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Dibs is the central figure of Dr. Virginia M. Axline’s memoir and the person through which she chooses to portray the value of her Humanistic Approach to Child Therapy. At age five, Dibs has disconnected from himself and the world. He displays abilities beyond his years, but refuses to indicate them to anyone. He doesn’t talk, look at people directly, or participate directly in class or with his family. Dibs seems to have two states of being—angry or withdrawn. His teachers and parents suspect he might have a developmental disorder, but his parents refuse to act on it. It is Dibs’s teachers, Miss Jane and Hedda, who implore psychologist Dr. Axline to observe him at the Child Guidance Center. It is through play therapy that Dibs starts to reveal who he truly is.
Dibs recognizes Dr. Axline and her spaces as safe, but still takes time to come to terms with himself. At first, he expresses fear and anger, playing with a dollhouse and locking it up, burying toy soldiers in sand, and sucking on a baby bottle. He eventually paints a color wheel by spelling out each color, and Dr. Axline is certain he has more skills to show. Dibs also starts to talk in a sophisticated, often poetic manner, and though he sometimes regresses to a simpler form of speech, this habit goes away as he learns to accept himself and his abilities. Dr. Axline sees him as courageous, as he is willing to confront the more painful parts of himself. He wants to use his intelligence and learn about the world, but his emotional state holds him back.
Dibs has many creative interests and spends much of his time philosophizing. He creates stories, sings songs, and recites poems, such as his song-poem about colors of paint. He has conflicted feelings toward his family, and expresses this through symbolic play. Dibs often acts violently toward the playroom’s dolls and toy soldiers, and in doing so, mirrors his parents’ emotional abuse and fights to overcome his pain. He thus learns he is capable of managing his own feelings, and starts to see himself as autonomous: “I am Dibs. I can do things. I like Dibs. I like me” (159). Dibs finds freedom in the playroom, and when Dr. Axline explains that therapy is meant to provide a place where a person can be themselves, he takes this to heart: “When I want to talk, I talk. When I want to be still, I be still” (160). When his therapy sessions end, he finally embodies the person he’s always been. By experiencing The Pains and Joys of Finding Oneself, Dibs learned the value of choice and control over his life.
Dr. Virginia M. Axline was a child psychologist and researcher who incorporated Carl Rogers’s Humanistic Approach to Child Therapy into her play therapy sessions. She worked from the 1940s until her death in the 1980s. Her principles changed the field of child psychology and are still in use today by psychologists and educators worldwide. Dr. Axline’s memoir about her time with Dibs is written with objectivity, but also compassion and poetic grace. She accepts that she does not know everything; in fact, she cites the importance of withholding judgment of patients. She believes children in particular should be encouraged to discover their autonomy and self-worth on their own.
Dr. Axline grows fond of Dibs but does not let this interfere with her objectivity. She acts as a reflection of Dibs, helping only when he needs help and giving him space. She provides a place where Dibs can be and do whatever he pleases, and in which he can discover the effects of his actions. Dr. Axline sees Dibs as someone with the capacity to change and grow in spite of his parents’ emotional abuse. She believes in his potential, but rather than interfere with him and his family, she lets him work through his emotions. She treats his parents in a similar fashion, never pressuring them to express their own emotions. At times, Dr. Axline admits she wants to judge Dibs’s parents for the harm they caused, but reminds herself that the family’s situation is complex. When Dibs’s time at the Child Guidance Center ends, Dr. Axline goes on to cite his story in lectures and her memoir, which have since changed many lives. To Dibs, she was “the lady of the wonderful playroom” (204) who helped him reconcile with The Pains and Joys of Finding Oneself.
Dibs’s parents are the root of his reclusion, as their emotional abuse made him fear the world, locked doors, and his own capabilities. When Dibs works to forgive them and initiate communication, they soften toward him. Dibs was an unplanned child, forever changing his parents’ plan to focus on their careers; his mother was a surgeon, and his father remains a scientist. In becoming pregnant, Dibs’s mother worried that Dibs’s father would no longer be interested in her, and the two became distant. When Dibs started to display abilities beyond those of a toddler, such as being able to read, Dibs’s mother pushed him to prove his intelligence. Dibs felt pressured and developed a fear of his mother, showing his intelligence, and speaking. Dibs’s father has always been distant and becomes frequently frustrated with Dibs’s refusal to communicate. He locks Dibs in his room, which Dibs copes with through symbolic play at the Child Guidance Center.
When Dibs’s mother and Dr. Axline meet for the first time, Dr. Axline notes how Dibs’s mother seems just as closed off as Dibs. She later explains that previous psychologists judged her and her husband for wronging their son. While one psychologist’s accusation of neglect was accurate, this abrasive approach only pushed Dibs’s parents away from him. Dr. Axline extends a Humanistic Approach to Child Therapy to Dibs’s mother, allowing her to express her fears: “Suddenly we were just two frightened, lonely, unhappy people with our defenses crumpled and deserted. It was terrible—and yet a relief to know that we could be human and could fail and admit that we had failed!” (90). Dibs’s parents often fought over his reclusion, but refused to confront their feelings until Dibs did so himself. Dibs’s willingness to examine himself and the most painful parts of his life inspired his parents to do the same, demonstrating How Healing a Child Can Heal a Family.
Miss Jane and Hedda are Dibs’s teacher and teaching assistant at a private school for children. Both women are patient and express faith in Dibs’s potential. Miss Jane recounts talking to a silent Dibs about lessons and noticing him listening; Hedda joins Dibs as he starts a new grade and “believed that someday, somehow, Dibs would come out of his prison of fear and anger” (17). It is Miss Jane and Hedda who contact Dr. Axline after two years of concerns over Dibs’s emotional wellbeing. As Dibs starts to interact with his peers, the women call Dr. Axline to notify her. They lack a full sense of Dibs’s abilities, celebrating paintings that pale to those made in the playroom, but their support and optimism are essential to his continued progress.
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