55 pages • 1 hour read
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There is a knock on Thomas “Tom” Oakley’s front door; it is the local Billeting Officer with children from London. Tom agrees to take the child she is accompanying, a sickly-looking boy called Willie, whose mother specified that he should be placed in a house near a church.
Willie nervously goes into Tom’s house. Tom prepares bread and bacon for Willie, but he is too nervous and overwhelmed to eat it. When Willie’s sock slides down, Tom notices colorful bruises and sores on the boy’s shins.
When Tom goes out, Willie reflects on the fact that he is a bad boy and chants to himself that he must be good. Willie explores the churchyard adjacent to Tom’s house. A couple walks by; the woman introduces herself as Mrs. Hartridge and tells Willie that he will probably be in her class. Willie is terrified of a squirrel and then even more terrified of a dog that bounds over to him; he finds a thick branch to fend it away. Tom arrives and explains that it is his dog Sammy and that Sammy is friendly.
Tom tells Willie to come inside so that they can sort some things out in the house; Willie begins sweating profusely and feels sick, assuming that Tom is about to beat him. Willie’s worst fears are confirmed when Tom picks up an iron poker, which he uses to stoke the fire; Willie faints. Tom picks him up and lifts him out the front window, encouraging him to breathe deeply. Willie vomits. Tom helps to clean him up and then puts him in the armchair by the fire. Willie sleeps. Tom quietly tells Sammy that he knows little about raising children, but he does know not to beat and terrify them.
Tom finds blankets and sheets in a cupboard, noticing his deceased wife’s paints and clothing and his deceased son’s never-worn christening gown as he does. He makes up a bed for Willie in the attic room.
Tom makes Willie a cup of tea when he wakes up and shows the boy how to pat Sammy. They take the dog out for a walk. Willie wonders at the fact that Tom is being so kind to him; Willie asks to take his empty sack for him, and Tom gives it to him.
Tom stops to talk to Mrs. Fletcher, a neighbor who knits, and asks her if she will knit a jersey for Willie. Mrs. Fletcher retorts that they shouldn’t be expected to clothe the children, but Tom insists. After Tom departs, Mrs. Fletcher runs to tell her neighbor about Tom’s uncharacteristic request.
Willie waits outside with Sammy while Tom goes into a shop to buy food. They stop at a farm where Tom collects milk; Willie is intrigued by the sight of cows being milked. Tom explains that the family is putting blackout covers in their windows to avoid being sighted by bomber planes. The family’s six-year-old daughter, Lucy, stares with interest at Willie.
When they get back to Tom’s home, Tom realizes that Willie is soaked through and freezing. He helps Willie out of his clothes, which Tom dries by the fire, and looks in the paper bag that accompanied Willie. A note from Willie’s mother explains that she’s included the belt for when he’s bad. Tom sternly tells Willie that he has never hit a child. Willie’s mother has sewn his underwear to his singlet; Tom cuts them apart, dries Willie with a towel, and cuts a flannel nightshirt to fit him.
They eat scrambled eggs, potatoes, and toast for dinner, followed by a slice of cake. Willie eats ravenously and then is amazed and delighted to be able to look at Tom’s books. Tom tells him the story of Noah’s Ark, which Willie listens to raptly.
Tom, Willie, and Sammy go up to the attic bedroom; Tom has to show Willie how to get into the bed. Willie is amazed at the softness of the blankets and starts to cry, apologizing to Tom as he does. Tom tells Willie, who calls him “Mister,” to call him “Tom”; Willie calls him “Mister Tom” (35).
Tom looks at the pots of paint that belonged to his wife, Rachel.
Willie wakes up after a nightmare and, noticing that he has wet the bed, he feels sick and vomits. Tom comes up later and carries him downstairs. Willie feels ashamed as he watches Tom scrubbing the mattress outside.
Tom produces a postcard, which Willie is supposed to write on and return to his mother. He admits that he can’t read or write, so Tom writes it for him, conveying to Mrs. Beech that Willie arrived safely and is doing well. Tom asks more about Willie’s schooling in London, and Willie admits that the schoolmaster didn’t like him and that the other children taunted him; he didn’t have any friends.
Tom shows the pots of paint to Willie, who reverently touches them. When they go out, Willie is scared of a horse, clinging to Tom’s pant leg as they pass it. They visit the local doctor, Dr. Little. Mrs. Little distracts Willie while Tom talks to the doctor, who explains that the rich food was probably too much for Willie’s system, as he is clearly malnourished. Tom takes witch hazel for Willie’s sores.
Willie goes into the post office to mail his card to his mother. He notices a curly-haired boy of about his age in there but is too shy to say hello. Tom and Willie go into a grocery store; the owner complains about children from London stealing things, but his wife gives Willie an apple, which he accepts shyly. An Air-Raid Precautions volunteer admonishes Tom for not having gas masks.
They take a horse and cart into town, and Willie naps in the back. In town, they go to a newspaper shop. Tom tells Willie that he can choose one candy and one comic. Willie is amazed and overwhelmed by the options.
At a drapery, Tom buys flannel and then instructs Willie to choose two colors of corduroy for new shorts. Tom then takes Willie to a shoe shop and buys him new boots. Willie peers longingly into an art shop; Tom reflects that he hasn’t been inside since Rachel died. At the library, the librarian helps Willie pick out some books, two of which he can look at the pictures and another that Tom can read to him.
They return home, running to avoid the incoming rain. Tom helps Willie into his new pajamas, explaining the concept of pajamas to him. Willie admits that he is scared to sleep in the bed; Tom shows Willie the bed that he sleeps in and the basket that Sammy sleeps in.
At Willie’s request, Tom recounts Noah’s Ark again and then reads Willie’s new comic to him.
Together, they wrestle the mattress back upstairs, and Tom puts a rubber sheet over it, reassuring Willie that he can wet the bed all he likes. Tom assures Willie that Sammy peed all through the house when he first got him, as it takes a while to settle into a new place.
Mrs. Fletcher arrives with Willie’s new clothes made up. Willie, exhausted, falls asleep.
Tom wakes up Willie and helps him put his pajama bottoms and sheets, which Willie has wet again, into a tub of water he prepared downstairs. Tom helps Willie to dress in a new shirt, his new boots, and new suspenders attached to his old, crumpled shorts.
They go to Church. Mr. Peters, the vicar, instructs Willie to put out hymn books in the pews. Willie reflects that the village of Little Weirwold is like heaven. As the church fills, Tom tells Willie in a whisper about the various village occupants, some of whom Willie has already seen. After a hymn, the vicar turns the wireless on. Chamberlain, the Prime Minister, announces that Britain is at war with Germany. The congregation prays. War effort organizers and volunteers arrange to meet at the village hall. Willie notices red-haired girls who are twins. Lucy, the farmer’s daughter, says hello to him.
After the service, Tom instructs Willie to go home and make tea, but the kettle is too heavy to lift, and the house fills with steam. Tom is unworried when he returns home, taking the kettle off and making tea for himself, Willie, and Mr. Fletcher, who is visiting.
Tom tells Willie that they will be helping to dig trenches. Willie is usually not allowed to get his clothes dirty, but Tom assures him that it’s not a problem. Willie still insists on wearing socks and his long-sleeved jersey, embarrassed by his bruises.
Willie and Tom dig with Mr. Fletcher and his two teenage sons, Michael and Edward. Mr. Fletcher’s younger son, George, whom Willie recognizes from church, arrives to take worms from the freshly turned earth. George asks why Willie is wearing so many clothes; Tom says that Willie has a fever he is sweating out.
They install steel sheets in the trench to form a shelter. Willie continues digging when Tom has to leave, enjoying the hard work. The curly-haired boy Willie saw in the post office arrives.
The boy introduces himself as Zacharias “Zach” Wrench. He explains that he might seem forward to Willie because he is used to moving a lot and, therefore, has a habit of talking immediately and in an upfront manner to people he likes. Willie is shocked to be liked; he reflects that people, even his mother, usually dislike him. Zach helps Willie with the shelter.
Tom goes to the meeting in the village hall. Villagers discuss wartime measures, such as air-raid procedures, school helpers for the influx of children, and fire-watch volunteering, for which Tom volunteers. Tom also volunteers to help with transport with his horse, Dobbs, and his cart, due to the petrol shortage. People seem shocked to see Tom volunteering.
Tom finds Willie and Zach, who confidently introduces himself, still working on the shelter. They go inside, and the three of them have tea. Zach asks if he can come back to see Willie (whom he calls Will) the next day; Tom says that it’s up to Willie, who agrees that Zach can come back.
Tom runs a bath for Willie, who is very dirty. Willie, who has never had a bath, is nervous that he will drown but eventually relaxes. Before bedtime, Tom tells Willie about the story of Adam and Eve and then reads to him from Rudyard Kipling’s Just So stories, which they borrowed from the library.
The pivotal theme, Wartime Britain: Community Involvement and Loss of Life, is introduced in the exposition through Willie’s presence in Little Weirwold; children were sent from London for fear of bombing campaigns by Germany. Furthermore, contextualizing clues continue to remind readers of the outbreak of war in Europe: “They stopped outside a newspaper shop. Two placards were leaning up against the walls. Poland Invaded!” (51). The reclusive Tom is forced out of his shell by the war effort, which pushes him to take on the care of Willie and become involved in civic projects, much to the surprise of his neighbors.
In the novel’s exposition, Tom is depicted as a gruff and harsh individual. His impatience is shown in his conversation with the Billeting Officer: “‘Mr. Oakley, with the declaration of war imminent…’ Tom waved his hand. ‘I knows all that. Git to the point. What d’you want?’” (9). Tom agrees to take on Willie but continues to speak with impatience, as is illustrated by his “harsh” tone: “‘Come on in,’ repeated Tom harshly. ‘I ent got all day’” (10). However, his immediate accommodation of Willie hints at Tom’s gentle kindness and compassion, which is masked by his gruff exterior, such as when he immediately decides to install a low peg for Willie to hang his coat: “Bit ‘igh fer you. I’d best put in a low peg” (10-11). Tom’s inherent gentleness is further hinted at through his connection to his animals, such as Sammy, whom he lovingly pats and often carries.
Tom’s initial characterization as disagreeable serves to illustrate the ways that he softens and changes through his connection with Willie, introducing the theme of The Restorative Power of Compassion and Human Connection. Tom notices the ways that Willie reacts fearfully to him, such as when Willie faints when Tom is handling the fire poker, and in Willie’s expression when Tom finds the belt that Willie’s mother has sent with him: “Willie stared uneasily up at him” (30). Willie’s obvious fear and trauma, illustrated by his unease as Tom handles the belt, causes Tom to treat him gently and reassuringly, such as when he tenderly washes Willie and cares for his wounds: “Tom gently washed Willie’s body again and smoothed witch hazel onto the sore spots” (65).
Tom’s patience with Willie is further illustrated when he uncomplainingly washes Willie’s wet bed and pajamas every morning and reassures Willie that this is nothing to be ashamed of: “‘Mister Tom,’ whispered Willie, ‘ain’t you angry wiv me?’ ‘No,’ Tom grunted. ‘When I first had Sammy he peed all over the blimmin’ place. Takes time to settle into a new place and its ways’” (62-63). Tom normalizes Willie’s bedwetting by likening it to Sammy’s initial lack of toilet training, which helps to eventually resolve the problem in later chapters, as it is a behavior caused by Willie’s fear.
Tom’s kindness is also demonstrated by his buying new clothes for Willie: “He looked at Willie’s mac on the way out and noticed how thin it was” (23). His investing in new clothes, pajamas, and shoes for Willie illustrates Tom’s concern for Willie’s comfort after noticing his inadequate clothing and footwear. In his characteristic manner, Tom demonstrates both brusqueness and inherent kindness in his conversation with Mrs. Fletcher when she questions him about investing in clothing for Willie: “‘You ent gotta clothe ‘em, you know. They shoulda brought that with them.’ ‘Well, he haven’t,’ said Tom gruffly. ‘Can you knit me a jersey or can you not?’” (25). Tom’s kindness, which had been latent for many years but that emerges as he cares for Willie, emphasizes that the power of compassion to heal and restore not only affects the recipient but also the one who extends compassion.
Tom sealed himself off from others after his wife’s and son’s deaths, but in caring for Willie so gently, the walls that grew from his loss and grief begin to fall as a response to his growing connection to the boy. Willie’s presence helps Tom to confront his unresolved grief over the deaths of his wife Rachel and their baby son, which occurred over 40 years ago. He had never disturbed Rachel’s few possessions but does so when Willie arrives, thinking that Willie will like Rachel’s paints. Tom’s pausing with the box, which is dusty, illustrating that it is not often disturbed, on his lap characterizes this as an emotionally significant moment for him; he still feels pain at Rachel’s death: “He held a large black wooden paint box on his lap. He raised the lid, gazed for an instant at the contents and quietly blew away the dust from the tops of the brightly colored pots” (36). Willie’s arrival forces Tom to reexamine his pain and grief over losing Rachel.
Willie is depicted as immensely fearful and anxious. Tom notices his “shaking fingers” (11) as he enters the house for the first time. The Impact of Trauma and Abuse is introduced as a pivotal theme in Willie’s characterization. His mother’s cruelty has made him hypervigilant for danger and his own “bad” behavior: “Mum said war was a punishment from God for people’s sins, so he’d better watch out. She didn’t tell him what to watch out for, though” (14). Furthermore, he has been raised to think of himself as inherently bad, and so Tom’s kindness is initially inconceivable and confusing to him: “He stared up at the gruff old man who was so kind to him. It was all very bewildering” (24). Similarly, Zach’s desire to be friends with him is confusing to Willie, who thinks of himself as inherently unlikable: “‘As soon as I see someone I like, I talk to them.’ Willie almost dropped the clod of earth he was holding. No one had ever said that they liked him. He’d always accepted that no one did” (77).
As with Tom’s compassion, Zach’s friendship is rehabilitative for Willie, who previously had accepted himself as an inherently bad and unlikable person; this further elucidates the theme of The Restorative Power of Compassion and Human Connection. Zach refers to Willie as “Will” because he says “Willie” is a name subject to ridicule. On a deeper level, however, Zach’s renaming symbolizes how Willie is changing and growing into his own potential in Little Weirwold through the loving care of Tom and the supportive friendship of Zach. Zach acts as a character foil for Willie in these initial chapters; Willie is quiet, demure, and lacking in confidence, whereas Zach is forthright, chatty, and confident, with a flair for the dramatic and an enthusiasm for life, as is illustrated in his frequent and eccentric expressions of excitement and joy: “Wizard! Callooh! Callay!” (83). Zach shapes Willie’s development; in later chapters, after Zach’s death, Willie notices that he takes on aspects of Zach’s more outgoing and verbose manner in a way to honor him and remain connected with him.
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