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Dong-ho’s mother thinks she sees Dong-ho again outside her house, still a middle-school boy. She chases after him but can’t find him; she addresses him as “you,” telling him about her journey home. That summer, there is torrential rain that creates some potholes, so new tarmac is poured over the road. Dong-ho’s mother repeatedly goes and stands on the new tarmac, feeling it warm her from a chill that has settled into her body, but also hoping to catch another glimpse of Dong-ho.
But then, Dong-ho’s mother acknowledges the impossibility of this, remembering how she prepared his body for burial. Her middle son threatened to get revenge after his death, but she told him that if anything happened to him, she would die. Dong-ho’s death weighs heavily on his middle brother, aging him before his time. The eldest brother blamed the middle brother for failing to bring Dong-ho home, severing the relationship between the two.
Thinking back to her last conversation with Dong-ho, Dong-ho’s mother wonders why she believed his reassurance to her that he would be home in time for dinner. She also remembers Dong-ho’s friendship with Jeong-dae, celebrating their closeness: “There was something comforting about the sight of you and Jeong-dae heading off to school in your identical uniforms, side by side like two peas in a pod” (189). She wonders what became of Jeong-dae and his sister, Jeong-mi. Dong-ho’s mother admits that sometimes she thinks if they’d never rented the annex out, then Dong-ho would have never gone searching for Jeong-dae; she thinks she is to blame for her son’s death.
After Dong-ho’s death, his mother attended meetings for bereaved families until she became too feeble for them. When the president visited Gwangju, the group donned traditional mourning clothes and showed up to protest, and were all taken to the police station. A group of young protestors was brought in shortly after. While they were detained, Dong-ho’s mother climbed up on a table and demanded to know what crime she’d committed. Upon seeing a photograph of the president hanging on the wall, she smashed it, cutting her foot in the process. At the hospital, she climbed onto the roof and unfurled her banner reading “Chun Doo-hwan, you murdered my son. Let’s tear that blood-thirsty butcher to pieces” (193), holding it until the police carried her back down to her room.
Finally, Dong-ho’s mother thinks of Dong-ho’s early days of life: The way he nursed better than her other two sons, and crawled everywhere once he was mobile, remembering days of nursing him through illness and watching him eat watermelon. Her final memory is of one afternoon walking along the road in the hot sunshine, trying to pull Dong-ho into the shade, and Dong-ho continually pulling her back into the light.
In the final chapter of Human Acts, Kang explores the unthinkable loss of a child through the eyes of his mother. While Dong-ho’s death as a protester in his own right has affected those around him—such as Eun-sook and Jin-su, who continually question why they were unable to “save” him—Kang shows a different side of Dong-ho through his mother’s perspective. She recalls Dong-ho in each stage of his early development, from infancy to boyhood. This portrait of Dong-ho highlights his youth and the tragedy of his life being cut short before he had matured.
The loss of a child is yet another type of trauma explored in the novel. Dong-ho’s mother is consumed with grief over the death of her son, and she constantly seeks solace in his memory. She even imagines seeing him again as a young boy, and repeatedly stands on a new tarmac, hoping to catch another glimpse of him. However, she eventually realizes the impossibility of this and is forced to confront the reality of her loss. Similarly, the relationship between Dong-ho’s two brothers deteriorates under the strain of the loss. Dong-ho’s death haunts his family in ways that impact them long after his burial.
However, the family is aware that the state is responsible for Dong-ho’s death. Dong-ho’s mother attends meetings for bereaved families and protests the president’s visit to Gwangju, resulting in her being taken to the police station along with other mourners. The families of the bereaved continue to take political action despite their suffering, with Dong-ho’s mother vocalizing her pain through a banner. Still, as much as the bereaved seek (and find) comfort in each other, they are very much going through the motions of everyday life: “We shook hands when we said good-bye. We were like scarecrows, shells stuffed with nothing but straw. Our farewells were as hollow as our eyes” (191). This shows the necessity of accountability and justice for survivors to process and heal from the trauma of state violence.
Despite the overwhelming grief and trauma she experiences, Dong-ho’s mother is able to cherish the joyful moments she shared with her son. She recalls his early days of life, his nursing habits, and the poetic potential he demonstrated. In the face of extreme suffering and loss, she focuses on the beauty of his soul—which contrasts with Jeong-dae’s inability to focus on happier memories in Chapter 2. The final memory of Dong-ho pulling his mother into the light serves as a metaphor for the way honoring the soul of a loved one can provide solace amidst great pain.
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