50 pages • 1 hour read
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Content Warning: This section of the guide includes discussion of graphic violence, blood, domestic violence, and child abuse.
The impact of childhood trauma on adult behavior is one of this novel’s key themes. Through the author’s depiction of Harry’s mentorship and guidance, the contrast between Dexter and Brian, and Dexter’s influence on Astor and Cody, the author explores the cycle of violence, noting some instances in which it becomes self-perpetuating and others when it is interrupted or broken.
Lindsay does not reveal the exact nature of Dexter’s childhood trauma until late in the narrative, but even Dexter acknowledges that something horrific must have happened to him to leave him with such a strong orientation toward violence: “Whatever made me the way I am,” he explains, “left me hollow, empty inside, unable to feel” (15). As a young man, Dexter felt strong urges to kill, and it is only Harry’s intervention that saves him from becoming a cold-blooded murderer without honor or morals. Dexter’s lack of empathy, interest in violence, and struggle to form meaningful attachments are all rooted in the terrible event he witnessed as a child: Dexter watched helplessly as his mother was brutally killed by cartel operatives and then sat in a pool of her blood for days before being discovered by Harry and the Miami police. Although he suppresses this memory, it resurfaces when he meets his biological brother, Brian. Through the brothers, the text illustrates one of the most tragic consequences of early, violent experiences in children: The “cycle of violence” becomes self-perpetuating as survivors of violence and abuse become perpetrators themselves.
Of course, it is not a foregone conclusion that a child who endures violence will become violent. With early intervention, it is possible to interrupt the cycle of violence. This is what happened, albeit only in part, in Dexter’s case, and it is what he tries to ensure happens with Rita’s daughter and son, Astor and Cody. Their father was a serial domestic abuser who subjected Rita to years of violence. Astor and Coy witnessed much of their father’s abusive behavior, and Dexter worries they will grow up to become victims of further abuse or perpetrators of it. While he can never completely rid himself of the urge to kill, he knows that with Harry’s help, he has harnessed its power to rid the world of evil men, and he wants to provide that kind of guidance to Rita’s children. He takes an interest in their lives, engaging with them, attending their school functions, and recognizing their achievements. He tries to show them it is possible to recover from traumatic events and that not all fathers and father figures are abusers.
Another key example of the different ways childhood trauma impacts adult behavior is the contrast between Dexter and his biological brother, Brian. Both boys witnessed their mother’s brutal murder, but Brian became the kind of remorseless killer that Dexter would have without Harry’s guidance—a cold-blooded murder with no morality or honor. Brian was a year older than Dexter at the time of their shared “traumatic event,” and he was not adopted by someone kind like Harry. He has a Dark Passenger like Dexter, but he does nothing to reign it in, choosing his victims among the innocent rather than the guilty. Once a victim, Brian becomes a perpetrator. He embodies the powerful gravity of cycles of violence and abuse, which some people never escape, especially not without support.
The role of vigilante justice in crime fighting and what it says about the blurry boundary between good and evil is one of this novel’s most important and overt themes. Through Dexter’s character and Harry’s tacit support for his work as a vigilante, the author calls traditional, fixed notions of good versus evil into question, suggesting that sometimes good resembles evil and evil resembles good.
Serial killers are traditionally seen as evil, and in Dexter’s world, that is true—in the case of serial killers who target innocent victims. The novel’s primary example of such evil is the Tamiami Slasher, who targets sex workers believing that there will be less police interest in and public outcry about their killings. Even Dexter notes that this is typically true, and he is surprised by the amount of media attention focused on the Tamiami Slasher. Deb’s undercover work in the shadowy world of the Miami sex trade further humanizes the slasher’s victims, as she knows many sex workers in the area. The novel argues that these women are innocent, do not deserve to be killed, and merit the same level of respect and concern as any other crime victim.
Child abusers are also portrayed as evil, and Dexter himself targets a priest who abuses and murders children. That abusers of children are inherently evil is core to Darkly Dreaming Dexter’s conception of good and evil, and Dexter notes that he is particularly interested in ridding the world of this kind of killer. Because Dexter, Brian, Astor, and Cody are all emotionally scarred by childhood experiences with abuse and violence, the heinousness of those who hurt children is particularly at issue. Dexter is not initially aware of the exact nature of his traumatic past, but he is sure something horrific must have happened to him to turn him into a serial killer.
The character of Dexter is where this novel truly deviates from traditional conceptions of good and evil because he is a serial killer who is figured as a force for societal good. Harry taught him to only target other predators, and Dexter strictly adheres to this guideline. He kills killers, predators, and criminals who evade detection by law enforcement. And yet, Dexter is still an unrepentant killer. He notes early on, “I enjoy my work. Sorry if that bothers you” (14). He kills in part to rid the world of evil men, but in part because he enjoys violence and feels unsurmountable urges to kill. He skates the boundary between good and evil because of this duality. However, when given the chance to kill Deb and join Brian, the only other human being who truly understands him, Dexter chooses to save Deb’s life instead. This choice further cements the author’s characterization of Dexter as a “good” man despite his homicidal urges. Through Dexter, the text suggests that vigilante justice has its place in society and that good and evil are more complicated than they appear.
Dexter, Deb, and Harry all have moral and behavior codes that guide their personal lives and careers. The importance of such codes is one of Harry’s key legacies and perhaps the most important Morgan family value. Although Dexter does not feel familial love in the traditional sense, he does feel a sense of family connection with Harry and Deb, in part because of their shared dedication to living by their codes.
Harry was a dedicated police officer with a strong work ethic and, initially, a black-and-white sense of right versus wrong. He maintained his work ethic until the end of his life and taught it to both of his children. He also remained dedicated to fighting crime, although he grew disillusioned in his later years, noting the many instances in which criminals evade arrest and prosecution due to lack of evidence, botched police work, or other factors beyond his control as an officer. That disillusionment is why he adopted a more relativistic view of good and evil and encouraged Dexter to engage in vigilante justice. Although Harry amended his code, he remained dedicated to fighting crime—just not in a traditional sense.
Deb also lives by a code. She has her father’s strong work ethic and dedication to law enforcement. She is so dedicated to her job that the novel provides few other details about her life, her likes, and her dislikes. She devotes as much time as possible to work and does not mind that her social life consists primarily of weekend brunches with Dexter. Because she is so immersed in the actual police work that makes up her job, she sees little utility in the kind of politicking that would further her career. And yet, as Dexter notes, she is still an effective police officer. Deb also possesses Harry’s original notions of right and wrong, good and evil. When video footage seems to implicate Dexter as the Tamiami Slasher, she is willing to bring him in for questioning, even though he is the person she loves most in the world. Just as Harry taught her, Deb upholds her code above all else.
The code Harry taught Dexter is the most discussed and most important in the novel. It allows Dexter to operate undetected by law enforcement. Harry taught Dexter to only kill serious predators, killers, and those who target children. All of Dexter’s victims pose a risk to society yet have so far evaded detection or arrest. Dexter is also to plan his kills meticulously, work cleanly, and avoid leaving any evidence behind. He is to refrain from taking trophies from his kill sites and saving press clippings about his crimes. But there is also another behavioral element to this code: “Being careful meant living a careful life too, compartmentalize, socialize, imitate life” (44). Dexter is to blend in with his peers and colleagues, and he has learned to maintain a normal appearance, mimic normal behavior, and seek out friendships and romance. His dedication to these guidelines is how he himself has evaded detection all these years. For Dexter, the code isn’t just a matter of honor and morality; it’s a matter of safety and survival, a way to continue to live while sating his urges.
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