72 pages 2 hours read

Different Seasons

Fiction | Novel | Adult | Published in 1982

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Novella 1, Pages 19-99Chapter Summaries & Analyses

Novella 1: “Hope Springs Eternal: Rita Hayworth and the Shawshank Redemption”

Novella 1, Pages 19-99 Summary

Content warning: this section of the guide contains references to death by suicide, sexual assault, racism, and the Holocaust. 

The narrator, Red (no other name given), is the guy at Shawshank prison who can get you anything, though he draws the line at weapons. He is in prison for the murder of his wife, to which he admits, and her friend and friend’s baby, who were in his wife’s car when the tampered brakes failed. He is serving three consecutive life-sentences. He says that he is one of only a few men in the prison who admits to having committed the crime, and he regrets it; in hindsight, he would not have done it, but he’s not sure that that means that he is rehabilitated.

Red tells the story of Andy Dufresne, one of fewer than 10 men whom Red believes were actually innocent. Andy had been a banker before he was convicted of murdering his wife and her lover. The evidence was all circumstantial, but Andy’s fate was sealed by the fact that he was too stoic and self-possessed to get the sympathy of the jury.

One day, Andy comes to Red and asks him to get a rock hammer and some rock-polishing cloths. At this point in the narrative, Red goes back in time to recount Andy’s early experience in the prison. The prison rape gang, the Sisters, targets Andy at first. There is very little that Andy can do to resist, but he retains his self-respect. He always fights the rapists, even knowing that he will always lose. In particular, Red tells one anecdote in which, when Bogs Diamond, the leader of the rape gang, tries to force Andy to perform oral sex, Andy refuses. Bogs threatens to kill him and tells him that if he bites, one of his gang will shove a shiv in Andy’s brain. Andy replies that if he does, the death reflex will cause him to bite down. In the end, Andy is never subjected to oral rape. Eventually, Andy pays someone to beat up Bogs so badly that Bogs leaves Andy—and everyone else—alone after that. The rest of the Sisters sometimes still assault Andy, but less aggressively.

One day, Andy asks Red to get him a poster of Rita Hayworth—one of the items of which Red sells a lot. Andy hangs the poster over his bunk. Over the next 20 years, he replaces it with other pinups. A few weeks later, Andy gives Red two pieces of polished quartz that must have taken endless hours for Andy to chip and polish. Red is warmed by their beauty and awed by Andy’s persistence.

A change in prison administration gives Andy a chance to change his circumstances. Greg Stammas becomes the warden, and one of his friends, a guard named Byron Hadley, comes into some money. Andy and Red are on a work crew, tarring the prison roof in the hot sun. Hadley is talking about his inheritance and complaining about how the government will tax most of it. Andy overhears him and tells him how to avoid paying tax on the money. Red realizes that, suddenly, Andy has power over the guards; he has something that they need.

Andy agrees to do all the paperwork for Hadley in exchange for beers for all the men on the detail. Hadley doesn’t have to agree, but Andy faces him down man-to-man. Hadley assents, and the prisoners sit drinking their beers while Andy watches with a slight smile. Afterward, the prisoners remember him as if he were a savior.

Word gets around, and Andy starts providing financial services to the guards. The prison enslaves its inmates and uses their labor to make an illegal profit that has to be laundered. Andy takes over the laundering. He is moved to managing the prison library and in his spare time writes letters, badgering the state to provide funding for more books for the prisoners to improve themselves and their lives. Eventually, he grows the library from a broom closet to three rooms.

Red and Andy discuss the morality of what Andy is doing. Andy points out that what he is doing is very similar to what he did on the outside. The guards at the prison are brutal monsters, but so are the straight-world investors. The outside investors are just smarter. Red worries about the drugs that the guards are bringing into the prison, but Andy doesn’t touch them. They debate whether it is better to be saint-pure or pig-dirty, and Andy argues that there’s a third way—to do what you have to do to survive while setting limits on how far you will go—which is what Red already does by refusing to deal weapons or drugs harder than cannabis.

Red argues that the road to hell is paved with good intentions. Andy tells him that they’re already in hell; the guards make money selling pills, but because Andy helps them to launder the money, they let Andy have the library, and the library has changed the lives of many of the prisoners for the better, giving many of them the chance to pull themselves up in the world.

Prison politics change. One corrupt regime goes out, and for a while, Andy is out of work. He gets a cellmate named Normaden for a while, but when the corruption starts up again, Normaden is moved out. Later, Normaden remarks to Red that Andy was a nice guy but clearly wanted Normaden out. Andy hated for Normaden to touch his stuff, and there was also a constant cold draft—all of which would be significant to Red after Andy’s escape.

Over the years, Andy replaces Rita Hayworth with Marilyn Monroe, followed by other pinups. When Red asks him what the posters mean to him, Andy replies that they represent freedom—as if you could step through the picture and stand beside the girls in the pictures. This especially applies to the poster of Rita; she is standing on a tropical beach, which appeals to him. Andy asks Red if he knows what he means about stepping through a picture. Red doesn’t. Not then. Later, he will understand exactly what Andy meant.

Novella 1, Pages 19-99 Analysis

Andy Dufresne’s story is told in the first person by “Red.” Red is the frame narrator, and Andy’s story is the primary narrative nested in the frame. King opens by having Red tell his own backstory; he will finish his story, including his own redemption, after Andy’s escape. Red comes from a working-class background. He married an upper-middle-class girl and worked for her overbearing father. Unable to bear his sense of inferiority under the control of his father-in-law or the demands of his sulky wife, Red committed murder to escape. Later in the story, Red will describe himself as having been “half crazy” with remorse for the crime. Being the prison “Getter” gives Red a sense of control and value. King explores the theme of Free Will and Existentialism through the mixture of Red’s choices and circumstances.

King draws parallels between Andy and Red’s former in-laws, both being from the moneyed class and having the kind of demeanor and habits that Red associates with them. Andy, on the other hand, treats Red with respect and friendliness rather than domination. Two of Andy’s traits that fascinate Red are Andy’s stoicism and his self-possession. Andy has a sense of dignity and worth that can’t be broken by hardship, whereas Red never had that sense of worth or control over his own life. Andy’s strengths compensate for Red’s weaknesses and the two form a bond, introducing the theme of The Importance of Male Friendship.

King makes Red gloss over the scandalous point that he has known almost 10 people who were falsely convicted. He reports the fact in the same neutral tone that he uses to talk about sexual assault or prisoners who claim to be innocent and are not. Red’s commentary is insightful and intelligent but also accepts the injustice of the world and the system as something to be expected. King uses this neutral tone to reflect the normalization of such injustices in the incarceration system.

Red gets his first glimpse of Andy’s patience and persistence when he sees the two pieces of quartz that Andy cut and polished. The stones serve a double purpose: as thanks to Red for getting Andy the tools and to suggest to Red that Andy is using the tools for a harmless hobby. At the beginning of the novella, it is apparent that Andy won’t risk anyone exposing his secret; while Andy develops less than Red in the novella, this point signals some character development since he does later confide in Red.

Andy is already something of a legend at the prison for his stoicism; now he gets a reputation for performing miracles as well. King hence initiates the Christian allusions in the novella, each with a bitter twist reinforced by the prison setting. Andy performs his first miracle at the prison by turning sweat into beer rather than water into wine (John 2:1-11). The crew is working with hot tar in the hot sun, and Andy persuades Hadley to do the inconceivable—give the prisoners a drink of cold beer. The miracle isn’t achieved by Andy’s offering Hadley something that Hadley couldn’t have gotten for himself. As Red observes, it isn’t Andy’s information that turns the tide; it is Andy’s strength of will that dominates Hadley.

The library is a way for King to augment Andy’s redeemer role in the prison. As Jesus taught and inspired followers to improve themselves (see Matthew 6:33), Andy uses the library to give many of the prisoners a chance to lift themselves up once they get out. At the same time, there is a moral relativism in everything that he does. Andy’s ability to maintain the library depends on his participation in illegal activities that disgust him. As Andy points out to Red, they are in hell—this is an image that reinforces the religious undertones of the novella. Everything around them is corrupt. The scene is notable for the fact that Red is the one taking the side of purity while Andy—the redeemer, who has performed miracles—takes the position of moral relativism.

Through Red’s observations, King gives the reader two clues regarding Andy’s ongoing escape plan. The first is Normaden’s observation about the cold draft and Andy not liking his things to be touched. Later, Red realizes that this was because Andy didn’t want his cellmate to discover the escape tunnel behind the poster. Andy also refers specifically to passing through the images to escape to freedom. At the time, Red assumes that Andy is employing a metaphor. Later, he will realize Andy means it literally. King thus employs a device of the thriller genre in which the reader is given clues that allow them to solve something alongside the characters.

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