. Jewish people in Europe faced violent persecution, sometimes in the form of pogroms, for centuries. This history heavily informed Jewish identities in the 20th century, with many communities in Europe remaining relatively insular and speaking primarily Yiddish. This insularity was also the result of antisemitic laws that prevented Jewish populations from owning land and pursuing most professions—oppression that then led to damaging stereotypes of Jewish people.

Throughout the 19th and early 20th centuries, many Jewish people emigrated to the United States, with a particularly large concentration of Yiddish-speaking Jewish people settling in New York City. These immigrants faced antisemitism in the United States as well, but were able to live in comparative safety most of the time. In the middle of the 20th century, there were strict limits on the number of Jewish immigrants who could come to the United States; many were turned away by the US, which made it extremely difficult for Jewish people to escape the Holocaust—the genocide of Jewish people in Nazi-controlled Europe before and during World War II. Approximately six million Jewish people were killed in the Holocaust, especially but not exclusively in concentration camps. Many more were displaced and persecuted. Jewish communities worldwide are still reckoning with the trauma of the Holocaust today.

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