29 pages 58 minutes read

In the Land of the Free

Fiction | Short Story | Adult | Published in 1912

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Character Analysis

Hom Hing

Hom Hing, the father of the family, represents the quintessential hardworking and aspirational immigrant figure. He makes a home for his family in the United States, attempts to build wealth, and generally considers himself to be a full-fledged American citizen. However, his experiences with the US customs officials and with the lawyer, James Clancy, showcase the clear distinction between him and the typical white citizen.

At the same time, Hom Hing is reluctant to reject the system in its entirety, even as it rejects him and his family. He initially holds out hope that his son will be returned as promised. He remarks to his wife, “‘Tis the law […] ‘twill be but for a little while—until tomorrow’s sun rises” (5). As time passes with little word, he resigns himself to his fate, acknowledging his powerlessness. When Clancy offers him a chance to fight for the return of his son, he accepts his proposition—and the included cost—with only a little hesitation. As a character, Hom Hing clearly illustrates the divide between the powerful and the powerless in US society, heightened by his own acceptance of these societal structures.

Lae Choo

Lae Choo, the mother of the family, is the protagonist in “In the Land of the Free.” The reader experiences the loss of Little One most acutely from her perspective. For her, being separated from her son becomes unbearable to the point of melancholy and physical distress. Hom Hing explains to James Clancy that he believes that the Little One’s absence will kill her: “If the boy not come home, I lose my wife sure” (8).

As a Chinese woman, Lae Choo has less power in the US and, therefore, less faith in the rule of law than her husband. She instinctually refuses to give up Little One and must be coaxed by her husband to trust the customs officials. Her maternal instincts are correct and foreshadow the pending 10-month separation. Lae Choo also sacrifices the most for her family, first when she leaves her home in the United States and returns to China for the sole purpose of birthing her son. She also freely gives up her jewels and other precious items, including a bracelet given to her by her parents, to secure Little One’s return. She is a round character but is static, single-mindedly determined to get her child back.

As the suffering, self-sacrificing mother figure, Lae Choo plays a sentimental fiction archetypal role and evokes sympathy. She demonstrates the particular oppressions faced by Chinese women in America at the time. Lae Choo is “accustomed to being obedient” to her husband while she is also marginalized and taken advantage of by individuals like Clancy because of her race (5). She also cannot claim or aspire to white femininity, which is viewed by this society as the ideal form of motherhood.

James Clancy

Although James Clancy appears only briefly in the story, his presence is significant, as he represents the exploitative nature of the US legal and immigration system. The narrator establishes Clancy as a self-serving figure almost immediately, writing, “The young man eyed the Chinese merchant furtively. He had a proposition to make and was pondering whether or not the time is opportune” (8). While he demonstrates outrage at Hom Hing and Lae Choo’s situation and genuine concern when Hom Hing mentions Lae Choo’s failing health, he is subtly characterized as selfish. In his eyes, Hom Hing is a “Chinese merchant,” someone who can pay a lot of money. When asking for $500 to go to Washington, he explains, “You can’t get fellows to hurry the Government for you without gold in your pocket” (8). This demonstrates how the freedom promised by American society is not free for nonwhite individuals. With this, Clancy is not just a selfish individual but represents racist and exploitative US laws and policies.

Furthermore, as a member of the dominant white society, Clancy can be seen as a stand-in for the audience. Even though he is appalled at the injustice that Hom Hing and Lae Choo have endured, he is not willing to selflessly intervene or inconvenience himself. While he does show some reluctance and even embarrassment upon receiving Lae Choo’s heirloom jewelry as payment, he nonetheless accepts what they have to offer. As such, Eaton points out the limits of sentimentality, even as she uses sentimental style and form in her story. Clancy feels sympathy for Hom Hing and Lae Choo, and in this way, his feelings about the situation are correct. However, without selfless action, his sympathy does not amount to any noteworthy solution or change.

Little One

Hom Hing and Lae Choo’s child, Little One, symbolizes the hope of his parents, as well as the ultimate goal of US immigration: assimilation into whiteness. Upon arriving in the US, as they gaze at the approaching shore, Lae Choo refers to America as his home and emphasizes that all of her and Hom Hing’s actions so far have been for his benefit. The loss of Little One so early in the story, therefore, represents the loss of hope for his parents. This parallels the immigrant experience and the impossibility of full acceptance into American society.

The story’s action centers on bringing Little One home, thereby restoring the promises of freedom and the family’s future. Upon seeing Little One, renamed Kim, in the mission, it becomes clear that his Chinese identity is being slowly erased in favor of whiteness and assimilation. He is clean, dimpled, and dressed in the clothes typical of a young white child. He even speaks to his mother in what the reader assumes is English when telling her to “go ‘way!” (10). In separating Little One from his parents, and therefore his racial and cultural identity, he achieved acceptance within—or at least proximity to—dominant white society. This experience highlights that this outcome may very well be the intention of US immigration law, insofar as it deconstructs kinship ties in favor of the legal ties of citizenship.

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