91 pages • 3 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Literary Devices
Important Quotes
Essay Topics
Tools
Jean continues to advise Panurge to marry. Once married, Panurge must make love to his wife often; otherwise, she will lose interest in him and his sexual organs will lose their potency from disuse.
When Panurge still expresses doubts over marriage, Friar Jean says Panurge does not have more time to procrastinate, since his hair has already started showing bits of gray. In any case, if he does get cuckolded, it implies his wife will be beautiful. If she has cheated on him, she will also treat him well. He can always turn to his friends for solace.
Pantagruel invites a theologian, a physician, a lawyer, and a philosopher for their perspectives on Panurge’s marriage.
Since Panurge feels the “importunate prickings of the flesh” (524), the theologian says it is better for him to marry than burn in lust. God willing, Panurge will not be cuckolded.
The physician tells Panurge medically the only way to dull lust is through excessive wine, drugs, or toil. Failing which, Pantagruel should marry.
Rondibilis tells Panurge marriage and cuckoldry go hand-in-hand since women are by nature “so weak, so fickle, so variable, so changeable, so imperfect” (533).
On Pantagruel’s insistence, Rondibilis tells him the one remedy for cuckoldry. The husbands who do not offer Signor Cuckoldry his desired sacrifice of suspicion and doubt are left alone by him. Those who spy on their wives are visited by Cuckoldry. In both cases, men are doomed because women, like Eve, are, according to Rondibilis, prone to desiring forbidden things.
Carpalim narrates a story about the inconstancy of women. Some abbesses (nuns) asked the Pope for the power to confess to each other, instead of male priests. To test their resolve, the Pope gave them a closed box of written confessions with a tiny bird inside, forbidding them from opening it. The next time he visited, the bird was gone. The nuns had opened the box and were therefore not trustworthy enough to receive confessions.
Pantagruel turns to the philosopher to know if Panurge should marry or not, and the philosopher replies, “both” (35). Gargantua drops in for a visit.
The guests leave. Pantagruel tells Panurge that since he is not satisfied by the answers of the wise, he must seek the counsel of a fool.
Panurge agrees to seek advice from Triboullet, a famous “fool.” Pantagruel and Panurge describe the qualities of Triboullet in a blazon, a descriptive poem usually used in courtly love poetry to describe the qualities of the beloved.
Pantagruel attends a hearing of the elderly judge Bridoye, in the docks for judging cases using the throw of a dice. Bridoye explains how and why he judges cases in such a strange fashion.
A counselor asks Bridoye why he needs to delay judgment if he decides lawsuits by the throw of a dice. Bridoye replies that cases must be allowed to ripen before being resolved.
Bridoye tells the story of an appointer, or out-of-court settler of lawsuits. Perrin Dendin was great at settling cases out of court, but his son Tenot was terrible at the profession. Dendin tells Tenot the skill in appointing is that one must wait to settle till the client is exhausted by the legal process.
Bridoye lets cases ripen just like Perrin Dendin did. When a case is born it is like a hairless, clawless bear cub, which judges like Bridoye nurture into perfect shape.
After Bridoye leaves the court, the counselors ask Pantagruel to decide his case. Pantagruel decides to show Bridoye clemency since his judgments have always been sound despite his unusual method.
Pantagruel tells the story of a woman from Smyrna, being tried for murdering her second husband and stepson after they killed her son from her first marriage. Since the woman was both right and wrong in her actions, either throw of the dice could have fittingly decided her case.
Triboullet, a “fool,” visits Pantagruel. When Panurge asks him for advice, Triboullet plays the fool and shouts strange things, such as “Ware monk […] Horn of the Buzancais bagpipes!” (586).
Pantagruel thinks Triboullet is warning Panurge he will be cuckolded by a monk; Panurge thinks Triboullet goofed around to indicate he and his wife will always have a merry marriage.
Panurge decides to visit the Dive (divine) Bouteille, an Oracle in a far-off land, for advice. Pantagruel says they must first seek his father’s blessings and find a sybil as a guide.
Pantagruel meets Gargantua to seek his approval for their journey. Gargantua wishes Pantagruel too would marry. When the time comes, Pantagruel’s marriage should not be clandestine. In fact, Gargantua will find a match for Pantagruel while he is away.
Epistemon and Jean are to accompany Pantagruel and Panurge. Pantagruel equips his ship for the voyage, taking with him the plant called pantagruelion, a tall evergreen with medicinal properties.
Pantagruelion is prepared for use over the autumn equinox by maceration in water. Once the woody bark is stripped away, the fibers are ready for use.
Pantagruelion’s fibers are so strong they are used to make hangman’s nooses, as well as all kinds of fabric. Its sap kills parasites, and its essence relaxes muscles.
A certain species of pantagruelion cannot be killed even by fire.
Panurge’s quest for answers continues in this section. It becomes clear that the subject of Book 3 is not cuckoldry, but argument itself. Some questions explored here are: Which argument is valid? Can an argument always yield an answer? And when should one stop arguing and start to act?
Pantagruel’s viewpoint is too rational and pessimistic, while that of Panurge is illogical and conflicted. Pantagruel interprets signs, such as a cuckold’s horns, correctly, while Panurge denies their meaning. Perhaps, a better, fresher perspective is offered by the likes of Friar Jean and Hippothadee the theologian. Like Pantagruel, they accept the premise that marriage and cuckoldry go hand-in- hand, but unlike him, they argue that Panurge should marry anyway. Their argument is that nothing can be preempted in life and fear cannot stop what must unfold. One must act and live nevertheless. By presenting a plethora of viewpoints on the subject of cuckoldry, the text suggests that people can use any argument to prove their point. The right argument is perhaps that which supports the desire of the individual, especially in cases like marriage. Panurge wants to get married, but lets fear and indecision cloud his heart and mind.
The episode of Bridoye once again brings into focus the corruption of the legal profession, a topic pertinent in Rabelais’s time. That Bridoye is able to achieve rightful judgments through throwing dice is a satire on lawyers and judges. Their work is so shoddy and corrupt that someone depending on mere luck is a better legist. Bridoye’s frame tale of Dendin and Tenot further emphasizes the corruption in the bureaucratic process, with Dendin telling his son that the skill in appointing is that one must wear-out their clients and charge a fee for settling just before they are “spontaneously wilting at the last stage of their lawsuit” (572).
Like the story of Dendin and Tenot, another example of a frame tale or a story-within-a-story, is the tale of the Pope and the abbesses told in Chapter 34, which involves the theme Ridiculing and Reforming Religion. The craftiness of the Pope and the untrustworthiness of the nuns reflect a system in which even members of the holy orders cannot be counted on to keep their word and abide by the rules. The act of confessing is reduced to yet another form of gossiping in the hands of the nuns, rather than being a holy sacrament.
The story also reflects The Treatment of Women. This story may be based on a medieval story as well as the works of Gratien Dupont de Drusac, an anti-feminist poet of the time who wanted the Queen to be taken out of the game of chess. The story proves that women cannot even be trusted to yield confessions of an intimate nature to each other, let alone other matters. It utilizes the popular comic trope of women desiring to know the forbidden and being habitual gossipmongers. As is often with the case of humor, the joke exists to deal with fear, which in this case is women seeking greater knowledge and agency in a traditionally male-dominated realm (i.e., the Catholic Church). A contemporary feminist interpretation of the story betrays the societal anxiety that the abbesses could get access to power and knowledge reserved for male monks. Hence, the abbesses must be ridiculed and patronized as comic objects.
This set of chapters is replete with references to Greek and Roman literature and philosophy. These references show how these texts were important sources of knowledge and education, reflecting The Development of Education in the time period. In Chapter 33, the story of Signor Cuckoldry is adapted from Aesop, the legendary Greek figure credited with a variety of folk tales. The condemnation of the current practice of clandestine marriages in Chapter 48 also draws on antiquity. In Rabelais’s days, all that a couple needed for a marriage to be sanctified was an exchange of vows and (usually) a priest’s presence. The approval of guardians was not required. While theoretically sound, this practice could lead to—according to Rabelais, at least—forced marriages, where a young woman was abducted from her parents and coerced into marriage. What Gargantua proposes in this chapter is essentially a return to Roman Law (as opposed to Christian and current civil law) in which the approval of parents was essential for a marriage.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: