70 pages 2 hours read

Greenwood

Fiction | Novel | Adult | Published in 2019

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Character Analysis

Everett Greenwood

Everett Greenwood is the central protagonist of Greenwood. Though the novel follows several characters throughout its nine parts, Everett’s journey not only features the most significant character development but also has the largest impact on the other protagonists’ lives.

Everett first enters the novel during Willow’s narrative section. He is introduced as a partially literate man who was incarcerated after committing an unspeakable crime, later revealed to be the kidnapping and murder of a child. However, his pleasant nature clashes with this accusation. Everett is thoughtful and protective when it comes to family, as evidenced by his decision to take Harris’s place in the First World War after Harris loses his eyesight.

The novel eventually reveals that Everett’s conviction is based on a lie he told. When asked by Willow why he was imprisoned, he claimed that the real reason was that he took “sumthing that couldnt be mine” (102). In Parts Four and Six of the novel, a young Everett is revealed to have found Willow as a baby in the woods outside his home. This incident initiates Everett’s character journey, which revolves around deciding what he will do with the baby. Everett undergoes dynamic growth as he goes from being an isolationist to a surrogate parent for Willow. The early stages of his character arc are marked by his intention to discard the baby, at one point leaving her with a stranger to be adopted. As Everett spends more time with the baby, he becomes accustomed to her needs, including his awareness that she prefers goat’s milk to cow’s milk. He later wants to ensure that she is raised well and imagines himself as her secret benefactor as she grows into a society lady. By the end of his narrative, Everett commits himself to raising the baby himself, first calling her Pod out of affection before giving her her real name, Willow Greenwood. The growth of his goodwill toward Willow cements The True Value of Family Legacies as a theme in the novel. Additionally, because Willow is believed to be the daughter of R.J. Holt, Everett ensures that her granddaughter, Jake Greenwood, will have a claim to Greenwood Island by protecting the diary that asserts her paternity from Holt and Lomax.

In the later narratives, Everett is portrayed as a stoic, reserved man who continues to heed Willow’s requests. He refuses to teach Liam how to use the woodshed on Willow’s orders. The only time he defies this request is when he requires Liam’s help to build a coffin for his late partner, Temple Van Horne. Throughout his life, Everett maintains a strong relationship with trees, letting them serve as the cornerstone of his relationship with his brother, Harris, as well as the source of his livelihood. Trees also become the bedrock of his relationship with Temple. When Everett dies, he is buried near the maple trees he planted with Temple, where she is also buried.

Willow “Pod” Greenwood

Willow Greenwood is the secondary protagonist of Greenwood. Although she is portrayed as a static character in her earliest chronological appearance, her narrative provides her with more agency, making a crucial decision that will affect her son, Liam, and her granddaughter, Jake.

Willow is believed to be the daughter of industrial tycoon, R.J. Holt. Her mother, Euphemia Baxter, wishes to keep her, however, and she escapes into the woods to ensure that Holt does not get her. Willow passes from the care of Euphemia to Everett before eventually ending up with Harris Greenwood, who is publicly identified as her father.

As Willow grows older, she becomes characterized by her rebellious nature. She not only clashes with her father’s industrial ambitions but also actively opposes them by taking an interest in environmental preservation. This commitment is cemented in college, and Willow estranges herself from Harris while building her network as an environmentalist. Willow’s commitment to environmentalism is marked by her willfulness. She believes that protest is not enough and begins resorting to direct action, which leads to her incarceration at one point in her life. Her resentment of her father is also complicated by her quietly privileged lifestyle. She holds on to markers of her wealth like her Chanel perfume, revealing that her relationship with her father’s legacy is more nuanced than she admits.

Willow’s journey is defined by her decision to donate her wealth to environmental organizations. When Willow learns that she has inherited Harris’s wealth, she is faced with the possibility that she could live a comfortable life in the forest with her young son, Liam. However, she is inspired by her encounter with Harris’s former lover, Liam Feeney, to live according to her values. Embracing her wealth would mean that she is abandoning the world for a forest of her own. She instead recognizes Humanity’s Interdependent Relationship with the Environment and chooses to live in honor of that relationship. This eventually puts a strain on her relationship with Liam as he grows older while also indirectly causing Jake to work for Holtcorp at the Greenwood Arboreal Cathedral.

Harris Greenwood

Harris Greenwood plays a complex role in Everett’s narrative, supporting him at one point and antagonizing him at another. Because of this complex relationship, Harris is not a true antagonist, though his support is less pronounced than any of Everett’s other allies, such as Temple Van Horne. Chosen by the town to receive an education, Harris’s arc represents the theme of Fate’s Influence on Nature Versus Nurture.

Harris is characterized by his sense of competition. At an early age, he fights with Everett over which of them their guardian, Mrs. Craig, likes most. Though Everett never openly attempts to compete with Harris, Harris is always suspicious that Everett is trying to take an advantage over him. This is evidenced by their reunion in Part 6, in which Harris suspects that Everett only took his place in the First World War to prove that he was better than Harris. As a result of this competitiveness, Harris is also characterized by his sense of self-reliance. He resents Everett for suggesting that he needed his brother’s help after falling blind before his deployment in the war. To prove this, he points to the success of his vast lumber empire.

Harris’s self-reliance is later revealed to be one of his central character flaws. His belief that all men must look out for themselves contributes to his decision to do business with the Japanese war effort in the years leading up to the Second World War. Though others point out the moral implications of this deal, Harris dismisses them, assured that all challenges are intended to undermine his success. Harris’s self-reliance also causes him to betray his brother at the end of Part 6 because he believes that giving up Everett to Lomax will stop the latter from blackmailing Harris over his relationship with his romantic interest, Liam Feeney. This decision causes Liam to leave him, but not before Liam retrieves the baby Willow from the Greenwood Island supply box. Harris redeems himself by honoring the promise to look after Willow in Everett’s place, though he never acknowledges this as a sign of his love for Everett in the events of the novel. Instead, Feeney is the one who reveals this love to Willow when she declares her resentment over Harris’s legacy.

Liam Greenwood

Liam Greenwood is a tertiary protagonist in Greenwood. His journey represents Fate’s Influence of Nature Versus Nurture. When faced with imminent death, Liam reflects upon his past to decide whether he can die a good man despite his failure to resolve all the issues in his life.

Liam’s personality is heavily influenced by his relationship with his mother, Willow. Living a life on the road, Liam yearns for permanence and regularity, a need that is briefly satisfied when he lives with Everett and Temple on their farm during Willow’s incarceration. Liam is also characterized by a refusal to confront issues directly. He resents his mother but does not communicate this to her, destroying her dreamcatcher gift and sabotaging her van at different points in the novel. In his adulthood, these behavioral patterns manifest when Liam meets Meena Bhattacharya. He yearns for her to remain with him in New York but can’t reconcile this with her personal desire to live for her own sake. When she declines his gift of a replica Stradivarius viola, he spends the night destroying his own work.

His refusal to reconcile with Meena prompts him to ignore her messages informing him of the birth of their daughter, Jacinda. After Liam’s spine is shattered in an accident, he resolves to do whatever he can to “make things right in the end” (20). He acknowledges Jacinda’s existence by bequeathing everything he owns to her, completing his character arc while also supporting the theme of The True Value of Family Legacies.

Jacinda “Jake” Greenwood

Jacinda “Jake” Greenwood is a tertiary protagonist in Greenwood. Her narrative provides the frame story for the novel’s events to unfold. Through her narrative, the book’s chronological end, the novel provides a broad overview of the events that preceded her story.

Despite the function of her narrative, Jake is a protagonist with agency in her own right. After the deaths of her parents, Jake’s most significant relationship is with trees, underlining Humanity’s Interdependent Relationship with the Environment. Her loyalty to nature prompts her to abandon her fiancé, Silas, out of college, pursuing an academic career in dendrology, or the study of trees. She also sees the environment as an extension of her family, shunning any questions about her relationship to Greenwood Island’s namesake. When Silas tells her that she may be related to the founder of the island’s current corporate owner, Holtcorp, it means little to her apart from the fact that she may be entitled to ownership of the island and the company’s vast fortunes.

She becomes anxious when a sickness starts spreading among the trees on Greenwood Island. After sleeping with a visitor to the Greenwood Arboreal Cathedral, her anxiety is compounded by the possibility that she may be pregnant. Jake finds comfort in reading the diary of Euphemia Baxter, which Silas entrusts to her. Euphemia’s diary inspires her to have hope in a hopeless world, relating her experience in the Great Withering to Euphemia’s experience in the Great Depression. After her best friend, Knut, suggests cutting down the sick trees, an act for which he is banished from the island, Jake takes matters into her own hands, cutting the sick trees, which include the island’s largest Douglas fir, God’s Middle Finger. Her relationship with the environment is affirmed by the sight of the trees spreading their pollen as she leaves, a sign that they will continue to survive despite everything else.

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