66 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In 2018, Jess arrives in Sydney and finds the blue skies and sunshine to be a jarring contrast to London’s gray weather. As Jess pulls her luggage up the driveway to Nora’s home, Darling House, she remembers doing the same as a child, alongside her mother, Polly. At the time, Jess didn’t know that she would be staying in Nora’s house for the next 10 years. Now, she moves through the yard to the fountain, the same place she gravitated toward as a child after Polly left her and moved to Brisbane. The day Polly left, Nora told Jess that she and Polly lived at Darling House for the first three years of Jess’s life. Even as a baby, Jess loved the fountain. When the young Jess cried over Polly’s departure, Nora shared memories of her own childhood, when she was often left alone by her own parents.
Jess hasn’t thought of this in years, but it makes sense that the memories have returned. Over the years, she worked hard to release her anger at Polly. After her mother left, Jess’s own departure was delayed, month by month, until living with Nora became a permanent arrangement. When Jess was much older, Nora told her about an incident that occurred when Jess was a baby. Nora claimed that the event made her fear for Jess’s safety while under Polly’s care. Claiming that Polly was fragile and anxious, Nora encouraged Jess to be more like herself. (Left in debt as a single mother, Nora had started her own business while still prioritizing her role as a parent.) When questioned about Polly’s behavior during this as-yet-undescribed incident, Nora could only conclude that her daughter’s actions were due to stress.
Inside, the house is decorated for Christmas but feels empty. While Jess waits for the kettle to boil, she looks at the photographs of herself and Polly, and older photos of her ancestors. Nora referred to these people collectively as the Family, of which she was the last. Next to Nora’s bed stands a photo of Nora and her brother, Thomas, after his return from World War II.
There are no photos of Mr. Bridges, the man to whom Nora was briefly married, and Nora never spoke of him. Jess asked about him once, but Nora claimed that she barely remembered him, and he only contributed DNA to Polly. Now, Jess wonders what Polly knows about Mr. Bridges, reflecting that she herself knows nothing about her own father. Nora told her that because Polly was young and insecure, Jess’s father took advantage of her, leaving Polly before she knew that she was pregnant. Now perusing her grandmother’s library, Jess is surprised to find Nora’s desk an uncharacteristic mess. She surmises that Nora must have planned to return to the library after going up to the attic. Hoping for clues, Jess looks through the scattered papers but sees nothing unusual. She then calls Patrick, Nora’s nurse, who tells Jess that Nora has been acting strangely lately, talking about the past. One day, Nora even hid a book that she was reading, even though it was just an old detective novel.
After a nap, Jess goes to the hospital and is surprised to find Nora in intensive care. She is shocked by how much older Nora looks. The doctor asks about Nora’s advance-care directive, and when Jess asks when Nora can come home, he puts her off. Jess doesn’t take his concern too seriously, believing that he doesn’t know Nora’s spirit like she does.
She falls asleep in a chair next to her grandmother’s bed and dreams of an event that occurred when she was three years old and the tide came in while she was in the private cove at Darling House. She was cut off from shore, and, in real life, Nora had come to sweep her into her arms, rescuing her.
When Nora’s heart monitor suddenly beeps, Jess calls the nurse. Nora awakens and tries to tell Jess something about “the pages.” She begs Jess not to let a man take someone from her. Jess is forced to leave because visiting hours are over, but before she goes, she hears Nora mumble the word “halcyon.”
Later, Jess wonders if Nora was referring to Polly and wonders if she feared, in her delirious state, that Mr. Bridges was taking Polly away. She also recognizes the word “halcyon,” remembering it from Thomas’s funeral when she was young. After Thomas’s death, the wake at Darling House was filled with Nora’s friends. At the time, a young Jess was overwhelmed, and she listened for the chimes of Polly’s pendants but didn’t hear them. Instead, she escaped to the garden and hid under a fern. While she was out there, she heard her grandmother talking to a man. When the man mentioned Halcyon, Nora’s face contorted in distress, and she told him that she planned to sell it.
After Thomas’s wake, Polly and Jess walked home to the apartment they lived in at the time. Although Polly was always nervous around adults, when it was just her and Jess, she would often point out the beauty in the world around them. On that day, however, she was quiet, and the young Jess believed that her mother was thinking about their upcoming move to Brisbane. When Jess asked Polly about the word “halcyon,” Polly told Jess that it was a faraway house.
The narrative returns to the present moment. Jess comes home from the hospital to find Mrs. Robinson, the housekeeper, in Nora’s house. Mrs. Robinson has been at Darling House for over 70 years, so Jess asks her about Mr. Bridges. The housekeeper doesn’t know anything about Mr. Bridges wanting to take Polly away, but she admits that Nora had difficulty getting pregnant before having Polly and states that her marriage to Mr. Bridges was a troubled one. After Mrs. Robinson leaves, Patrick calls to tell Jess that Nora received an upsetting letter from a law firm in South Australia the previous week.
The narrative shifts to 1959. In Adelaide Hills, Percy smokes outside while the rest of his family sleeps. The search for Thea ended when the rain began, and Meg is worried about the baby. Percy didn’t tell Meg about Duke’s interest in Kurt, as it would only upset her. Meanwhile, Kurt is upset, especially because he and Matilda fought recently, but he won’t talk to Percy.
Percy walks to Halcyon’s border, thinking about the time he saw Isabel and her husband, Thomas, arguing nearby. Their youngest child, Evie, appeared next to Percy, and he showed her the map he was making to remember where he had recently seen a platypus. Evie claimed that Isabel, an Englishwoman, was afraid of wildfire, but Evie, as an Australian, was not afraid. Evie also declared that she would never move to England.
As Percy recalls this moment, the memory is suddenly shattered by his recollection of Evie’s lifeless body. Now, Percy goes to the water hole, intending to look for the carved wren he lost. However, the ground is so trampled that he knows he will never find it. He surveys the area, remembering the scene he found, but he suddenly gets the feeling that he isn’t alone. He turns off his flashlight, certain that he’s being watched.
The narrative shifts to 2018. In Sydney, Jess wakes at 3:00 a.m. after a restless night in her childhood bed. She wakes up wanting to go home, but she is not even sure where her home truly is. She recalls that after Thomas’s funeral, Polly told her that “wake” used to mean watch, when people would guard a loved one’s body so the spirits wouldn’t steal its soul. Over time, that story became connected in Jess’s mind with the word “halcyon,” and she never forgot it. Now, she searches online for Thomas Turner and Halcyon, and finds an Esquire article from 1960.
The article relates that Thomas was dashing and charismatic, his personality formed by his parents’ neglect and his sister Nora’s adoration. In the war, he distinguished himself by escaping from a prison camp and rescuing an English officer. When the thankful man gave him a reward, Thomas used it to buy the abandoned Wentworth house in Adelaide, renaming it Halcyon. He spent the first 10 years establishing a winery on the property before switching to cattle. This shift was characteristic of Thomas, for his interest in projects often waned quickly, and by 1959, he lost interest in both efforts. At the time of the Turner Tragedy, he was in England, talking to investors about a new scheme.
Reading this article shocks Jess because the details are completely different from Nora’s story that Thomas lived in London and had no wife or children. She finds more articles about the crime, including the coroner’s conclusion that Isabel Turner poisoned herself and her children. Jess also finds mentions of Thea, whose remains were found 20 years later in the garden, giving rise to speculation that dingoes were to blame. Nora has always been so seemingly open about her history that Jess doesn’t understand why she kept this secret. Her journalistic impulses are aroused, and she resolves to investigate further.
Jess arrives at the hospital to find Nora asleep. Settling into a chair, Jess recalls that Nora avoided talking about her brother Thomas. She also now understands why Thomas never returned to Australia. While researching online, she discovers that Daniel Miller, the author of the Esquire article, also wrote a book on the Turner Tragedy. After ordering a copy online, she leaves Nora’s room. On the way out, a nurse stops her to say that Polly called. Jess calls her mother and leaves an update on her voicemail. Later, she calls Mrs. Robinson, who agrees to talk about Isabel. While printing out various articles on the topic, Jess realizes that the story has risen to the level of myth, alongside stories like the Somerton Body. She searches Nora’s bedroom for the letter that Patrick mentioned, but instead she finds a copy of Daniel Miller’s book and settles down to read.
The rest of the chapter is an excerpt from Daniel Miller’s book, As If They Were Asleep. The book describes Isabel Turner’s last day from the moment she rises. Her naturalist father and artist mother died when she was seven years old, and she was raised in a boarding school in England. Isabel’s journal entry for December 24,1959, is banal, describing the morning fog as being very different from that of England. Likewise, she acknowledges that her Australian children are very different from her English self. After writing in her journal, Isabel feeds the chickens and the rooster, Dickens, then walks the garden while drinking her tea. She startles and drops her teacup, shattering it, then reflects that she hadn’t always been so easily surprised, for she was fearless during the war. She is upset about the lost teacup, which she inherited from her mother.
Isabel reflects that her habit of walking was the reason she’d met Thomas, encountering him in the middle of the night while she was standing on a bridge. Later, when the police question Thomas as to whether Isabel had ever seemed preoccupied with suicide, he remembers that meeting and wonders what she was doing by the river in the middle of the night. He also tells the police that Isabel’s mother died by suicide. Miller’s book then describes the various Tambilla residents’ preparations for Christmas Eve. Percy Summers is on his way to the Turner property, while his wife, Meg, and their sons fill orders at the grocery store. Mrs. Pike, Isabel’s housekeeper, and her helper, Becky, arrive at Halcyon after breakfast. When Isabel hears her son, John, playing the piano, she gathers the shattered teacup and goes into the house.
Through Jess’s memories, Morton reveals important background information about her character, as well as establishing the issues inherent in the current relationship between Nora and Polly. Because Morton still withholds crucial details that will later embellish their history, the result for the moment is a skeletal overview of Jess’s childhood, in which Polly’s abandonment features prominently. Central to this limited version of Nora’s past is her childhood adoration of her grandmother as a savior and confidante after her mother seemingly abandoned her. Thus far, Morton creates a vision of Polly and Nora as opposing mother figures to Jess and foils to each other, for their mannerisms are contrasted in such a way that Polly becomes the villain and Nora is portrayed as the hero in Jess’s understanding of her childhood story. However, this assumption highlights the act of Transforming History into Myth, for Morton makes it clear that Jess’s perspective is limited by the vagaries of childhood memory and by her ongoing resentment toward Polly. At the end of Chapter 6, Morton also offers a hint of an even darker story from Jess’s childhood—an unidentified incident of child abuse on Polly’s part. Although the details will not be revealed for quite a while, the narrative makes it clear that Nora’s story of this event plays a central role in the estrangement between mother and daughter.
Through Jess’s tour of Darling House and its gardens, Morton also strategically develops Nora’s character, although the woman herself is largely absent from the narrative at this point. Nora’s characterization during these chapters forms a baseline of sorts that emphasizes Jess’s incomplete understanding of her grandmother. These details represent the only insight into Nora’s character that is set within the 2018 timeline. Thus, Morton casts Jess in the role of a detective as she finds herself piecing together her grandmother’s recent actions in connection with a deepening investigation into her family’s dark past. Within this context, even mundane details take on a higher level of significance, such as the descriptions of Nora’s uncharacteristically messy desk. The sight of a desk that is “covered with papers” is confirmed to be “highly unusual for Nora” (90), creating a sense that something serious has disrupted her normally tidy, focused, and detail-oriented habits. Because Nora never regains full consciousness before her death in the 2018 timeline, Morton offers this indirect form of characterization to make up for the character’s absence from the text.
When Jess goes to visit Nora at the hospital, the misguided aspects of her perspective on Nora become clearer. Although Nora is 89 and has suffered a terrible fall, Jess refuses to accept the idea that her grandmother might not recover. The true depths of her denial are revealed in her surprise upon finding Nora in intensive care. Similarly, when the doctor advises her to consult Nora’s advance-care directive, she dismisses his advice with the thought that “[i]t was one man’s view, […] the opinion of a doctor who […] who did not know Nora” (100). Jess’s hero worship of Nora therefore clouds her understanding of the situation, and the scene serves as a hint that her perspective of her grandmother (and therefore of her own past) is flawed at best.
Jess’s discovery of Miller’s Esquire article and book marks a crucial moment in her investigation of Halcyon and the Turner family’s past, representing a unique angle on the recurring theme of finding Connection Through Literature. Both of Miller’s publications on the topic prove integral to Jess’s understanding of the past, and as a literary device, they also allow Morton to craft a more immediate and detail-laden account of the events surrounding the original crime. Thus, Morton uses Miller’s works to create a secondary narrative that gradually reveals the details of the Halcyon mystery and its connection to Jess’s family history. By embedding Miller’s account within the larger framework of the novel rather than having Jess describe the contents of his book from her perspective, Morton creates an entirely different voice to provide a new perspective on the Turner Tragedy. At this point in the novel, Morton has offered two perspectives on Isabel, her family, and Tambilla: Isabel’s and Percy’s own perspectives in 1959, and a secondhand narrative that was published just after the event and features a creative nonfiction narrative reminiscent of Truman Capote’s In Cold Blood, which uses fictional elements to intensify and embellish an otherwise nonfiction narrative.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Kate Morton