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Eileen wakes up parked in a snowbank outside her house. The keys are out of the ignition and her purse has been stolen. She assumes her father has the keys and saved her from carbon monoxide poisoning from the broken exhaust pipe. She hurries to get the car into the driveway, worried that the neighbors will notice. Her father won’t open the door, so Eileen crawls into the house through an unlocked window.
Her father tries to punish her like a child and have her read Oliver Twist to him aloud, but Eileen refuses. She reclaims her keys and drives to O’Hara’s to get her father a bottle of gin. She returns home to shower when a police officer arrives. The previous day, her father was caught aiming his gun at the schoolchildren walking home; when confronted, her father agreed to relinquish his gun to Eileen. She notices that her father left a pair of his shoes on the porch for her to lock in the trunk as if she was, “above all, his caretaker, his minder, his prison guard” (167). Eileen accepts her father’s gun, puts it in her purse, and goes to Moorehead.
At work, Rebecca invites Eileen over to her place the next day, Christmas Eve, for drinks. Eileen eagerly accepts. She spends the rest of the day contemplating the power of the gun sitting in her purse. At home, she finds that her father has returned to the bed he shared with her mother and cleaned up some of the house. Eileen goes to her bedroom in the attic, where she sleeps with the gun underneath her pillow.
In recounting her childhood Christmas memories, the narrator describes her family’s poor eating habits, alcoholism, and her parent’s negligence in getting her and her sister gifts. Eileen buys a bottle of wine to bring to Rebecca’s that evening. She steals the last of her mother’s pain medication with plans to use it to sleep through Christmas Day. Rebecca calls to plan for the evening, and the narrator reflects on how she must have been in love with Rebecca at the time. Eileen drives to the address Rebecca gave her, carrying the pills and gun in her purse.
On her way, Eileen stops in front of a church nativity scene to steal the blanket used to wrap the false baby Jesus. She wraps the bottle of wine in the cloth, hoping to impress Rebecca. She arrives at the address, a rundown house in the poorer section of X-ville. Rebecca wears a tattered robe over her clothes and seems “tense and false” to Eileen (199). Inside, the house is cluttered and dirty. Eileen becomes uneasy with Rebecca’s disorientated and aberrant behavior and tries to leave.
Rebecca reveals that the house is actually Mrs. Polk’s, and that she has Mrs. Polk tied up in the basement. At Moorehead the previous day, Leonard confessed to Rebecca that he killed his father after years of sexual abuse, which Mrs. Polk helped to perpetuate. Rebecca’s plan is to make Mrs. Polk provide a written confession. At first, Eileen is offended that Rebecca is only using her, but helps after Rebecca insists that they are friends.
They go down to the basement. Eileen pulls the gun from her purse and threatens Mrs. Polk, reveling in Rebecca’s approval. Rebecca goes back upstairs to get a pen and paper. Meanwhile, Mrs. Polk confesses to perpetuating the abuse. She tells Eileen that though she knew what she was doing was wrong, she couldn’t conceive of asking for help or disobeying her husband’s orders. Rebecca returns and takes the gun, accidentally dropping it and shooting Mrs. Polk in the arm. Rebecca and Eileen give her the sleeping pills from Eileen’s purse.
Eileen realizes she can use this situation to disappear. She puts the now unconscious Mrs. Polk in her car and drives home, intent on finally running away from X-ville.
Eileen parks outside her house. She goes inside to retrieve her saved money, and lays her father in her mother’s bed. She does not expect Rebecca to meet her as they arranged, knowing that Rebecca is too frightened: “Idealism without consequences is the pathetic dream of every spoiled brat, I suppose” (255). As she leaves the house for the last time, an icicle breaks off from above the front door and cuts her cheek, just as she has long fantasized about. Eileen drives herself and the unconscious Mrs. Polk to the highway, then parks off the side of the road. She puts the windows up and leaves the keys in the ignition so that if Mrs. Polk continues sleeping, she will eventually asphyxiate from carbon monoxide poisoning through the faulty exhaust pipe. However, if Mrs. Polk wakes up, she can drive herself to safety.
Eileen hitchhikes to New York City. When she arrives, she walks around Times Square, then decides to see a film. In the theater, she meets the man that will be her first husband. She introduces herself as Lena and lives in a boardinghouse for women until getting married the next spring.
In Chapter 8, the narrator discusses Eileen’s love for Rebecca. In hindsight, the narrator sees Rebecca’s empty platitudes and emotional manipulation. Because of Eileen’s loneliness and poor mental state, Rebecca gave her an intense feeling of acceptance. She was willing to go along with Rebecca’s plans for Mrs. Polk without needing much persuasion. The narrator, who has since been married multiple times and been with many men, has never felt a love comparable to the one she felt for Rebecca. This suggests that Eileen and the narrator consider love to be founded upon feelings of acceptance rather than sexual intimacy.
Despite her professed love for Rebecca, Eileen takes advantage of the situation with Mrs. Polk to initiate her escape. She realizes that she finally has a sense of independence and agency outside of her father or X-ville. Leaving Mrs. Polk on the side of the interstate is Eileen’s first act of independence in her life, prompted and encouraged by Rebecca’s influence. Eileen’s love for Rebecca is directly connected to love and respect for herself.
Eileen’s self-discovery coincides with the novel’s discussion of moral authority. Rebecca idealistically tries to combat the institutional moral authority of the police and prison system in X-ville. Her inability to handle the situation reveals the vapidness of such idealism. Eileen’s sense of moral authority, though in a gray area compared to Rebecca’s, is nevertheless stronger. She is more capable of handling Mrs. Polk’s culpability. Eileen is better suited for such acts of justice outside institutional moral authority as she has little regard for people other than herself: Her egoism and desire to leave X-ville allow her to implement moral justice on Mrs. Polk.
It is unclear whether Mrs. Polk died from carbon monoxide poisoning or if she was able to escape the car in time. The narrator considers Mrs. Polk dead: “I hoped she opened her eyes to appreciate where I’d left her. If I’d had to die, that gorgeous stretch of white forest lit by iridescent blue in the near dawn, still and cold, was as good a place as any” (259). The narrator is as fundamentally self-interested as Eileen is, and expresses no regrets for possibly killing Mrs. Polk. Her quest for self-expression and a life of independence is considered more important than another’s fate. The narrator believes that Mrs. Polk received the punishment she deserved, and that she herself received the life she merited for all her unhappiness in X-ville. In the end, the narrator is the ultimate moral authority of the novel.
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By Ottessa Moshfegh