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Summary
Chapter Summaries & Analyses
Volume 1, Part 1, Introduction
Volume 1, Part 1, Chapters 1-2
Volume 1, Part 1, Chapters 3-4
Volume 1, Part 1, Chapter 5
Volume 1, Part 1, Chapters 6-7
Volume 1, Part 1, Chapter 8
Volume 1, Part 2, Chapters 1-2
Volume 1, Part 2, Chapters 3-4
Volume 1, Part 2, Chapter 5
Volume 1, Part 2, Chapter 6
Volume 1, Part 2, Chapter 7
Volume 1, Part 2, Chapter 8
Volume 1, Part 2, Chapters 9-10
Volume 2, Notice
Volume 2, Part 1, Chapters 1-2
Volume 2, Part 1, Chapters 3-5
Volume 2, Part 1, Chapters 6-8
Volume 2, Part 1, Chapters 9-10
Volume 2, Part 1, Chapters 11-12
Volume 2, Part 1, Chapters 13-15
Volume 2, Part 1, Chapters 16-19
Volume 2, Part 1, Chapters 20-21
Volume 2, Part 2, Chapters 1-3
Volume 2, Part 2, Chapters 4-7
Volume 2, Part 2, Chapters 8-12
Volume 2, Part 2, Chapters 13-17
Volume 2, Part 2, Chapters 18-20
Volume 2, Part 3, Chapters 1-4
Volume 2, Part 3, Chapters 5-7
Volume 2, Part 3, Chapters 8-12
Volume 2, Part 3, Chapters 13-16
Volume 2, Part 3, Chapters 17-20
Volume 2, Part 3, Chapters 21-26
Volume 2, Part 4, Chapters 1-3
Volume 2, Part 4, Chapters 4-6
Volume 2, Part 4, Chapters 7-8
Key Figures
Themes
Index of Terms
Important Quotes
Essay Topics
Tools
Literature is another area where Americans draw heavily from Europe and especially England: Tocqueville recalls, with a note of incredulity, that he first read Shakespeare’s Henry V “in a log-house” (445). Unlike the literature of aristocracies, the literature of a democracy will reflect the fact that authors cannot solely devote themselves to art. Literature is another area where democratic pragmatism will dominate: “Having only a very short time to give to letters, they want to put it wholly to profit. They like books that are procured without trouble, that are quickly read, that do not require learned research to be understood” (448). Tocqueville, then, considers that democratic literature will overall have less artistic quality even as he acknowledges that it will be appropriate to its context.
He further notes that this transition will be a long process, and there will also be junctures when “the literary genius of democratic nations meets that of aristocracies” and great art will emerge from this convergence (448). Overall, however, Tocqueville’s distaste for majority rule extends to literature: He notes that the desire to please the crowd will dominate the publishing industry, to its detriment. In essence, the drive to meet public taste will produce many writers but few examples of genuine literary talent.
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By Alexis de Tocqueville