Figures of speech (FIG-yurs of SPEEchuh) are words or phrases used in a non-literal sense for rhetorical effect. They are often constructed using literary devices such as metaphor, simile, alliteration, metonymy, synecdoche, and personification. Figures of speech allow writers to apply familiar ideas and imagery to less familiar concepts, and they are widespread in written and spoken language.
Figures of speech fall into two broad categories: tropes and scheme. These are dozens of figures of speech that fall into each category, so the following are a select few examples.
These are figures of speech that play with syntax, sound, and words. They often achieve their effects by utilizing repetition of words, phrases, or sounds; omission of words or punctuation; unexpected changes in word order; or paired identical grammatical structures.
Repetition
Omission
Changes in Word Order
Paired Grammatical Structures
These are figures of speech that deviate in some way from the literal meanings of words. They tend to include association or comparison to shift readers’ perceptions from words’ true definitions to a layered figurative meaning. They can be broken into five categories: reference, word play/puns, substitutions, overstatement/understatement, and inversion.
Reference
Word Play/Puns
Substitutions
Overstatement/Understatement
Inversion
The following are some of the most common figures of speech that appear in literature and other written forms.
People often use the terms figurative language and figure of speech interchangeably; however, they are not the same. Instead, figurative language is a broad category that contains figures of speech, as well as imagery and sound devices.
Imagery adds additional aesthetic resonance to texts through the evocation of sensory details. Sound devices enhance the text through sonic means. These elements, in conjunction with figures of speech, give a deeper meaning to the language a writer uses in their work.
These literary devices emphasize, embellish, or clarify written or spoken language. They allow an audience to understand ideas through implied or suggested meaning, thus giving the language a more surprising, creative, and playful effect. Some figures of speech enhance imagery, while others allow writers to employ rich cultural traditions to express their ideas. Even further, other figures of speech allow writers to experiment with structure and sound to create specific effects. No matter which type is used, the expressive quality of figures of speech helps keep audiences engaged.
1. Hafizah Geter, “Testimony”
Geter begins her poem:
Mr. President,
After they shot me they tackled my sister.
the sound of her knees hitting the sidewalk
made my stomach ache. It was a bad pain.
The poem is a dramatic monologue spoken by Tamir Rice, a 12-year old black child who was killed by police officers who mistook his toy gun for a real one. This poem uses apostrophe as the speaker, Tamir, talks directly to “Mr. President” (then president Barack Obama).
2. William Shakespeare, Macbeth
In Act III, Scene iii., of this play, before King Duncan’s murder is discovered, Lennox and Macbeth converse:
LENNOX: The night has been unruly: where we lay,
Our chimneys were blown down: and, as they say,
Lamentings heard i’the air; strange screams of death,
And prophesying with accents terrible
Of fire combustion and confused events
New hatch’d to the woeful time: the obscure bird
Clamour’d the livelong night: some say, the earth
Was feverous and did shake.
MACBETH: ‘Twas a rough night.
LENNOX: My young remembrance cannot parallel
A fellow to it.
Pathetic fallacy is a type of trope. It occurs when human feelings and attributes are ascribed to nature. This figure of speech is used throughout this Shakespearean tragedy. In this particular scene, Lennox describes how terrible and strange the weather was on the evening of the murder. The way the wind and earth seem to embody the horror of King Duncan’s death is pathetic fallacy.
3. Karl Marx, Das Kapital
In Part I (“Commodities and Money”) of Marx’s treatise on economics, philosophy, history, and political science, he claims:
In the pre-capitalist stages of society, commerce rules industry. In capitalist society, industry rules commerce.
These two sentences are an example of chiasmus. Here, “commerce” first rules “industry,” and then “industry” rules “commerce.” By reversing the order of these words/concepts, Marx employs chiasmus.
4. Toni Morrison, Sula
The last line of Morrison’s novel is considered by some to be one of the best lines in fiction and nonfiction. The sentence describes protagonist Nel’s grief at the death of her childhood friend Sula:
It was a fine cry—loud and long—but it had no bottom and it had no top, just circles and circles of sorrow.
This sentence is rich in alliteration: “loud and long” contain L sounds at the beginning, as well as the repetition of c and s sounds with cry, circles, circles, and sorrow. The latter is also an example of sibilance.
5. Oscar Wilde, The Importance of Being Earnest
In Wilde’s play, the main characters John Worthing and Algernon Moncrieff pose as men named Ernest, only for Jack to learn that his given name really is Ernest. He delivers the final line of the play:
On the contrary, Aunt Augusta, I’ve now realized for the first time in my life the vital importance of being Earnest.
Jack/Ernest’s declaration is a homographic pun. It means both that he understands the importance of being Ernest (his real name), as well as the importance of being earnest (sincere).
6. Aimee Nezhukumatathil, “On Listening to Your Teacher Take Attendance”
In this poem, Nezhukumatathil describes the experience of one’s name being mispronounced by a teacher taking attendance:
….And when
everyone turns around to check out
your face, no need to flush red and warm.
Just picture all the eyes as if your classroom
is one big scallop with its dozens of icy blues
and you will remember that winter your family
took you to the China see and you sank
your face in it to gaze at baby clams and sea stars
She uses a simile, “Just picture all the eyes as if your classroom/is one big scallop with its dozens of icy blues,” to explicitly compare the staring kids to the dozens of eyes that a sea scallop has.
Thought Catalog has a wonderful list of figures of speech used by Homer Simpson in The Simpsons.
Jamcampus published a great list of twenty examples of metaphors in popular songs.
This is an entertaining round up of oxymorons.
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