50 pages 1 hour read

How Does It Feel?

Fiction | Novel | Adult | Published in 2023

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Chapters 19-24Chapter Summaries & Analyses

Chapter 19 Summary: “Callie”

Callie uses the strips of dress to throw off the sonar of the winged creatures, just as luna moths evade bats. One of the creatures lands next to Callie and gives chase. She stabs the vulnerable spot between its wing and body as hard as she can. The second creature quickly descends, and Callie stabs it, too. She is returned to the court and demands that Mendax announce her first victory.

Chapter 20 Summary: “Callie”

Callie is again sent to Mendax’s room, where her wounds are treated by Fae servants. She resists their attentions—she is tired and her nerves are frazzled—so Mendax sends them away and tries to bandage her. When she resists him, he reminds her that he could use his powers to coerce her mind. She reluctantly agrees to his helping her; she lost much blood during her trial, and she is weaker than usual. Mendax vows that no harm will come to her outside of the trials.

As Callie relaxes, she asks Mendax about his father, the former king. Mendax admits that he killed him. When Callie lashes out at him for his murderous tendencies, he pulls her close to him, in a way that is both threatening and magnetic. He leaves her to rest, in his bed, before the next trial.

Chapter 21 Summary: “Mendax”

Mendax marvels at himself for taking care of the human. He is becoming obsessed with her anger and darkness. He recognizes their similarities, fearing he might decide to allow her to live.

The Queen visits Mendax, exasperated that Callie survived the first trial. When Mendax defends Callie’s intelligence, the Queen notices. After Mendax killed any suitable mates that she presented to him, she let the matter of his bonding drop. However, she says, “I could bond you to a human” (214). She proposes bonding them and having Callie murdered before the marriage ceremony. She is concerned that the “fallen Seelie” (215) will usurp the Unseelie throne if Mendax does not seize it—which he cannot do until he is bonded. The Queen wants Callie to survive until the next trial, as some visiting Seelie will attend, and she wishes for them to witness a show of force.

Chapter 22 Summary: “Callie”

Callie thinks about the arousal she experiences at the presence of Mendax before realizing he has returned. As he encroaches on her space, she warns him away, but he takes no heed. He demands that she say his name. He becomes enraged when she pushes him away, promising that he does not wish to kill her. Instead, he admits to his growing obsession with her, and he performs mutually passionate oral sex on her. Afterwards, they revert to claims of mutual hatred, and Mendax leaves.

The servants flutter around Callie, preparing her for the second trial. The servants like Prince Mendax, and they want him to ascend the throne. They think that Callie might be the one with whom he can bond. When Mendax arrives, he and Callie embrace, and he worries that, if she does not die, he will sacrifice everything for her. She touches the spot where his smoke wings adhere to his body. As with the winged creatures that chased her in the first trial, she knows that this spot is his fatal weakness. He acknowledges that she is correct. He only allows her to touch him in such a vulnerable place.

Chapter 23 Summary: “Mendax”

Mendax watches Callie, amazed that he continues to harbor tender feelings toward her. He winces at the thought of her imminent death. Still, he balks when the Queen mentions bonding them. He is surprised when Callie, too, seems bothered by the idea. Most humans would leap at the chance for Fae powers and immortality.

His attention is called away by the Seelie princes, Aurelius and Langmure. As the Fae size each other up, Langmure suggests that it is their duty, as Seelie Fae, to return the human captive to her world. Mendax rips Langmure’s head from his body—an act of war. Aurelius steps in to protect Callie, and the Queen prevents Mendax from retaliating. Mendax shouts for the Queen to bond Callie to him so the Seelie cannot return her to the human realm. Mendax is unsure if he is enchanted, but he loves Callie. She enters the second trial.

Chapter 24 Summary: “Callie”

Callie is transported to a cave, where snakes—the one animal she fears—fall from the ceiling, and a witch conjures potions at a table. The witch tells Callie to identify the poisonous potions and antidotes before her. There are seven in total, and Callie must drink them all while snakes slither into the cave; the longer she takes, the more snakes will appear. Since the bonding ritual, she can feel Mendax’s thoughts in her head. She knows that he wants her to survive.

Using her scientific knowledge of plants and their properties, Callie determines which potions she believes are poison and which are antidotes. She guesses correctly at the first three pairings, betting that the seventh potion is harmless. However, it is oleander, and there are no antidotes left.

Chapters 19-24 Analysis

In this section, Callie again employs her scientific background to succeed in this supernatural realm and her first two trials, highlighting her embodiment of Science and the Supernatural. Callie’s understanding of the luna moths leads to her ability to evade the giant winged creatures that hunt her in the first trial, and her study of bats helps her to locate their fatal weakness. Callie also notes this weakness in Mendax after they become lovers, foreshadowing her assassination attempt. Later, her knowledge of plant biology assists her in determining the poisons from the antidotes until the final round. Callie’s experience as a human in the fairy world resonates with her professional training, speaking to her role as an agent of the Seelie Fae. Callie’s professional training is indistinguishable from her identity, as she is under the protection of Seelie Fae, who are inextricably intertwined with nature and biology. As such, Callie knows how the natural world operates, understanding that, in the Unseelie Fae realm, she remains “in the presence of predators, and it was foolish to lie vulnerable beneath them” (199). She struggles not to appear as such obvious and easy prey—especially regarding her relations with Mendax—and her natural strength and courage help her navigate both the court and her feelings for Mendax.

The Emotional Complexity and dynamic between Callie and Mendax continues to hinge on the swings between resistance and submission for both characters. When Mendax attempts to dress her wounds after the first trial, Callie struggles in vain: “Not that I ever stood a chance of fighting the towering Fae male” (205). For all of her bravery in the arena, and boldness in confronting Mendax’s lethal creatures—including the forest bog, Lord Alastair Cain, and the winged menaces—she cannot resist Mendax himself, the most powerful of them all. Mendax offers the temptation of Desire and Danger, and they see the darkness and strength in each other. 

Callie “longed to touch” Mendax’s wings (207), speaking to her obsession with all winged creatures, grown out of her childhood encounter with the golden fairy. Wings and winged creatures represent both illicit desire and innocent fantasy, like the two halves of Callie’s personality itself, as well as Mendax’s. She is, at once, a doe-eyed innocent, as Mendax himself describes her, and a brutal assassin, taking down the forest bog and the winged creatures with ruthless efficiency. Mendax calls her his “wolf in sheep’s clothing” (215), demonstrating his awareness of her strength and genuine suspicion that she may be an assassin. Mendax begins to fall for her veiled ferocity. He keeps her tooth, knocked out earlier by a punch from a guard, on a chain around his neck, a macabre “memento from this enchantress to remember long after she was dead” (211). Their mutual attraction is forged in extremes, from forbidden human and fantastical Fae, the intensity of a brash life facing imminent death, and the juxtaposition between pain and pleasure. Their desire for each other is inherently dangerous because they both want to kill each other; they are associated with enemy Fae, the Seelie and the Unseelie, and they are so alike that they simultaneously annoy and fascinate each other.

The sexual chemistry between Callie and Mendax is dominated by Emotional Complexity, and the way in which their desire is consummated further complicates their power dynamic. Though Mendax initiates their interaction by touching Callie, Callie “beg[ged]” for more, and Mendax “readily acquiesced” (217). Callie enjoys the “pain-laced pleasure” of their interactions (216), as she admits to herself, in part because of the danger involved, as they are supposed to be enemies but feel strong mutual lust, which grows into love. Callie is also enthralled by Mendax’s obsession with her; she thinks about the potency of her own sexual allure, that she could enrapture a man such as Mendax, with his self-imposed isolation and brutal beauty: “What would it feel like to kiss that wicked mouth?” (224). When he allows her to touch the place where his wings join to his body, that hidden place of vulnerability, she begins to believe in his feelings for her: “He was being vulnerable with me. He had to believe I wasn’t really here to hurt him” (226). Mendax is also passionate about her ability to hurt him, further bending Desire and Danger as he reveals his physical weakness to his assassin.

Additionally, Callie and Mendax’s shared avoidance of romance suggests that neither knows how to navigate a relationship, let alone a connection with deep Emotional Complexity and Desire and Danger. When Mendax kills the Seelie prince for suggesting it is his duty to return Callie to the human world, he is overcome with his desire and love for her to the point of committing an act of war. When Callie is in the second trial, she hears Mendax’s thoughts—the result of their bonding ritual—willing her to survive. The poisonous oleander she ingests is symbolic of the circumstances Callie and Mendax both find themselves in, playing with danger in a game of politics and war between the Seelie and Unseelie Fae.

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