78 pages 2 hours read

Flora And Ulysses

Fiction | Novel | Middle Grade | Published in 2013

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Themes

The Power of Words

Flora and Ulysses is a novel that centers on the power of words. From the first page, it is clear that words are important through the variety of fonts and textual techniques used. Flora “knows a good word when she hears it” (23), and picks the perfect name for her new companion—Ulysses. Ulysses uses the power of words to create poems and showcase his thoughts after becoming illuminated. William speaks in “sad, beautiful sentences” (206) which at first irk Flora, but soon become the things she misses about him when he is not around. Flora also loves comic books, which use words in creative, visual ways; comic strips are incorporated throughout the novel for this reason. Names also serve an important purpose, as Incandesto means “to glow,” Ulysses refers to The Odyssey, and Flora is referred to by her father as a lovely flower.

The novel’s fonts and text sizes change somewhat frequently, resembling the comics that Flora loves and helping young readers engage with the story. Complex words are inserted into the text with context, often directly explained by either the narrator or one of the characters. Flora often reflects on new words, and the ways they relate to each other: “Capacious. Random. Heart. Universe” (129). This not only allows readers to expand their vocabulary, but also characterizes Flora, Ulysses, and William in several instances. Chapter titles often contain complex words (in terms of difficulty or theme), with the chapters themselves explaining their meanings. One example of this is the chapter titled “Banished” (151), in which William explains why he was banished from his home by his mother.

One of Ulysses’s newfound powers is the ability to understand and use language. Although he cannot speak, he is capable of using a keyboard or typewriter to express himself using human language. Ulysses almost immediately takes up poetry after writing his first sentence, and quickly realizes that he adores writing—not only because it allows him to communicate, but because it empowers him: “The superhero was enormously, inordinately pleased with himself. He felt immensely powerful! He felt like writing a poem!” (135). In this way, Ulysses proves himself an unconventional superhero, with the power of words arguably being his greatest gift. Flora tells Ulysses early on to be a “giant ear” (72) and listen to everything around him. Ulysses does exactly this, and after a couple of days of listening to the beautiful words that everyone speaks, he makes a list of his favorites—including “Giant squid, Little shepherdess, Vanquished, Capacious, Quark, Universe” (165) and more. He plans to use these words to create more poems, and after the dilemma of his potential killing is solved, he looks to the future with certainty and excitement.

In the novel, words also have the power to influence people’s actions, thoughts, and emotions—even to damage relationships. This is because “all words at all times, true or false, whispered or shouted, are clues to the workings of the human heart” (72). Ulysses seems aware of this when he attempts to write for the first time. He stares at the screen, and “there was nothing he could do except to be himself, to try to make the letters on the keyboard speak the truth of his heart, to work to make them reveal the essence of the squirrel he was” (62). When William talks about the expanding universe, this inspires both Flora and Ulysses: “They weren’t lost in the woods. They were lost in the universe. Which, according to William Spiver, was expanding. How comforting” (204). Words can also have a negative impact, such as when Flora’s mother tells her father to kill Ulysses, or when she tells Flora that her life would be easier without her. The latter hurts Flora and catalyzes a series of events that culminate in Ulysses’s near death. Eventually, Flora’s mother is able to find her words and express herself genuinely and properly, allowing mother and daughter to finally heal.

Becoming Illuminated

Illumination has two separate but related meanings and threads throughout the story, as Flora and her new friend discover there is more to life (and themselves) than they once believed. Ulysses’s mental and emotional illumination upon gaining superpowers is what characterize him and propel much of the plot. Illumination also takes on the meaning of being a light in the darkness of life. The novel illustrates that even in times of loneliness, the world can become illuminated again if one opens oneself up to the possibility.

Upon being saved by Flora and gaining superpowers, Ulysses thinks “When did things become so beautiful? And if it has been this way all along, how is it that I never noticed before?” (24). Before, he was an ordinary squirrel who thought only of food. Now, Ulysses sees the beauty of the world, the foods around him smell and taste sweeter, and he is capable of deep thought and emotion, like his love for Flora and desire to write poetry. Ulysses feels like the entire world has opened up before him, and he is excited to experience every second of it. The more Ulysses discovers about his mind and powers, the more he loves the world.

Ulysses grows to love even the negative things about life and accepts the possibility of death as just another interesting event that may occur: “So much had happened to him in the last twenty-four hours that somewhere along the way, he had stopped worrying. Everything had become interesting, as opposed to worrisome. If he was dead, well, that was interesting, too” (117). When William tells Flora that the universe is always expanding, Ulysses grows excited at the prospect of more of all the things he loves existing.

Lonely after her parents’ divorce, Flora maintains some optimism thanks to her Incandesto comic books. Incandesto, whose name means “glowing,” is a beacon of hope, a light in dark times. Ulysses becomes a similar figure who illuminates everyone around him. He instills hope in Flora, who is no longer a cynic by the end of the novel, and in her father, who was hurt from the divorce and separation from his daughter. He even brings Flora back to her mother, albeit in an indirect way, and helps William come to terms with his new reality. It is because of Ulysses that Flora and her family are able to hope and ultimately understand each other better.

The Possibility of the Impossible

The possibility of the impossible brings characters together and reignites hope. In the beginning, Flora is a cynic who finds the world a generally distasteful place. In the wake of her parents’ divorce, she relies on practical thinking to navigate her world. Still, she copes with life’s lows by reading comic books. In particular, Flora loves comics about her favorite superhero, The Amazing Incandesto. Alfred T. Slipper is a janitor who transforms into Incandesto and helps those in need, shedding “light into the darkest corners of the universe” (35-36). When Flora rescues a squirrel from a vacuum cleaner, he demonstrates super strength and understands human speech. Against all odds, she’s certain the squirrel is a superhero, and names him Ulysses, in homage to the Greek hero Odysseus, who overcame impossible feats.

Ulysses soon proves he can do more than just lift heavy objects and understand Flora: He can also fly and write poetry. He loves Flora, and she him. Flora believes in Ulysses, the miraculous nature of how he came to be (one akin to a superhero origin story), and what he can offer the world (joy and poetry), as her cynicism begins to fade to “a shiver of belief, of possibility” (79).

As Flora spends time with Ulysses, seemingly impossible things start to happen. First, she formally meets neighbor Tootie and her great-nephew William, who become unexpected friends whom she can trust and rely on. William is a skeptic who approaches the world with scientific reasoning and logic, with which Ulysses’s powers do not align. He initially tries to explain these powers, but eventually links them to “the random and confusing nature of the universe” (79). This very randomness means anything can happen. No longer a cynic, Flora tells William not to doubt Ulysses, remembering how Alfred T. Slipper was doubted by many as well.

Ulysses’s sudden flight leads to another profound change when Flora’s father smiles and laughs at the sight. Flora has only known her father to be sad since the divorce, so seeing him in this state moves her:

“[…] everything to do with Ulysses had affected him differently. It had cheered him up somehow, maybe because the holy-bagumba-ness of it all had reminded him of Incandesto and Dolores [Incandesto’s parakeet] and, also, of the possibility of impossible things” (171).

When Ulysses injures himself flying into a glass door, Flora worries he may be seriously hurt and seeks the help of her father’s neighbor, Dr. Meescham. Dr. Meescham turns out to be a philosopher, not a medical doctor, but she helps Flora using the wisdom she does have. Flora meets Dr. Meescham again while searching for the kidnapped Ulysses, and wonders about the principle of magical thinking. She thinks back on advice from her comic books and remembers “It was dangerous to allow yourself to believe that what you said directly influenced the universe. But sometimes it did, didn’t it?” (199). In this moment, she allows herself to believe in the impossible, no matter the odds of finding Ulysses. As it turns out, Ulysses found his way to Dr. Meescham’s window earlier—and the pair reunite.

Dr. Meescham believes that anything is possible, and she has held onto this way of thinking since childhood. She tells Flora about her days as a child, and how she would always leave the window open in case something wonderful happened. Dr. Meescham also tells Flora that “cynics are people who are afraid to believe” (129), and she does not believe Flora to be a cynic because Flora believes in Ulysses. She finds great joy in Ulysses’s existence, and does not doubt him because “there is much more beauty in the world if [she] believe[s] such a thing is possible” (130). This belief in the impossible, big and small, is what reframes the Buckmans’ conflict as something that can be overcome with communication. With the universe being as random as it is, Ulysses’s existence and the family’s reconciliation are very much within the realm of possibility for the novel.

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