39 pages • 1 hour read
Can Fear and Loathing be regarded as a condemnation or a celebration of 1960s drug culture?
What are the limitations of traditional “objective” journalism? How can Gonzo journalism address these limitations, and what are the downsides of Thompson’s approach?
Is Raoul and Gonzo’s journey really a quest to “find the American Dream”? Should readers take the characters seriously when they claim this is the case? Why or why not?
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By Hunter S. Thompson