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Petey and Piggy keep fighting in their respective giant robots until Piggy stops and suggests that Petey should ditch Li’l Petey, whom he suggests is irritating and wimpy, and join forces with Piggy.
Petey tells Piggy not to talk about his son that way and quickly corrects himself by saying that Li’l Petey is his clone, not his son.
Piggy pushes the giant Petey cat into a building and goes to retrieve Crunky and Bub, who are catching fireflies with Li’l Petey. Li’l Petey irritates Piggy with continual “why” questions, leading Piggy to justify why he is a bad guy: “Because we have difficulty controlling our emotions!!!” (182).
Crunky and Bud vote to have Li’l Petey become their new leader, but Piggy angrily tells them that it’s not a democracy. In the Robo-Brontosaurus, Piggy flings Dog Man into a building. It is a building filled with Cannery Grow, and Dog Man grows to an enormous size.
Meanwhile, Piggy asks Li’l Petey and 80-HD if they have any last words. Li’l Petey gets inside 80-HD, and they fly to a store where they get brown spray paint. They return and spray paint the Robo-Brontosaurus brown and label it “squirrel,” drawing on squirrel features with crayons. Giant Dog Man wakes up and grabs the disguised Robo-Brontosaurus, tossing it in the air and playing with it as he would with a squirrel.
Petey is relieved to be reunited with Li’l Petey; Li’l Petey calls him Papa, and Petey doesn’t correct him. Giant Dog Man licks them lovingly as they embrace.
Petey comes across his shrink-ray gun and shrinks Dog Man back to his regular size. Everyone celebrates Petey for saving the day. Chief comes to take the squirrel, which has shrunk as well; he wants to take the villains (The Fleas) to mini jail, but they have vanished. Meanwhile, Dog Man scratches himself.
Petey is returned to jail. He laments how unfair life is. Li’l Petey urges him to continue to be good, kind, honest, and creative despite the setback of being returned to jail. Petey promises to take Li’l Petey for gelato when he escapes from jail the next day. Chief walks Li’l Petey home to Dog Man’s place.
George and Harold are being forced to read another classic at school, The Call of the Wild, which is inspiring them to create another Dog Man tale: Dog Man: Brawl of the Wild.
Pilkey includes step-by-step instructions on how to draw The Bark Knight, Cat Kid, Crunky, Lightning Dude, Piggy, and Bub.
The Power of Love is explored in these chapters in terms of the redemptive effect that Li’l Petey has on Petey. When Piggy insults Li’l Petey, Petey realizes how much he loves Li’l Petey; Petey is tempted to join Piggy and become a villain again, but he decides against this path because his son has inspired him to behave righteously. The powerful impact of Li’l Petey is illustrated in the thought bubble coming from the smiling Petey in Chapter 7 just before he refuses to join Piggy; he remembers Li’l Petey telling him: “You can change, Papa” (170). This encouragement helps Petey to realize that there are other paths for him that don’t involve a life of criminal pursuits. Furthermore, it is telling that Petey, who always insists that Li’l Petey is his clone, not his son, tells Piggy: “Don’t TALK About MY Son that way” (171). Later, Petey confirms his status as Li’l Petey’s father when he comforts him: “Papa’s here” (206). Petey’s character develops through the course of the story; he softens and becomes more kind, as is illustrated when he lovingly holds Li’l Petey at the end of Chapter 8.
The Power of Imagination is explored through Li’l Petey’s creative idea to vanquish The Fleas by retrieving spray paint and crayons and disguising the Robo-Brontosaurus as a squirrel, causing the enlarged Dog Man to chase it and capture it. By emphasizing the success of using creative solutions to problems, Pilkey intentionally appeals to children in his readership who are drawn to artistic expression, such as drawing or coloring, rather than academia; this mirrors Pilkey’s strengths and interests as a creative child who struggled in a traditional classroom setting because of his dyslexia. In Li’l Petey’s successful plan using painting and drawing, creative children are celebrated by extension. Furthermore, Silliness as Joyful and Important is emphasized in this ridiculous and hilarious plan.
The defeat of the Robo-Brontosaurus by harnessing Dog Man’s squirrel-chasing impulses calls back to Dog Man’s earlier impulse control problems, which causes him to be late to work and allows The Fleas to escape from jail. This same impulsivity in these chapters allows the Robo-Brontosaurus to be defeated, thereby saving the day. Through this plot twist, Pilkey continues to celebrate neurodiversity; although Dog Man’s impulsivity is unhelpful in some situations, it can be harnessed to help him achieve greatness in others. Li’l Petey continues to be characterized as a supportive friend in this moment; he manufactures a situation where Dog Man can shine.
Dramatic irony is present in the graphic novel’s closing scene. Milly and Chief wonder where the shrunken criminals Piggy, Crunky, and Bub are: “I wonder where they went???” “It sure is a mystery” (216). Meanwhile, beside them, Dog Man scratches himself furiously across a number of panels in this chapter: “scratch scratch scratch” (216). Unknown to the characters, the reader understands that the criminals, who are collectively known as The Fleas, are in Dog Man’s fur, causing him to be itchy. This is alluded to in Chapter 8’s title: “My Dog Man Has Fleas!” (211).
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By Dav Pilkey
Action & Adventure
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Animals in Literature
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Appearance Versus Reality
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Family
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Graphic Novels & Books
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Juvenile Literature
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Laugh-out-Loud Books
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Nature Versus Nurture
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Valentine's Day Reads: The Theme of Love
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