73 pages • 2 hours read
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A primary theme in Emako Blue is that gang activity affects both individuals and communities. Gang violence touches each character in the text after Emako’s murder in a drive-by gang-related shooting. Emako’s death ripples through her community, showing that violence does not affect just individuals but everyone in a community.
Monterey notes the large crowd outside of the church on the day of Emako’s funeral service: “A crowd was standing in front of the church, but I knew that if Emako hadn’t died the way she had, most of these people wouldn’t be here” (1). Monterey does not share yet just exactly how Emako died, but when the reader learns that it was in a gang-related shooting, Monterey’s observation illustrates that the turnout is the community’s reaction to mounting gang violence. The community recognizes the senselessness of Emako’s death—as we see in the preacher’s statement about her innocence—and it rallies around Emako’s family.
The threat of gang violence greatly affects the individual characters as well. Eddie, for example, lives in fear because his brother is also in a gang, and he knows firsthand how easily anyone can become a target. Even after Emako’s death, when Eddie’s plans to go to are college secured, Eddie worries about the possibility that violence could still catch up with him: “I wondered if I would make it. If they got Emako, then maybe they would get me too [...] I looked at my pretty baby sister and wonder what was going to happen to her when I was gone” (120-121). Eddie knows that his anxieties about violence will continue to plague him so long as gangs exist in his community.
For Jamal, gang violence looms large over him, despite his lack of involvement in gang activity. He laments at one point in the novel that, despite being an upstanding young person in his community, that he could still be a victim of violence at any time. He worries especially that, were he to become a casualty of gang violence, the media would automatically write off his death as “gang related” because he is Black. Jamal feels the effects of gang violence most poignantly when Emako dies. Unlike Eddie, whose goals stand firm after Emako’s death, Jamal’s ambitions and dreams are built on an expectation that Emako will be a part of his future. Without her, he feels no sense of hope and can envision no future.
Gang violence does not cease disrupting people’s lives after the funeral. When Jamal sees Emako’s younger brother at the burial, Marcel reveals that he’s afraid to return to the house and the family plans to move. Not only has Marcel just lost his older sister, but he has to continue living in fear that the gang responsible for her death will come back for Dante, their original target, resulting in the possibility of more death and harm. Emako’s family must completely upend their lives in order to find safety.
Throughout the novel, Woods creates a clear contrast between the privileged world that Monterey and Savannah live in versus the underprivileged communities of Eddie, Emako, and Jamal.
Savannah’s problems center around a lack of connection with her parents, despite that her family is financially comfortable and safe from the violence that plagues Emako’s community. Savannah feels she deserves more, and she takes out her feelings on Emako. While she does grow a little by the end of the novel, recognizing that she should change her behavior, she also calls Emako “lucky,” failing to see that her safety and wealth is far more of a privilege than Emako’s talent afforded her; this moment clarifies that Savannah fails to fully grow up.
Monterey most clearly embodies themes around growing up, as she struggles with wanting others to see her as mature. She feels coddled by her parents, and her friends often remark on how Monterey’s privileged upbringing insulates her from the realities of the world. Monterey’s parents are protective of her and insist on picking her up from school rather than letting her take the bus. Monterey explains to Emako early on in their friendship that she resents her parents’ constant worrying about her: “They treat me like I’m still a little kid. Like I don’t have good sense. Like they’re afraid something bad’s gonna happen” (47). Monterey’s parents have good reason for watching out for their daughter: When Monterey’s father drops her off at Emako’s house for the first time, Monterey can see her father visibly anxious in Emako’s neighborhood because he grew up there as well and remembers how dangerous the area is.
Emako , often reminds Monterey of how different their lives are. When Monterey asks what exactly is wrong with where they all live, Emako retorts: “One day when you start to grow up, you might see how it really is, but right now you’re blinded by your perfect little world” (58). This upsets Monterey, but her question belies her naivete about how different her experience in Los Angeles is compared to her friends’. This moment also foreshadows Emako’s death at the hands of gang violence, which is when Monterey finally realizes how different she and Emako’s lives really are.
Following Emako’s death, Monterey fears gang violence for the very first time, having nearly escaped injury or death herself in the drive-by shooting. In the aftermath of this trauma, Monterey gathers the strength to advocate for herself, telling her parents, “I’m not a baby anymore!” (123). Monterey’s father surprisingly agrees with her, recognizing that her innocence has been lost, but adding that she should still buckle her seatbelt.
In the wake of Emako’s death, Monterey both understands that she is no longer a child but also sees that she is not yet an adult, and that what she is experiencing is unfair: “I wanted her to come back and finish growing up with me” (124). Monterey realizes that being able to grow up is a gift, and one that she should not take for granted or try to rush.
Escaping the cycle of poverty and violence is an important goal for Emako and Eddie in the text. Both characters feel trapped, alongside their families, in the cycle of violence caused by gang activity within their families. Each has a plan of escaping this cycle. Emako plans to pursue a music career after graduating high school, and Eddie intends to graduate high school a year early in order to attend college out of state and as far away from the community as possible. The text invites readers to question whether it is possible to break the cycle of poverty and violence, and at what cost.
Emako believes that by being proactive and taking initiative, she can escape the cycle of poverty and violence she has been born into. Unlike her brother, Dante, a gang member that Emako views as “in too deep” (45), Emako transfers away from the high school in her neighborhood to attend a better school that is free from “too much trouble in the classrooms and everywhere else” (21). She seeks to use her musical talent as a way to pursue a career, which would help to lift herself and her family out of the cycle of poverty: “I’ll be livin’ it up. I’ll move my mama away from all this madness and buy her a house with a pool in Malibu” (22). Emako very nearly achieves this goal. At her yearly winter concert, a record executive approaches her family and offers her a record deal. Emako agrees to her mother’s stipulation that she wait until after she graduates in order to pursue her career, but Emako’s future is all but sealed by this encounter.
Emako’s future and dream of escape from the cycle of poverty and violence comes to an end as a direct result of this cycle. When Emako’s brother, Dante, leaves detention, a rival gang member murders Emako (aiming for Dante) in their front yard. Dante’s inability to escape the cycle of violence he has gotten himself into has irreparable consequences for his family.
Eddie, living a parallel life to Emako, also looks to escape the cycle of poverty and violence. Upon his acceptance to college in Arizona, Eddie receives his escape route. After Emako’s death, however, Eddie realizes that escaping comes at a high cost and does not entirely fix his problems:
I wondered if I would make it. If they got Emako, then maybe they would get me too. They could keep my brother, Tomas, incarcerated forever as far as I was concerned. I didn’t want him to bring the angel of death to our door. I knew now that innocence didn’t mean anything (120-121).
Eddie worries about what will happen to his family after he leaves for college and is no longer there to keep an eye on things. After seeing what happened to Emako, Eddie understands that one’s ability to escape the cycle of poverty and violence is largely out of one’s control. He struggles with the question of whether escaping is really possible at all, even if he does physically leave Los Angeles, because he will still worry about his loved ones back at home.
Both Eddie and Emako strive to escape this cycle, but both understand how difficult a task this is. At the conclusion of the text, whether it is truly possible to escape the cycle of poverty and violence goes unanswered. Emako, murdered in a drive-by shooting, does not escape and becomes another casualty of the cycle itself. Eddie secures his future at college, but he worries that while he may be able to physically leave, he may remain mentally trapped regardless because of those he leaves behind. The novel concludes that the ability to escape the cycle of poverty and violence is subject to the whims of fate. Emako had the opportunity ahead of her to escape poverty and violence, and yet her death is a direct result of this cycle. Gang culture perpetuates this cycle and exacerbates it–making life not only more difficult and dangerous for gang members, but each member of the community in which gangs are present.
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