54 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Chapter 3, Arnold elaborates his three-part division of the English class system. He claims that each of the three main classes—the aristocracy, the middle class, and the working class—have some characteristic habits and defects, to which most members of each class are prone. Arnold believes that English society is undergoing rapid changes, with the middle class achieving great economic success and political influence and the working class becoming more numerous and rebellious in their demands. Arnold assigns a special category to each of these classes: He divides them into “Philistines,” “Barbarians,” and the “Populace”.
Arnold calls the middle class the “Philistines.” Arnold depicts the English middle class as obsessed primarily with economic success and materialism. Due to their pragmatic and unimaginative natures, the Philistines are unable to appreciate and nurture true culture. Arnold writes that the middle class “not only do not pursue sweetness and light, but [. . .] prefer to them that sort of machinery of business, chapels, [and] tea meetings [. . .] which make up [their] dismal and illiberal life” (265). The middle-class lifestyle is “dismal and illiberal” in spite of its creature comforts because industrialism has left them more preoccupied with money and social respectability than beauty and reason.
Arnold then discusses the aristocracy, whom he labels the “Barbarians.” Arnold is gentler in his assessment of the Barbarians than he is of the Philistines. He acknowledges that the Barbarians are seduced by “worldly splendor, security, power and pleasure” (265), but he defends this impulse as only natural since “These seducers are exterior goods, but they are goods, and he who is hindered by them from caring for light and ideas is not so much doing what is perverse as what is natural” (265). The aristocratic Barbarians enjoy lives of immense privilege and material comforts, which Arnold criticizes as being ultimately artificial since it is founded on “all the exterior graces and accomplishments” (268) instead of the “inward virtues” that are the marks of true culture. Arnold concludes that the emphasis on exterior goods instead of inward striving for perfection leaves the Barbarians lacking “soul” (269, emphasis Arnold’s).
The third and final class is the working class, whom Arnold refers to as the “Populace.” Arnold describes the working class as “raw and half-developed” (271), which “has long lain half-hidden amidst its poverty and squalor” (271) but which is now asserting itself more and more in English society. Most crucially, Arnold equates the Populace as being the class most closely associated with individualism and anarchic impulses: He describes the working class “now issuing from its hiding-place to assert an Englishman’s heaven-born privilege of doing as he likes” (271). The actions of the working class make Arnold uneasy, as he links them to the mass movements and popular unrest that disquiet him: “[The Populace] is beginning to perplex us by marching where it likes, meeting where it likes, bawling what it likes, breaking what it likes” (271-271).
Although Arnold divides English society into these three classes, he argues that believers in true culture can be found in any one of these three classes. He claims that those who have a “bent” for pursuing sweetness and light become defined more by that “bent” than their class origins since “this bent always tends […] to take them out of their class, and to make their distinguishing characteristic not their Barbarism or their Philistinism, but their humanity” (278, emphasis Arnold’s). Arnold then goes on to explain that the widespread suspicion in English society against authority, establishments, and “any very strict standard of excellence” (280) makes it difficult for true culture to become widespread in any of these three classes. He laments the influence of popular newspapers and narrow-minded Protestant sects on the national psyche.
Arnold also discusses how the existence of this tripartite class division undermines the authority in the state in the sense that most politicians reflect the defects of their own class or that of their constituents because they wish to please the ones who vote for them. He argues that politicians too often flatter their constituents and embody their failings instead of criticizing them. He compares the English system to some politicians and systems on the European continent, suggesting that England could learn from some of the approaches of continental politicians and systems. Due to the many flaws in the English system and the dangers of domination by particular classes and their flaws, Arnold concludes, “We see, then, how indispensable to that human perfection which we seek is […] some public recognition and establishment of our best self, or right reason” (316). To improve, England will have to embrace true culture and the pursuit of perfection instead of clinging to individualism and the inherent flaws of each class.
In Chapter 3, Arnold offers his assessment of the three main classes of English society. In several ways, this chapter serves as a further elaboration of a few key points he has already made in previous chapters. The chapter further illustrates Arnold’s assumptions about class while also positing another dimension to his conception of true culture.
In analyzing the middle class, Arnold once again focuses on their materialism and economic prosperity. He characterizes them as obsessed with “business,” suggesting their narrowmindedness and their economic greed. For Arnold, the main failing of the middle class is not only their materialism, but also their sheer lack of imagination: He depicts their lives as routine and mundane, dominated by “chapels [and] tea meetings” (265) instead of any more exalted cultural pursuits, which means they are usually immune to the influence of true culture. Arnold is not impressed by the middle class’s social climbing and growing wealth; instead, he criticizes their “dismal and illiberal life” (265) and sees no real value in it. Since the Victorian Age is the age of industry and commerce, and the middle class are the main beneficiaries of these changes, Arnold is especially critical of what he sees as the insidious effect of their values upon English society as a whole.
Arnold also reserves harsh criticism for the working class, again presenting his criticism along the same lines as those featured in Chapter 2. He once more associates the working class with a notion of “freedom” centered upon unchecked individualism but goes further in describing the working class as a dangerous source of potential anarchy. He writes that the working class, or “Populace,” is now “marching where it likes, meeting where it likes, bawling what it likes, breaking what it likes” (271-271). Arnold’s repetition of the phrase “what it likes” when describing the key feature of the working class’s behavior depicts the working class as willful and determined to do whatever they please, regardless of the consequences. His depiction of their actions—“marching,” “meeting,” “bawling,” “breaking”—conjures up visions of both mass movements (“marching” and “meeting”) and wanton disorder and violence (“bawling” and “breaking”). Arnold’s language once more reflects his deep mistrust of working class attempts at asserting themselves into the political order while also speaking to his more general fear of “anarchy” and its effects.
There is, however, another key aspect of Arnold’s cultural theory that he mentions in this chapter. He insists that being a believer in culture has little or nothing to do with one’s class origins. Anyone—aristocrat, middle class, or working class—can become a believer in culture and can therefore be transformed. Arnold’s insistence that culture can take an individual “out of their class” and to make their “humanity” their “distinguishing characteristic” (278) is the closest Arnold gets to formulating any ideal of social equality in Culture and Anarchy. While Arnold is a firm supporter of hierarchies and Establishments, he nevertheless leaves room for a different kind of social mobility—one in which one raises through the inward transformation towards perfection instead of rising through the ranks socially and economically.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Matthew Arnold
Books About Art
View Collection
Class
View Collection
Class
View Collection
Essays & Speeches
View Collection
Order & Chaos
View Collection
Philosophy, Logic, & Ethics
View Collection
Politics & Government
View Collection
The Best of "Best Book" Lists
View Collection
Victorian Literature
View Collection
Victorian Literature / Period
View Collection