48 pages • 1 hour read
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This 12th-century Scandinavian legend was the inspiration for Shakespeare’s Hamlet.
Medievalists.net’s series of articles details medieval Denmark’s politics and relations with its neighbors, offering context for the world of Hamlet.
Tom Stoppard’s 1966 play is an existentialist reworking of Shakespeare’s story from the viewpoint of two minor characters: Rosencrantz and Guildenstern.
Joshua Rothman’s New Yorker article discusses some of the major academic criticisms of Hamlet—most notably, the Freudian reading—while reviewing Simon Critchley and Jamieson Webster’s 2013 contribution: Stay, Illusion!.
This inaugural episode of the Breaking Bard podcast discusses how to approach Shakespeare’s plays from a contemporary perspective.
This video showcases the kinds of weaponry and swordplay that would have featured in an Elizabethan production of Hamlet.
The Royal Shakespeare Company’s “Shakespeare Analysis Zone” features guided worksheets, questions to consider, and several videos exploring how actors analyze language to determine characters’ emotional states, relationships to one another, etc.
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By William Shakespeare