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Alfie springs into action even as Fang jumps on his head. He squirts a tube of caustic toothpaste in the direction of the witch. The substance hits her face and eyes, and she drops the drill in pain. Fang jumps to Winnie’s head as Winnie tries to free Gabz of her restraints, but Alfie grabs Fang and swings the cat by its tail, letting go in time for Fang to wipe out the instrument cart. Alfie frees Gabz with the release lever on the chair (Gabz points it out) and tries to lift her to her feet, but Gabz jumps up independently. The witch, however, grabs a sharp dental tool and uses it as a weapon, grabbing Gabz and holding it to her neck: “One step forward and your girlfriend dies” (324). After a suspenseful pause, Alfie mentions that Gabz is not his girlfriend, and Gabz agrees that she would never go out with Alfie. The frustrated witch interrupts their squabbling, forces Gabz aboard the gas cylinder, and escapes by flying through the window.
Winnie and Alfie follow the witch by speeding through town on the moped. Once on the outskirts of town, Alfie sees the smoke trail descend into the old, abandoned coal mine where Dad used to work.
Alfie knows the location of the opening in the chain link fence. Winnie’s clothes get stuck on the rough wire edges as she tries to crawl through. Alfie must push her until she tumbles through—leaving her clothing except for underwear stuck on the fence. Winnie is embarrassed, but Alfie frees the garments, hands them through, and then turns away while Winnie dresses. She swears him to secrecy, and he promises. Alfie tries to operate the elevator that descends into the mine, but it has no power. Winnie insists that he stay away from the shaft while she calls for the police, but Alfie opens the barrier door and looks down the shaft. Dropping a piece of coal, he recognizes that the shaft might go down for hundreds of meters. Without Winnie noticing, he rips out his pants pockets to protect his hands, makes a running leap, and shimmies down the elevator cable.
Alfie loses all light as he descends. When he finally touches the bottom, he can see nothing, but he assumes that he stands on the abandoned elevator car. (A full two-page spread of blacked-out pages shows how dark it is for Alfie.) He finds a roof hatch on the car, climbs in, and leaves by the metal door. Now, the yellow light in the distance makes some shadows. He sees train tracks and tunnels.
Walking to the light, Alfie discovers a cavern lit by countless candles. He finds a long white table set with plates and goblets but no chairs; instead, a huge white throne sits at the head of the table. Everything seems made, weirdly, from little white tiles. Alfie studies a goblet closely and realizes that it is made of children’s teeth. Nearby, a massive cauldron filled with Mummy’s toothpaste boils over a great fire; Alfie sees Gabz hanging above it, chained to the ceiling by her wrists and ankles. Alfie tries to move the throne to climb up to Gabz but cannot. He runs toward the shaft to holler for help; instead, he runs into the witch as she hangs bat-like from the ceiling, holding Fang.
The witch chains Alfie up next to Gabz. She tells them that she has collected teeth from children all over the world but chose to settle in their town and that she is intent on collecting all the local children’s teeth for her lair. She tells them that she trapped all the tooth fairies in the area and that Fang enjoyed them as a snack. She mentions that children these days don’t often believe in stories or witches and that that has made it very easy to gather teeth. She loves leaving the gruesome replacements under pillows. She intends to lower Alfie and Gabz into the toothpaste, which will act like acid: “All that will be left of you will be your bones” (366).
There is a rattling noise in the distance, but the witch pays no mind as she unties their wrists. Alfie and Gabz hang upside down just inches from the horrible flesh-eating toothpaste. The witch opens one of Alfie’s ankle bindings and then works on the other. Alfie suddenly sees one of the mine trains barreling toward the witch’s lair—and Dad is driving it.
The witch loosens Alfie’s other ankle. At the same time, Dad’s train collides with the throne. The witch and Fang tumble into the toothpaste, screaming horribly. Gabz grabs Alfie by the ankle so that he does not fall. She swings him clear of the cauldron and lets go. Alfie lands on the front of the charging train and hollers for Dad to stop before they collide with the rock wall. Dad’s lungs cannot handle the coal dust; he is gasping but intent on saving Alfie. Dad, whom Winnie called, steers the train near Gabz. Alfie unties her; Dad pulls her to safety, warning her to avoid the sack of dynamite in the car. They want to leave but see the witch and Fang—now just skeletons—racing toward them.
Dad zooms the train backward out of the lair and down the tunnel while Gabz pulls a stick of dynamite. Alfie finds a match; they light the stick and throw it. Its explosion brings down a cave-in, sealing in the witch and cat. They rejoice, but minutes later, the witch and Fang pursue them on the gas cylinder: “Mummy’s going to get you!” (385). Alfie throws a second stick of dynamite, but its explosion is not enough to defeat the two. Fang jumps onto Dad’s head and claws him. Gabz lights the last stick; then, the train stops, and she drops the lit stick.
Gabz flees the train, and Alfie rescues Dad just before the last stick explodes. The blast causes a leak in the witch’s gas cylinder; the scent of laughing gas is all around. Alfie and Dad laugh as they and Gabz make their way down the tunnel, but Dad is too heavy for Gabz and Alfie to support, and he tells Alfie to leave him behind. Alfie refuses. They manage to get into the elevator car just in time, with the witch and Fang still pursuing. Dad instructs Alfie to connect two wires to get the elevator working. The witch claws through the bottom of the elevator and chews at Gabz’s ankles, saying that she will consume the girl.
They arrive at the top of the mine shaft to see the entire town waiting and watching. PC Plank is shocked to see the bony witch. Winnie charges forward; Dad tells her to pull Alfie and Gabz to safety. Winnie yanks Alfie out of the elevator but struggles to pull Gabz since the witch’s fangs are attached to her ankle. Alfie, and then everyone else, grabs ahold of Winnie to help her pull. Even Texting Boy helps. They pull Gabz free. The angry witch tells the crowd that she will catch and eat all the children of the town. With his last breath, Dad tells Winnie to look after his “little pup”; then, he pulls a wire from the elevator motor. The elevator drops, falling along the cable with the witch, Fang, and Dad in it. Alfie screams in denial; Winnie hugs him. Dad is gone.
The entire town attends Dad’s funeral. Alfie is bereft, but he allows Winnie to comfort him. Gabz tells Alfie, “We are going to have one hell of a story to tell our grandchildren!” (412). She agrees when Alfie calls Dad a hero and kisses Alfie’s cheek. Winnie and Alfie sit alone in the church once the others depart. Winnie checks on Alfie’s new teeth, the work of a nice dentist in the next town. Winnie hesitantly asks if Alfie would like it if she adopted him. He is thrilled. Winnie and Alfie hug.
A year later, Alfie attends Winnie and Raj’s wedding. The two fell in love after Alfie began bringing Winnie by Raj’s shop to get sweets. When Winnie throws the bouquet, it falls on Gabz. Gabz smiles at Alfie; the two are boyfriend and girlfriend now. Winnie drives her moped into their future, with Raj on the back and Alfie sitting between them. Alfie reflects on his happiness and hears his Dad’s words in his mind: “All you have to do is close your eyes, and believe” (430).
The author uses pacing and suspense to garner interest throughout the last quarter of the book. After a fast chase on Winnie’s moped, an integral symbol throughout the novel, Alfie’s pursuit of the witch involves a lightning-quick slide down the elevator cable into the mine; then, for the sake of suspense, the action slows drastically in juxtaposition as Alfie creeps into the witch’s lair and pauses to study the tooth goblet. Whereas Alfie previously would not have addressed danger or a fearful situation head-on, he now takes direct action to confront the witch, demonstrating the theme of Confronting Adversity Versus Running Away. Deliberate, suspenseful action continues as the witch painstakingly undoes the children’s ankle and wrist shackles, one by one, only to rev up in pace and intensity as Dad barrels in on the train. These examples reveal how the last quarter’s changes in pace and increased suspense propel the plot toward its climax.
In several key moments in the last section, the plot relies on an understanding of information established in previous sections. These “plants” help to convey a logical progression of events and promote a fulfilling experience while approaching the ending of the book. For example, the moment of Alfie’s discovery that everything in the witch’s lair is made of teeth is particularly gruesome because Walliams established Alfie’s tooth extractions earlier in the book, leaving questions as to what Miss Root does with all the teeth. Also, the cauldron of toothpaste is fearsome only because the author already established that the substance is so acidic that it can eat through a solid road and kill fish; consequently, the imagery of Gabz and Alfie falling into it is chilling. These examples show how events in the last section are logically supported by planted clues and story content earlier in the book.
Dad’s character turns out to be highly significant to the resolution, a notable twist since Dad was characterized as weak earlier in the story: “Well, the doctors told me that my breathing was getting worse and worse and fast” (76). Now, however, Dad turns out to be Alfie’s deus ex machina—a plot device where a seemingly unsolvable problem in a story suddenly resolves due to an unexpected and unlikely occurrence—as he drives in for the rescue. Dad’s entrance and assistance support the theme of The Benefits of Teamwork in Facing Danger. Dad’s role in saving Alfie and Gabz is ironic in that the rescue must be made in the coal mine, the one place that Dad cannot enter due to his poor health and the danger it brings to his breathing. However, Dad shows greater physical strength in the coal mine rescue than he does in any other scene. Dad’s self-sacrifice at the climactic moment—when he chooses to pull the elevator wire, thus saving not just Alfie but all the town’s children from the Tooth Witch—places him in the role of archetypal hero briefly, just as he dreamed in his many stories told to Alfie. These actions demonstrate Dad’s significance and heroic actions before the novel’s ending, which includes him sacrificing his own life.
Alfie comes of age in several ways as he contributes to the resolution of each internal and external conflict, contributing to the theme of Changing One’s Mindset Following Growth and Maturation. He recognizes that Winnie can be a helpful ally, a thought he utterly rejected upon meeting her in earlier chapters. He then realizes that despite Winnie’s help, he must attend the final showdown with the witch alone, as he is the only one physically capable of negotiating the elevator cable. Alfie’s courage grows throughout Gabz’s rescue, and his sense of love and loyalty also grows as he valiantly pulls his father down the tunnel and into the elevator.
Once Dad is gone, however, Alfie’s real growing up begins; for example, he accepts and appreciates that Winnie is the best adoptive parent for him. Winnie’s moped, once a symbol of her interference with Alfie’s plans, now represents the life that she, Raj, and Alfie will have together. As she drives the moped with them all after the wedding, Walliams demonstrates the symbolic nature of a form of transportation consistently associated with Winnie’s character in a new way.
Over the next year, Alfie also grows in emotional maturity, evidenced by his desire to have a romantic relationship with Gabz—a significant change from his insistence throughout the story that he would never be her boyfriend. While in earlier chapters of this section, Alfie and Gabz expressed disgust at the thought of being boyfriend and girlfriend when the witch framed them as such, they now embrace their relationship, bringing the motif of girlfriend denial to its conclusion in the Epilogue. Alfie’s coming-of-age experiences reveal a change in his character arc, support the theme of changing one’s mindset following growth and maturation, and prove his courage, tenacity, and love of others.
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By David Walliams