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Crimson wakes, realizing her fall was just part of a dream, and that Jia Yun had not come for her after all. She gets up to go sweep, and Bao-yu tails her, wondering if he might ask her to be his attendant. Crimson is obscured from view, and Bao-yu is called inside. At the same time, Crimson catches sight of Jia Yun watching over the gardeners nearby. She wants to go over but can’t bring herself to break the rules. Instead, she mopes in her bed, and the other maids pay her no attention.
Bao-yu and the others return drunk from a party, and Bao-yu curls up beside his mother to get some rest. Jia Huan is also in the room, as Lady Wang has asked him to do some transcriptions. Bao-yu begins to flirt with Sunset, Jia Huan’s most prized maid, and Jia Huan becomes deeply resentful. In an act of violence, he knocks his candle over onto Bao-yu’s face, causing a horrible, blistering burn. Xi-feng and Lady Wang both shout at Jia Huan’s mother Auntie Zhao for raising such a horrible child. Bao-yu is slow to recuperate and spends most of his time indoors afterward.
Meanwhile, Mother Ma, Bao-yu’s godmother, visits and learns about the horrible burn. She recommends Grandmother Jia create an honorary vat of sesame oil and candles to burn day and night in Bao-yu’s honor, to appease the Bodhisattva. Grandmother Jia agrees. Later, Mother Ma visits Auntie Zhao, who complains that she and Jia Huan can never get ahead with Xi-feng and Bao-yu calling all the shots. Mother Ma recommends some black magic and agrees to help Auntie Zhao with the ritual for a steep price.
Later, during a party with Xi-feng, Bao-chai, Dai-yu, and others, Bao-yu has a sudden fit of madness, crying, “My head!” (500). He “tried to several times to kill himself and was raving like a madman” (500). At the same time, Xi-feng, who had departed to attend a visitor, wields a knife in her own fit of madness, “attacking whatever came in her path” (500). Bao-yu and Xi-feng are put in a separate room together and strapped into bed. Monks and doctors visit, but no one is able to fix them. Lady Wang and Grandmother Jia spend their days by their bedside, weeping.
Finally, a Buddhist and Taoist monk appear outside the house, chanting. They are both “disreputable looking,” with “uneven legs” and “shaggy brows” (504). The monks, Impervioso and Mysterioso, take Bao-yu’s jade and bless it again, reminding it of its path: “Thirteen years, old friend, since we first met under Greensickness Peak. Time certainly flies. But you have not finished with this world yet” (505). The jade is hung above the door, and nobody is allowed to go in except Grandmother Jia and Lady Wang for 33 days. Almost immediately, Bao-yu and Xi-feng’s conditions improve.
Bao-yu and Xi-feng completely recover after 33 days and continue on with their lives. During that period, Jia Yun spent quite a bit of time watching over the convalescing master and mistress, and as a result, he got to know Crimson much better. Crimson noticed that Jia Yun had her handkerchief, but she didn’t have the heart to bring it up with him. Around that time, about two months after their initial meeting, Bao-yu asked to see Jia Yun at his house. Just before the meeting, the maid Melilot asked Crimson to hold on to some loot she received from Dai-yu. Crimson agreed but refused to commiserate with Melilot on the unfairness of how maids in the house were recognized, not by merit, but by status. Crimson replied, morosely, “I don’t see much point in getting angry […] none of us are here forever you know” (509).
A little maid came in then and interrupted their chat to request Crimson do some calligraphy. Crimson needed her good brush and hurried outside to get it from the maid Oriole, when she ran smack into Jia Yun and the maid Trinket. They locked eyes, and Crimson felt giddy.
After the recovery period, Jia Yun visits with Bao-yu, who eventually grows tired and asks him back soon. Aroma then forces Bao-yu into the garden to walk, where he eventually finds himself at Dai-yu’s house. She has just woken from sleep and recites a line from the romantic play Bao-yu shared with her, Western Chamber. Her words entice Bao-yu, and he teases her, coming into the house and reciting his own lines. Dai-yu is embarrassed and becomes angry at his forwardness, but before they can argue, Bao-yu is called away to see his father. However, Xue Pan was playing a trick on him, and Bao-yu spends the rest of the day into the night eating birthday delicacies with Xue Pan and his friends.
Bao-yu finally returns home, and Bao-chai joins him in his house. Dai-yu comes up later, but a maid forbids her entrance because she is in a bad mood and doesn’t realize who she is talking to through the fence. Dai-yu is devastated and feels orphaned, like she will always be an outsider with the family. She suspects Bao-yu is angry at her, and that his resentments have been stewing and she may never see him again. She finally sits down to weep, her grief and love for Bao-yu expressed in a few quatrains and sad couplets. The novel ends when a dark figure emerges from the fence and interrupts Dai-yu, though she can’t see who it is.
In the final chapters of this volume of the novel, the jade and the monks return, calling back to the early symbols around which the novel centers. The fact that both monks reunite is important—it indicates a moment of significance in their mission in the mortal world. The combination of the monks and the jade, and the reunion of these three symbols of cosmic power, indicate the importance of this moment, in which main character Bao-yu’s life hangs in the balance. It also demonstrates the power of the black magic used against him; no doctor or mere mortal could overcome it, and it was up to the monks and the jade to cure Bao-yu and Xi-feng.
The jade is personified in this scene: Impervioso describes it as “confused” (504) and says a few prayers to realign the jade with its mission: “Thirteen years, old friend, since we first met under Greensickness Peak! Time certainly flies. But you have not finished with this world yet” (505). The personification of the stone as a sentient object, which can become confused and thus lose its power, connects it to the mortal world and ties in to the Buddhist ideology of the connected spirit of all objects, human and non-human. The personification of the jade makes its symbolic purpose even more clear: It has the power to alter the workings of the mortal world.
In the last chapter of the novel, the pains of love return, as Dai-yu becomes jealous when she is locked out of Bao-yu’s gate. She can hear Bao-chai speaking to him inside and feels like an outsider. The power of poetry becomes relevant here, as Dai-yu’s strong emotions cause the narrative to break into verse. This is a moment of significant revelation, in which Dai-yu realizes her feelings for Bao-yu, and the extent of her love for him overwhelms and surprises her. Her love is revealed in one of these couplets: “Few in this world fair Frowner’s looks surpassed, / None matched her store of sweetness unexpressed” (525). Her “sweetness unexpressed,” or her love for Bao-yu, has been slow to build, and as the novel ends, the reader can anticipate more in that vein in the next installment.
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