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When Danny turns nine, he discovers his father’s “most private and secret habit” (25). One night Danny wakes up to find that his father is not in the caravan, office, or the workshop. This makes Danny panic for “the first time in his life” (27) since he is sure his father would never willingly leave him alone at night. Danny, deeply distressed, waits for his father on the front porch and eventually hears him walking toward the caravan.
William knows he owes Danny an explanation, so he shares his deep, dark secret: He loves the thrill of poaching and had been poaching up in Hazell’s wood, six and half miles away from their caravan. William’s grandfather had taught him to poach when he was 10 years old, and he has been hooked ever since. He tells Danny that poaching was a necessity for a lot of people in England who were starving. Using his storytelling skills, William paints a picture of “wealthy idiots” (32) buying thousands of baby pheasants, which they over feed “like kings” (30), taming them and then shooting the fat pheasants for sport while people all around are starving. When Danny points out that they are not starving and that his father is stealing, his father admits that “poaching is such a fabulous and exciting sport that once you start doing it, it gets into your blood and you can’t give it up” (30).
Danny’s worry and fear dissolve in laughter once his father starts telling stories of “poacher’s bottom” and of the evenings his grandmother spent plucking gunshot pellets out of his grandfather’s backside. As they eat a midnight feast together Danny’s concern turns to curiosity about the secrets of poaching, and his father is more than happy to tell him.
According to William, his own father was a master poacher. William tells Danny “My old dad studied poaching the way a scientist studies science” (33), even going as far as testing his theories on his flock of roosters. While they eat their midnight feast of sandwiches William shares his most important poaching secret: “Pheasants […] are crazy about raisins” (34). Using this discovery Danny’s grandfather came up with several methods for poaching, which William describes in detail with shining eyes as he remembers the wonderful times he had with his father. Method 1: “The Horsehair Stopper” (35), where a small piece of horsehair placed in a raisin sticks in a pheasant’s throat, tickling it and causing the pheasant to freeze in place. Method 2: “The Sticky Hat” (39), where a tiny paper cup is stuck on a pheasant’s head. To get the hat on the pheasant, the hat is placed in a hole with glue and a few raisins inside. The pheasant follows a trail of raisins to the hat, puts its head in, and stands up with the hat stuck to its head, covering its eyes and making it freeze.
Danny asks his father whether he has been secretly going out often. William reassures Danny that this was the first time in nine years. He tells Danny that he had been planning on using “the Sticky Hat” method, but he left it too late, and the pheasants had already roosted up in the trees. Feeling guilty, William tells Danny he’ll never go poaching again if that is what Danny wants, but the excitement emanating from William as he tells his stories is so contagious that Danny not only gives his father permission to poach, but he asks whether he can join him. William is thrilled, and says yes, but only after he is back on form. Both William and Danny fall asleep smiling.
The following Friday William tells Danny he’s going to Hazell’s Wood again. William wants to go for the pheasants and the thrill of poaching but also because he does not like Mr. Hazell. Mr. Hazell owns a brewery and all the land surrounding William’s garage and caravan. Victor Hazell is a “roaring snob” (42) who drives a Rolls-Royce and is always social climbing with “the right kind of people” (42) and hosting hunts and pheasants shoots to impress them. Mr. Hazell despises Danny and William and wants them to leave. After a small altercation years ago, Mr. Hazell sent inspectors and local officials to find fault with the caravan and filling station. Unfortunately for Mr. Hazell, William keeps everything in neat working order, so they live, uncomfortably, as neighbors.
In preparation for the poach, Danny and his father soak raisins to use in the “Sticky Hat” method. The following day Danny and his father work on Mr. Pratchett’s Austin Seven car (known as a Baby Austin), which is in their workshop for a service. Just before twilight, William sets off for Hazell’s Wood, promising Danny he’ll be back by 10:30. Danny is worried about the keepers with their guns, but his father reassures him there are not many keepers these days and that he will be fine.
For the first nine years of his life, Danny has never experienced true fear, and he has never questioned the honesty of his father, whom he adores. When Danny wakes to find his father missing, he feels panic for the first time, assuming the worst because in his mind his father would never have “willingly “left him alone. The realization that his father not only keeps secrets but also steals is a jolt to Danny: “My own father a thief! This gentle, lovely man! I couldn’t believe he would go creeping into the woods at night to pinch valuable birds belonging to someone else” (29). Danny, quite rightly, interprets poaching as “stealing,” but William quickly corrects him, saying, “We don’t look at it that way” (29). This counter perspective introduces the British class system and the theme of greed: William justifies poaching to Danny by romanticizing it as an artform passed down through generations of good, hardworking people who poach out of necessity from “wealthy idiots,” a Robin Hood ideal used to justify a crime. Danny points out that they are not starving and therefore do not need to steal pheasants, challenging his father’s justification. Danny’s concerns lessen with William’s honest admission that he enjoys the “sport” of poaching and “can’t give it up” (30); honesty is important to Danny, and he understands the concept of doing something because it is fun.
William knows that poaching is a crime, but he also knows that this crime is so entrenched in British society that it has become a game, played with mutual disdain and animosity between society’s working and upper classes. Danny forgives William and, along with the reader, gets swept up in the skill, excitement, and art of poaching, marveling at the ingenious methods poachers use. William, through his entertaining and touching stories about his youthful poaching escapades (including ones with Danny’s mother) win everyone over, solidifying William as the “good guy” and Mr. Hazell as the “bad guy,” even though William is the one committing a crime. The way Dahl describes the antagonist Mr. Hazell— “roaring snob” (42), “glistening beery face […] pink as ham” (43)—coupled with Mr. Hazell’s relentless retaliation against William secures Mr. Hazell’s role as the loathsome adversary, leaving no doubt that he deserves what is coming to him, even though Mr. Hazell has committed no crime other than being very rich and obnoxious. The Gray Area Between Right and Wrong, which forms when emotions and facts become entangled, is a complicated theme running throughout the narrative. This is further supported because the poverty William experienced when he was younger made poaching a necessity, and considering the crime in this context makes it less of an offense and more of a desperate act worthy of compassion and empathy.
The deep love Danny and William have for each other is highlighted in this section by William’s genuine apology—“When your mother died […] I made a vow to give up poaching until you were old enough to be left alone at night. But this evening I broke my vow […] I just couldn’t stop myself. I’m very sorry I did it” (40)—and by Danny’s quick forgiveness.
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By Roald Dahl