59 pages • 1 hour read
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308
Autobiography / Memoir • Nonfiction
Florida • Early 1900s
1942
Adult
16+ years
930L
Dust Tracks on a Road by Zora Neale Hurston chronicles her journey growing up in Eatonville, Florida, her experiences with family, and her educational and professional achievements, including her involvement in the Harlem Renaissance and work as an anthropologist under Franz Boas. The memoir touches on themes of race relations, folklore, romance, and religion from Hurston's unique perspective. Sensitive topics related to racism and the death of Hurston's mother are discussed.
Contemplative
Inspirational
Emotional
Bittersweet
Nostalgic
8,859 ratings
Loved it
Mixed feelings
Not a fan
Zora Neale Hurston's Dust Tracks on a Road captivates with its vivid storytelling and rich cultural insights, offering a heartfelt and authentic glimpse into her life and the African American experience. Many praise her vibrant prose and engaging narration. However, some critique it for a lack of cohesion and perceived self-censorship. Overall, it's a compelling memoir that showcases Hurston's literary prowess.
Readers who appreciate I Know Why the Caged Bird Sings by Maya Angelou or Their Eyes Were Watching God by Zora Neale Hurston would enjoy Dust Tracks on a Road. This memoir appeals to those interested in African American literature, autobiography, cultural history, and the Harlem Renaissance.
8,859 ratings
Loved it
Mixed feelings
Not a fan
Lucy Potts Hurston
Zora Neale Hurston's supportive mother who protected her from her father's anger and encouraged her children to be ambitious despite racial limitations.
John Hurston
Zora Neale Hurston's father, depicted as a weak man who abandoned her following the death of her mother, leading to her feeling like an orphan during adolescence.
The Old Man
The white man who delivered Hurston and maintained a relationship with her into her childhood, teaching her valuable lessons about honesty and dignity.
Franz Boas
Hurston's mentor at Barnard College, an influential anthropologist who encouraged her to continue her research as a folklorist with intellectual rigor.
Charlotte Osgood Mason
A wealthy philanthropist known as "Godmother" by artists she supported during the Harlem Renaissance, who financially supported Hurston's work.
P. M. P.
Likely Hurston's second husband, described as a tall, intelligent man, with whom she had a tumultuous marriage.
Ms. M.
An actress who employed Hurston as an assistant and lady's maid, encouraging her education despite dealing with her own personal challenges.
Joe Clarke
The first mayor of Eatonville, where Hurston grew up, whose store's porch served as a community hub and exposed Hurston to African-American oral culture.
Sarah Hurston
Hurston's older sister and their father's favorite child, who left home to escape ill-treatment after their father's remarriage.
Bob Hurston
Hurston’s brother, a doctor who took her in during her teen years, promising educational support but primarily seeking unpaid help for his wife.
The Second Mrs. Hurston
Hurston's stepmother, depicted as a vindictive woman who contributed to Hurston's struggles during her late childhood and adolescence.
Fanny Hurst
A successful writer and Hurston's employer during her time at Barnard, known for her eccentric personality and black-and-white fashion.
Ethel Waters
An African-American performer and friend of Hurston, whose public success masked personal insecurities and poor romantic choices.
308
Autobiography / Memoir • Nonfiction
Florida • Early 1900s
1942
Adult
16+ years
930L
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