58 pages 1 hour read

Heartless

Fiction | Novel | YA | Published in 2016

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Chapters 31-37Chapter Summaries & Analyses

Chapter 31 Summary

Cath visits Hatta at his shop, intending to take out a loan from him for her bakery. She notices a hat sitting on Hatta’s table and realizes it’s the same one the Mock Turtle was wearing during his transformation at the Turtle Days Festival. Recalling Jest’s warning about Hatta’s hats, Cath accuses Hatta of causing the Mock Turtle’s transformation. Hatta concedes that his hats “change” others, but he denies that his hat was responsible for the Mock Turtle’s incident. Hatta shares more of his personal history with Cath, including how he met Jest in Chess before becoming a messenger and official hatter to the White Queen. Hatta reveals the secret to escaping the mental illness he fears: staying ahead of Time. Time works differently in Hearts than it does in Chess, so as long as Hatta constantly moves between the two worlds, he remains ahead of Time. However, in the course of world-hopping, Hatta has learned that hat-making materials taken from Chess gain magical properties in Hearts; here, they are capable of bringing out new qualities in those who wear them. Hatta scorns Cath’s business proposal, insinuating that it was her cake that caused the Mock Turtle’s transformation. However, his rejection is about more than this: Hatta is bitter about Jest and Cath’s relationship because he thinks Cath’s feelings are insincere.

Chapter 32 Summary

Cath returns home and finds the King waiting to take her to the theater. Mary Ann accompanies Cath, and Jest attends the King. Cath longs to trade words or even a glance with Jest, but he treats her detachedly. At the theater, Lady Peter accosts Cath; she pulls out a napkin filled with crumbs from Cath’s spiced pumpkin cake and begs Cath for more. Lady Peter is distraught when she learns there is none and demands to know where Cath got the pumpkin for the recipe. Cath confesses that she got it from Peter’s patch; Lady Peter is incredulous because Peter claimed to have “destroyed them all” (283). Peter interrupts and drags Lady Peter away, leaving Cath stunned. In the box seats with the King, Cath tries to surreptitiously communicate with Jest but is unsuccessful. To Cath’s despair, Jest exits the box, leaving Cath holding the sweaty, repulsive hand of the King.

Chapter 33 Summary

Cath sneaks out of the performance and observes Jest speaking to Margaret Mearle, encouraging her to embrace the Duke of Tuskany’s virtues and accept his affections for her. After Margaret leaves, Jest apologizes to Cath for his coldness toward her; despite himself, he can’t help but feel jealous when he sees Cath with the King. However, Jest urges Cath to accept the King’s marriage proposal. Cath is confused by Jest’s seemingly conflicting intentions, but before he can explain himself, the Jabberwock attacks the theater.

Chapter 34 Summary

Jest and Raven fend off the Jabberwock while Cath tries to escape, but she falls and breaks her ankle. Raven brings Jest’s bell-tipped joker hat to Cath and she pulls the Vorpal Sword out of it, to her wonder. Cath recalls that in the legends, the Jabberwock is defeated by decapitation with the Vorpal Sword. Cath raises the Vorpal Sword, repeating “off with its head” to herself to cement her courage as the Jabberwock advances. But before Cath has the chance to attack, the Jabberwock suddenly flees into the night.

Chapter 35 Summary

No one knows how to react to the attack; the other theatergoers stand around uncertainly, waiting for leadership. The King, who cowered in the background during the attack, profusely praises Cath for her bravery, but Cath reprimands the King for his inaction. Jest volunteers to take Cath to the Sturgeons to have her ankle healed but teleports her to the treacle well instead. Cath is stunned that the mythical well actually exists, and Jest explains that the Three Sisters, denizens of the treacle well, provide healing treacle in exchange for “things we have no need of” (310). Cath hears their voices from the bottom of the well and witnesses a hand emerge to accept Jest’s payment for the treacle. Jest explains that only the desperate can find their way to the treacle well—Hatta found it because he was desperate to escape his family’s curse, and Jest because just now he was desperate to heal Cath. Jest reveals the true nature of the treacle well: It is a place between times and lands, and the portal to Chess.

Chapter 36 Summary

Jest discloses his true mission. Jest was sent to Hearts to retrieve the only hope of ending the perpetual war in Chess: the heart of the Queen of Hearts, a ruler reputed to be brave, passionate, and fierce. Jest is certain it’s Cath’s heart that he seeks. Cath is horrified to learn that all his actions toward her have had the objective of attaining her heart—for something that is given willingly will always be easier to steal. Despite himself, Jest fell in love with Cath, and now his loyalty to his country wars with his affections for her. Cath is adamant that she will never be Queen and will open a bakery instead. His fears sufficiently assuaged, Jest professes his desire for Cath; if she wants him, he is even willing to abandon his duty as a Rook. Cath tells him that he has her heart, and Jest, relieved, makes her promise to reject the King’s proposal no matter what. Cath promises, and she and Jest kiss.

Chapter 37 Summary

Jest returns Cath to Rock Turtle Cove; waiting there are the King and his armed guards, the Marquess and Marchioness, and Mary Ann. When Cath and Jest couldn’t be found at the Sturgeons’ beach, a worried Mary Ann confessed to Cath’s parents about Cath’s relationship with Jest. Now, everyone suspects Jest of kidnapping and worse, and he is immediately arrested. Although Cath insists on Jest’s innocence before all those gathered, Jest claims he’s been charming Cath and reveals his mission from the White Queen before transforming into a raven and escaping. Jest’s “confession” has saved Cath’s reputation, although it leaves Cath in despair. To Cath’s astonishment, the King and the Marchioness suggest that they throw a masquerade to forget all the unpleasantness of the night’s events.

Chapters 31-37 Analysis

Chapters 31-37 further escalate the tension of the rising action and introduce key figures that foreshadow events in the story’s climax. The increased pace of these chapters creates suspense, while the higher stakes indicate a rapid approach to the climax. Cath’s love conflict reaches a quasi-resolution here, until it is positioned for devolution with the events of Chapter 37.

The treacle well is the most significant thing introduced in these chapters. Cath discovers in Chapter 35 that the treacle well, previously mentioned solely as a figure of myth, truly exists and learns that it functions as the doorway to Chess. The treacle well’s nature is mysterious, but it’s characterized as mostly innocuous in Chapter 35, when the Sisters provide healing treacle for negligible costs. However, this establishes a give-and-take relationship that foreshadows the steep price the Sisters demand for more important favors given later. This characterization suggests the well’s role in subsequent sections of the narrative.

The events at the theater are also significant in conveying significant clues and figures. Cath’s conversation with Lady Peter about the pumpkin in Chapter 32 increases the tension surrounding Lady Peter and her husband, including the mysteries of their relationship and Peter’s pumpkin patch. The Vorpal Sword is another key figure introduced here that plays a significant role in later chapters. The Vorpal Sword, an allusion to Lewis Carroll’s poem “Jabberwocky,” is the legendary sword that can slay the Jabberwock; Cath’s ability to pull this sword out of Jest’s magical hat signifies her as uniquely worthy and positioned to be the slayer. This not only foreshadows Cath’s role in the climax but also identifies her as a leader of the people of Hearts, particularly when they all seem lost without guidance.

The theme of Being True to Your Own Heart develops in these chapters, and Cath’s standoff with the Jabberwock at the theater is a notable event in relation to this. When the Jabberwock attacks, Cath stands her ground and prepares to protect everyone with the Vorpal Sword; actively defending others goes against both Cath’s social role as a noblewoman and the social mores of the Hearts elite, who would rather ignore unpleasantries instead of face them, as demonstrated through the King’s own passivity. Cath’s actions here demonstrate the importance of defying social norms and listening to one’s own heart. Meyer also uses this moment to create tension surrounding Cath’s ultimate character arc, once again through the use of subverted expectations and dramatic irony. Cath chants “off with its head” to herself over and over as she prepares to face the Jabberwock (299), an allusion to the Queen of Hearts’s iconic phrase. However, here it’s not an outraged demand for beheadings but a rallying cry for Cath to defend the theater. Subverting the intent of the original phrase inserts a note of dramatic irony, as the reader is reminded of who Cath must ultimately become. Paired with the heightened stakes and increased pace in these chapters overall, this creates a suspenseful and foreboding mood regarding Cath’s fate.

Cath’s love conflict reaches a momentary resolution when Cath unequivocally chooses Jest in Chapter 36. Cath’s promise to reject the King’s proposal signifies the resolution of her own internal conflict, as she casts aside the possibility of power for Jest. In Chapter 37, Cath challenges the social expectations imposed on her when she defends Jest to both her parents and the King. In so doing, she honors her true heart not just to herself but also to others. However, Jest’s sudden evasion of capture leaves Cath alone to face the consequences of staying true to herself; in the absence of Jest, Cath receives no internal reward for honoring her own feelings, and the following chapters explore how this marks a significant turning point for Cath in how she reacts to her heart’s unfulfilled desires.

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