66 pages 2 hours read

I Know This Much Is True

Fiction | Novel | Adult | Published in 1998

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Themes

The Duty of Care

Throughout his brother’s entire life, Dominick feels obligated to protect and care for Thomas. As a child and as an adult, he is frequently frustrated—first by Thomas’s “otherness” and then by the effects of Thomas’s illness. Dominick protects him from their peers’ ridicule but fears that because they are twins, Thomas’s odd traits will be mistakenly applied to him as well. This fear, coupled with the emotional toll that caring for his brother takes on him, causes Dominick to wish to distance himself from his brother. However, the promise he makes to their mother on her deathbed—that he will care for Thomas—forces Dominick to become Thomas’s strongest advocate. This creates a divide between Dominick and his first wife, Joy, who argues that in prioritizing Thomas’s well-being, Dominick neglects the commitments he has made to other people, such as her.

Just as Dominick feels burdened by the obligation to care for his brother, Ray feels burdened by the obligation to care for his adopted sons, and his care often takes harmful forms. He feels that he is carrying out his responsibility by providing financially for the twins and their mother and justifies his abuse through the belief that he needs to toughen them up to prepare them for a harsh world. His love for his family, though not displayed outwardly, becomes evident to Dominick in the small actions that Ray undertakes late in life, such as planting flowers on the graves of both Thomas and Angela, Dominick’s deceased daughter. Ray’s attitude parallels Domenico’s approach to his family, which becomes evident as Dominick reads his manuscript. Domenico, too, feels an obligation to act in the best interest of his brothers, considering himself their protector.

Other characters devote themselves to family in a less begrudging and more authentically altruistic way, as evidenced by Dessa’s support for Thomas. She is consistently patient with him, recognizing that the effective way to support him is often to allow him to be himself and show support and love through her presence. Even though her marriage to Dominick ends, she continues to nurture Thomas, remaining present and constant in his life and even attending his funeral lunch despite other family obligations. She becomes a model for caring for family out of true desire, rather than out of guilt-ridden obligation.

In the end, family proves to be a complicated force for nearly every character—one that forces characters to achieve a balance between nurturing others and nurturing their individual needs.

The Ongoing Influence of the Past

From the time he is quite young, Dominick is told, proudly, of the grandfather whom he has never met. His mother boasts of the man’s success, emphasizing the obstacles he surmounted as an immigrant to the US from Sicily. Domenico looms over the novel as an absent presence—a reminder that the past continues to shape the characters’ lives in the present.

Likewise, much of the novel’s backstory unpacks the events of the summer of 1969, which Dominick pinpoints as the period when Thomas’s illness emerged in earnest. Being able to trace Thomas’s decline from “the real Thomas” to the version of his brother that Dominick has come to know is a helpful way for Dominick to understand the social factors that may have contributed to his condition. Likewise, Dr. Patel points out how her knowledge of Thomas’s past can help her understand the delusions and mistaken reality that he experiences in the present day, thus aiding her in treating him.

In order to understand his relationship to his brother and unpack his complex feelings, Dominick must delve into his past. Throughout his adulthood, he has resisted revisiting the past, as it contains unpleasant and painful memories. Among these are abusive episodes by Ray and awkward or discomforting interactions with Thomas due to his undetected illness. As Dominick seeks to understand Thomas, he must trace back the onset of his schizophrenia. In doing so, however, Dominick is forced to examine his relationship with all the central people who have shaped his life, including his mother, his grandfather, Ray, Dessa, and Joy.

However, history as it is recorded is not always accurate. This notion is introduced when a teenage Ralph Drinkwater argues with his American history teacher, pointing to inaccuracies in the reports of Indigenous presence and involvement in the United States. When Dominick returns to his teaching career at the novel’s close, he seeks to correct these inaccuracies. This process of revising misinformation about the past parallels Dominick’s experience of reading his grandfather’s manuscript. As he comes to the realization that his grandfather was not the honorable and flawless man Dominick’s mother perceived him to be, Dominick must reconcile these conflicting versions of his grandfather and of his own past. Not knowing his father’s identity creates an additional hole in his personal history—a hole he longs to fill. When he finally obtains this knowledge, Dominick understands what may have motivated his mother to keep this information secret from him, and he begins to understand how his lived history has been shaped both by the lack of this knowledge and by the presence of his adoptive father, Ray.

The Impact of Secrets

Throughout the novel, information kept secret by one character from another creates conflict and shapes the trajectory of many characters’ lives. Perhaps the largest secret is the identity of Dominick and Thomas’s biological father: Though Dominick asks his mother for this information, she refuses to engage in conversations about this man. This secrecy leaves Dominick feeling angry and resentful toward his mother at various moments. Dominick grows increasingly certain that his mother must have significant reasons for keeping this secret, and he thus speculates wildly about his identity. Dominick’s certainty that his right to this information outweighs whatever may motivate his mother to withhold it makes him increasingly bitter toward his mother, and he resists considering the circumstances from her perspective. When he reads his grandfather’s memoir, the trope of secrets crops up frequently. Domenico is made privy to the dark secrets from Prosperine’s past, and he uses this knowledge as a tool to blackmail those whom the revelation of the secrets can harm. Because of his grandfather’s intentional and malicious manipulation of secrets, Dominick becomes suspicious that Domenico raped his daughter Concettina, leading to the conception of Dominick and Thomas.

When Dominick learns his father’s identity, he comes to understand that his mother’s reason for keeping the secret was vastly different than what he presumed. Like Domenico taking on Prosperine’s secret, Ray is placed in a similar position, asked by Concettina to keep her secrets. Ray must weigh whether it is most honorable to respect Concettina’s wishes after her death or to break his promise in the hope that it will provide Dominick with the opportunity to heal and grow. His choice ultimately benefits Dominick—who grows closer to Ralph as a result—and himself, as the two truly form the father-son bond they never had.

Dominick keeps his secrets of his own, often in a misguided attempt to protect others. For instance, he tells no one about the incident in which Ray severely beat Concettina and Thomas and then locked Thomas in a closet. Much later, when he has a vasectomy after the death of his infant daughter, he keeps the procedure a secret from his wife, Joy, who still hopes to become pregnant again one day. Secrets provide him with an illusory sense of control in a life that is frequently fraught with trauma and difficulty. In these ways, secrets, though they may be well-intentioned, often only hurt those they are intended to protect.

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