59 pages 1 hour read

Homesick for Another World

Fiction | Short Story Collection | Adult | Published in 2017

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“No Place for Good People”Chapter Summaries & Analyses

“No Place for Good People” Summary

Larry is a 64-year-old widower working at Offerings, an expensive residential facility for adults with developmental disabilities. Although he doesn’t need money, Larry enjoys spending time with people who appreciate him, and feels that his job is helping to expand his horizons. Larry is responsible for chaperoning Paul, Claude, and Francis, three men with varying degrees of developmental disabilities. Paul, the oldest, loves to make dirty jokes and puns, and has a secret stash of pornography that Larry suspects he doesn’t understand. Claude wants to be a father and tries to be as polite as possible to the people he meets. Francis, the youngest, has anxiety, and picks at his nails and skin compulsively. Although Larry is sometimes annoyed or disgusted by the three men he cares for, he is always kind to them. Larry is friendly with Marsha Mendoza, a woman 20 years his junior who also works at Offerings.

Larry’s attitude toward his late wife betrays a radically different aspect of his personality He did not love his wife. He thought she was overweight, wore too much makeup, and was superficial. Larry resented her for bringing him into her family’s business and felt emasculated when she spent her father’s money to buy gifts for herself and say they were from him. He feels grateful that his daughter, Lacey, has emptied the house of most of his wife’s belongings, and he fills the home with succulents propagated in the few china dishes Lacey left behind. Delighted by their ability to thrive in difficult conditions, he begins giving the succulents out as gifts.

Paul decides that he wants to go to Hooters for his 30th birthday. The request causes Larry to recall his unpleasant memories of his own 50th birthday, when his father-in-law took him to Hooters for lunch. Larry would have preferred to go to one of the nice restaurants in town, feeling that Hooters was not an appropriate place for “good” people to be. When the waitress serving them learned it was Larry’s birthday, she kissed him on the lips without asking. Larry felt embarrassed and disgusted, but said nothing so as not to insult the waitress.

Reluctantly, Larry agrees to take Paul and Claude to Hooters. When they arrive, they discover that the local Hooters is gone, having been replaced by the family-oriented chain restaurant Friendly’s. Paul is initially disappointed, but his attitude changes after he orders barbecue ribs and ice cream. When the waitress comes to sing him Happy Birthday, Paul moves to be closer to her, and Larry watches as she sings softly into his face. That night, Larry thinks about his wife in the bath. He remembers how she used to call him honey; although he hated the nickname at first, he began to crave it, and learned to hate when she used his real name. He falls asleep surrounded by his succulents.

“No Place for Good People” Analysis

The story is anchored by two very different birthday trips to Hooters: Larry’s 50th birthday, with his father-in-law, and Paul’s 30th birthday, at the Hooters-turned-Friendly’s. In Larry’s remembrance, Hooters is a garish and disturbing place, with “paper place mats showing large owls with huge, dilated pupils, as though the birds were watching us, probing some deep subconscious level of our minds, priming us to be charmed” (99). Larry’s discomfort increases when the waitress learns it’s his birthday and kisses him directly on the lips: “It was terrible. I should have stopped her, but I didn’t want to embarrass the poor girl” (101). For Larry, who admits that he “lost my enthusiasm for women somewhere along the line” (101), the overt sexuality of Hooters is disturbing, but the pressure he feels from his father-in-law to enjoy that sexuality is even more upsetting.

In juxtaposing two familiar corporate restaurant chains—Hooters and Friendly’s, one presenting a child’s idea of adult sexuality and the other a cynical adult’s idea of childhood innocence—the story explores the intersection of Sexual Exploration and Freedom and Life Under Capitalism. For Larry, the canned, sanitized pantomime of sexuality offered at Hooters is depressing and embarrassing. But for Paul, whose life at Offerings isolates him from the reality of adult sexual relationships, these are exactly the qualities that make the place appealing to him. Although Paul is initially disappointed to see that the Hooters has been turned into a Friendly’s—“Friendly’s is for kids” (101)—he ultimately gets the intimacy he craves. The final moment when Paul moves to be closer to the waitress singing “softly, beautifully, glancing bashfully up into his small swollen eyes” (106) is a touching inversion of Larry’s nonconsensual kiss, and reads as a moment of genuine human connection stolen from the apparatus of market-driven falsity in which all the characters in this fictional world are ensnared.

Succulents are another powerful motif in the story. After Larry’s daughter removes his late wife’s furniture from their house, he begins to refill it with succulents which he propagates from a single plant given to him as a gift by Marsha Mendoza. For Larry, the succulent is a symbol of life: “[I]ts ability to regenerate, to thrive, is astonishing” (93). His later reference to the Latin name for the plant— “Sempervivum. Live forever” (94)—solidifies this connection. At the end of the story, Larry falls asleep in his home surrounded by succulents, which he calls “my perfect little children” (107). Although Larry tells his daughter Lacey that he’s not interested in having children, his loving cultivation of the succulents suggests that he is invested in caring for something beyond himself.

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