51 pages 1 hour read

Hallowe'en Party

Fiction | Novel | Adult | Published in 1969

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Chapters 6-13Chapter Summaries & Analyses

Chapter 6 Summary

Poirot meets Mrs. Oliver at Apple Trees, Rowena Drake’s house. Despite his recognition of the motif, Poirot notes that Mrs. Oliver is uncharacteristically not eating an apple. Poirot explains his plan—having seen Spence, he will tour the house, then speak to Joyce’s mother. He will then interview other local people and discuss with Spence and Elspeth. Mrs. Oliver likens Poirot to a computer, which makes him contend that he will therefore produce the right solution to the mystery.

Poirot finds Mrs. Drake highly competent and suspects she dislikes the “inadequacy” of not predicting and preventing a murder in her house. Mrs. Drake laments that “sad fatalities” are on the rise. She contends that the murderer must have been “highly disturbed.”

Mrs. Oliver refuses to enter the library. Mrs. Drake confirms that water had splashed on the floor, but that this did not point to a specific culprit since nearly everyone in the party got wet while bobbing for apples. When pressed, Mrs. Drake insists she liked Joyce, but reveals her annoyance with Joyce’s claim of witnessing a murder. She characterizes Joyce as boastful, reporting that the only recent crimes in Woodleigh Common were “uninteresting” and occurred years in the past. She wholly disbelieves that Joyce witnessed a murder.

As they depart, Mrs. Oliver and Poirot commiserate over their dislike of Mrs. Drake, a widow. Mrs. Oliver allows that Mrs. Drake is likely reacting to her anxieties over a murder in her home. She frames Mrs. Drake as “bossy,” and Joyce’s mother as “nice” but “stupid” (65).

Chapter 7 Summary

Mrs. Reynolds, Joyce’s mother, is distressed over the loss of her daughter and unconvinced of Poirot’s skill. She believes the murderer was male, though she lacks evidence. Mrs. Reynolds did not attend the party, instead dropping off and returning to collect her three children (Ann, 16; Joyce, 13; and Leopold, 11). Mrs. Reynolds thinks it impossible that Joyce witnessed a murder or something she might have interpreted as a murder, instead insisting her daughter “must have got something mixed up” (69).

Leopold calls his late sister “awfully stupid” and prone to making up stories for attention. Ann corroborates this and agrees with the widespread assessment that there have been no recent murders in Woodleigh Common. Ann contends that Joyce didn’t have enemies and assumes that whoever killed her was “just batty.” Poirot considers his lack of progress interesting.

Chapter 8 Summary

Spence and Elspeth confirm that Joyce was known for lying, likening her to the boy in the parable “The Boy Who Cried Wolf.” Elspeth agrees that Joyce was most likely lying, but perhaps saw something, though not as much as she claimed. Spence produces a list of possibly strange deaths over the last several years that Joyce might have witnessed.

In one case, an au pair who worked for Mrs. Llewellyn-Smythe disappeared shortly after the elderly woman’s death. Though Mrs. Llewellyn-Smythe died of seemingly natural causes after a history of heart trouble, the suddenness of her death and her wealth suggest the possibility of foul play. Mrs. Drake’s husband was her nephew. Because Mrs. Llewellyn-Smythe ignored Dr. Ferguson’s advice to stop gardening, her death was certified as due to natural cardiac failure. A strange codicil to Mrs. Llewellyn-Smythe’s will, however, left her vast fortune entirely to her au pair instead of to the Drakes. The codicil was quickly determined a forgery; the au pair vanished in the midst of investigations.

In another case, a 16-year-old shopgirl named Charlotte Benfield was found dead due to head injuries. Two of her love interests—unemployed Peter Gordon and “neurotic” Thomas Hudd—were investigated but not convicted.

Lesley Ferrier, a lawyer’s clerk who worked for Mrs. Llewellyn-Smythe’s solicitors, was stabbed in the back, possibly due to an affair with his landlord’s wife. As the affair ended, both the landlord and his spouse were suspects. Lesley had a criminal past as a forger, though had evidently “gone straight.” After his death, his bank accounts were found to be suspiciously robust.

The last case centered on Janet White, a schoolteacher who was strangled. Suspicion was cast on a former paramour, though his identity was unknown to Janet’s roommate, Nora Ambrose, another schoolteacher. Poirot finds Janet’s death the most likely contender for the crime Joyce witnessed; Joyce, as a schoolgirl, was more likely to interact with a teacher. He also considers the two and a half years since the murder consistent with Joyce’s vague description of having seen the crime a long time ago.

Though Elspeth remains doubtful that looking into past crimes will help solve Joyce’s murder, Poirot feels confident. Spence produces a list of 18 people present for the party preparations who may have overheard Joyce’s claim about witnessing a murder, though he allows that he cannot be sure that the list is complete, as people drifted in and out of the house throughout the party. Poirot finds it interesting that nobody mentioned Joyce’s claim about a murder when interviewed.

Chapter 9 Summary

Dr. Ferguson comments on the increasing cases of murdered children he has faced in the previous decade but offers up no suspects for Joyce’s killer, likening doing so without evidence to giving a premature medical diagnosis. He believes, like others, that nobody had a reason for killing Joyce and that the killer must have been “mentally disturbed.” He references a case in a nearby city in which a 13-year-old killed a nine-year-old and then committed no further crimes before he was caught at age 22. Ferguson agrees the murderer must have been present at the party but offers no further insight.

Chapter 10 Summary

Poirot meets with Miss Emlyn, the headmistress of Joyce’s school. They discuss a mutual acquaintance, Miss Bulstrode (who appears in Christie’s 1959 Poirot novel, Cat Among the Pigeons). Miss Emlyn believes “a psychological crime is indicated” (95), but Poirot disagrees, believing the murder was committed with a clear motive. Miss Emlyn calls Joyce “mediocre” and “a compulsive liar” (95)—she believes Joyce’s claim was designed to impress Mrs. Oliver. She finds it logical, however, that someone who had committed murder previously was present at the party and killed Joyce on the incorrect assumption that Joyce was telling the truth.

Poirot meets with Elizabeth Whittaker, the teacher who was present at the party. She explains that the party ran smoothly, but that while the children were playing Snapdragon, the final game, she saw Mrs. Drake carrying a heavy vase full of flowers and water. As Mrs. Drake looked toward the front hall, something startled her (In Chapter 21, Mrs. Drake reveals she saw Leopold Reynolds). She dropped the vase, which broke, sending water everywhere.

Miss Whittaker contends that Mrs. Drake must have seen something from the direction of the library, but that she was looking in the opposite direction, toward Mrs. Drake. The two women hastily tidied the broken glass as the children entered the hallway. Mrs. Drake did not explain what startled her. Both Miss Whittaker and Poirot find clumsiness uncharacteristic of Mrs. Drake.

At Poirot’s request, Miss Whittaker relays the order of events at the party. She did not notice when Joyce disappeared, as she didn’t know the girl well, though she did notice her during the flour-cutting activity, which happened during the middle of the party. Miss Whittaker grows uncomfortable when Poirot asks about Janet White. She describes Janet and Nora Ambrose as “oversexed.” Nora moved to another school in the North after her friend’s murder.

Chapter 11 Summary

Poirot visits Quarry House, Mrs. Llewellyn-Smythe’s former house. He wanders through the late woman’s garden, thinking of her forged will and the vanished au pair. He recalls a visit to Ireland (and the events of 1947’s The Apples of the Hesperides) and how he was impressed by the beauty of a sunken garden there; he wonders if the same garden inspired Mrs. Llewellyn-Smythe. He’s impressed by the late woman’s gardening skill and that of her gardener, Michael Garfield. Poirot considers that he prefers wild growth to manicured gardens.

Poirot encounters Garfield, whom he finds “beautiful.” The gardener calls the garden “unlucky” and therefore rarely traveled. He sold Mrs. Llewellyn-Smythe’s house and the gardens to Colonel and Mrs. Weston, the present owners, after he was left the estate in her will. Garfield explains that Mrs. Llewellyn-Smythe was “satisfied” by the gardens because he convinced her that his own designs were really the result of her instructions.

Garfield recognizes Poirot. Garfield was not at the party, but he knew Joyce as someone “not important.” This surprises Poirot, who contends that uninteresting people are rarely murdered.

Poirot meets Miranda Butler, Judith’s daughter. They discuss Miranda from Shakespeare’s The Tempest as Miranda leads them back to her house. She walks in the quarry frequently despite its “unlucky” reputation as a long-ago murder site. She calls Joyce a “great friend” who shared their “secrets.” Miranda “think[s she] could know” who killed Joyce but doesn’t convey her suspicions (122).

Miranda and Poirot join Mrs. Butler and Mrs. Oliver. The two friends recall meeting on a trip in Greece when Judith helped Ariadne out of the water after she fell off a boat. They discuss Ariadne’s name’s origins in Greek mythology and Judith’s from the deuterocanonical Book of Judith in the Christian tradition. Miranda quotes from the Bible, which the adults think unusual knowledge for a girl with a modern education.

Poirot and Ariadne discuss Judith’s past—her husband died suddenly in an accident, leaving Judith with little money, and she now works part-time. Mrs. Oliver wonders if Mrs. Llewellyn-Smythe’s au pair was murdered, though there is no evidence to support this notion. Poirot connects the forged will to Lesley Ferrier’s past in forgery. His next note says “elephants,” though he refuses to explain what it means (it is later implied that Poirot connects Joyce’s fantastical storytelling with Miranda’s desire to have a worthwhile story of her own). He plans to visit Mrs. Llewellyn-Smythe’s lawyers the next day and speak to others present at the party.

Chapter 12 Summary

Poirot visits Fullerton, Harrison, and Leadbetter, Mrs. Llewellyn-Smythe’s solicitors. Jeremy Fullerton speaks to Poirot on Spence’s recommendation and because he wishes to get information from Poirot that might confirm his suspicions regarding Joyce’s murder.

Fullerton is surprised when Poirot asks about Mrs. Llewellyn-Smythe and Lesley Ferrier, both incidents he considers long since concluded. He attributes Mrs. Llewellyn-Smythe’s death to her heart condition and Ferrier’s to an affair with a married woman, though he notes a lack of evidence to support this theory. He also notes Ferrier’s connections to “doubtful crowd[s],” which he allows may have contributed to his violent death. Poirot wonders if Joyce might have seen Ferrier’s murder, though Ferrier finds this unlikely and is incredulous that Poirot thinks there may be a connection between the deaths.

Poirot asks about the disappeared au pair, Olga Seminoff. Fullerton found it “astonishing” when Mrs. Llewellyn-Smythe supposedly left her fortune to Olga instead of to the Drakes (as the couple were cousins, she was an aunt to both) and charities. Fullerton reports that Olga disappeared while the presumed-forged will was being investigated; no court case ultimately transpired.

Chapter 13 Summary

After Poirot leaves, Fullerton recalls a conversation with Olga Seminoff. He wonders how, and with whose aid, she forged the will and later fled. He recalls how his strict belief in rule of law left him unwilling to help Olga despite being sympathetic to her plight.

Olga met with him after Mrs. Llewellyn-Smythe’s death to defend the legality of her claim to the money, arguing that Mrs. Llewellyn-Smythe found Mrs. Drake “tiresome” and “felt sorry” for Olga and therefore wanted to leave her fortune to the girl. Olga denied forging the will or any other form of wrongdoing. She admitted to learning Mrs. Llewellyn-Smythe’s handwriting at her employer’s instruction. Fullerton encouraged Olga to confess to secure a lighter sentence, but she believed this to be a trick. She planned to find help to “get away where nobody will ever find [her]” (151).

Chapters 6-13 Analysis

Poirot’s increasing focus on the matter of Mrs. Llewellyn-Smythe’s will and Olga Seminoff’s disappearance highlights the novel’s interest in the ways the past influences the present—a recurring theme in detective fiction broadly and in golden age detective fiction specifically. Poirot delves into the lives of the people of Woodleigh Common and the municipality’s history of past crimes to try to understand what crime Joyce might have witnessed. In solving several seemingly unconnected crimes with overlapping elements, he intends to solve Joyce’s murder in the present. This technique ties Poirot back to his generic origins even as this novel in particular highlights modern viewpoints on psychology and criminality.

In this section, Christie presents a nuanced view of both the limits and The Value of Community Knowledge. Poirot asks multiple people the same questions about the events of the party, Joyce’s character, and their suspicions about the potential identity of the killer. Rather than revealing concrete information and evidence specific to Joyce’s murder, the responses to this line of inquiry center on significant anxiety about Modernity and Social Decline, specifically regarding implicitly biased perspectives on mental health concerns. Numerous characters fret over overcrowding in “mental homes” and what they find to be an increase in “highly disturbed” people being permitted to go free in society, even after committing violent crimes. Though these fears are ultimately disproven by the novel’s arc—Joyce is, as Poirot expected, killed due to a straightforward motive, one based in financial motivation—Poirot does not entirely discredit the idea that lax punishments compared to previous consequences for crimes create social danger.

Community knowledge is likewise treated with a certain ambivalence. While everyone’s assessment that Joyce’s story was false proves true, the residents of Woodleigh Common repeatedly insist that there is no history of violent crime in the small town. Poirot quickly discovers five separate cases of missing or dead victims potentially involved in Joyce’s death (Mrs. Llewellyn-Smythe’s death, which proves natural but not unrelated to the case; Olga’s disappearance, ultimately due to her murder by Mrs. Drake and Garfield; the unrelated disappearance of shopgirl Charlotte Benfield; the unrelated strangulation of teacher Janet White; and the stabbing of forger Lesley Ferrier, also at Mrs. Drake and Garfield’s hands). By presenting these crimes from Poirot’s investigative perspective, Christie positions the detective as an objective observer in contrast to the Woodleigh Common residents, who are burdened with personal concerns, petty grudges, and projected desires about the place where they live.

Christie highlights Joyce’s poor reputation in Woodleigh Common, positioning her as simultaneously morally lacking and innocent—the perfect combination for a traditional victim in detective fiction. The majority of the town, including Joyce’s own siblings, disdain the murdered girl, calling her “stupid,” “mediocre,” and “a compulsive liar” (95). This characterization lets Joyce adhere to the restrictions laid out for victims in W. H. Auden’s “The Guilty Vicarage.” Auden contends, “The victim has to try to satisfy two contradictory requirements. He has to involve everyone in suspicion, which requires that he be a bad character; and he has to make everyone feel guilty, which requires that he be a good character” (Auden, W.H. “The Guilty Vicarage.” Harper’s Magazine, May 1948, republished 27 Dec. 2012). Auden’s rule states that the victim of a crime must be sufficiently guilty that their murder cannot only be (as many residents of Woodleigh Common believe) an act of senseless violence. She also must be sufficiently innocent that solving her murder feels like an important quest toward justice. As an unlikeable braggart and liar, Joyce fits the former category, but as a child, she fits into the latter.

In the context of Auden’s definition, Christie’s characterization of Joyce illustrates the novel’s thematic engagement with The Falseness of Childhood Innocence. Christie portrays Joyce as lacking the guileless innocence of Miranda, similar to her brother Leopold, who later foolishly blackmails Mrs. Drake, which leads her to murder him, as well. The novel does not hold that 11-year-old Leopold is too young to understand the consequences of his actions, instead framing his choice to blackmail a murderer as one that was logically taken—if extremely foolhardy. Poirot considers Leopold to have been entirely in charge of—and therefore responsible for—the blackmail, offering the murdered child little sympathy.

Christie incorporates several biblical and classical allusions that foreshadow character elements and serve as red herrings that will misdirect readers if they overestimate the effect allusion has on the text. For example, Chapter 11 includes several discussions of the symbolism behind names. Miranda Butler’s name is a reference to Shakespeare’s The Tempest. Shakespeare’s Miranda is innocent and compassionate, but not entirely naive. Judith’s biblical name, meanwhile, is more of a false clue; Judith does not boldly slay an enemy, as does her deuterocanonical equivalent, and she is not truly a widow, as she invented a husband to avoid the stigma of being an unwed mother. Ariadne Oliver, for her part, denies any literary backstory to her name, while Michael is compared to Lucifer in the Christian religious tradition, not the archangel with whom he shares a name.

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