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Creation Lake is, in part, an unconventional literary spy thriller. As such, it engages with one of the genre’s key tropes: problematic protagonists. Sadie, like many other literary spies, is effective in her work in part because of her unconventional moral code and lack of traditional ethics. Like many spies, she is a wry observer of human relationships rather than an active participant in functional interpersonal unions, and like many other literary spies, she counts substance use disorders among her coping mechanisms. However, Sadie’s character is also meant to ask broader questions about the ethics of espionage. Her manipulative nature and duplicitous approach to romance, coupled with her history of using entrapment and her willingness to commit other small crimes, gesture toward a general lack of regard for human life that is at the core of espionage as a practice.
Sadie is involved romantically with several men throughout the course of the narrative. In each case, she uses the liaison to extract information from her target and manipulate that target into helping her achieve her goals. Lucien, whom she dislikes but pretends to be engaged to, gets her closer to Pascal. Rene, whom she does actually enjoy having sex with, provides a window into the inner workings of the Moulinards. Additionally, Sadie forms friendships to use and manipulate people. Her interactions with Nadia are focused on Nadia’s knowledge of a different subset of the Moulinards’ commune, and she also uses Nadia to help her form a more thorough and in-depth picture of Pascal, both his worldview and his personal life. Sadie is never shown to have a relationship that is not duplicitous in this way. She is a solitary figure, focused entirely on the work of espionage and infiltration.
Sadie’s willingness to break the law by using entrapment additionally casts doubt on the ethics of espionage. She did this while working with the FBI, and it resulted in the loss of her job. Although Sadie worries that this case will come back to haunt her in the form of federal charges or a civil suit, she feels no remorse over her actions: Her targets were engaged in criminal activities. In a broader sense, she feels, they were guilty. Perhaps they were not guilty of the exact crime for which they were charged, but she does not worry about this detail. Because she acquires a reputation for being willing to break the law in the course of her investigations, she becomes even more desirable to shady private security firms that are not bound by the same legal limits that government law enforcement agencies are. Sadie attempts to entrap Burdmoore by encouraging him to attack Platon, and she does so at the behest of her employers. Again, Sadie does not display remorse, and her lack of interest in traditional ethics casts a dark shadow over practices that are common in the world of espionage.
Sadie shows an additional lack of traditional ethics in her willingness to commit other petty crimes during her investigation. She regularly consumes alcohol while driving, and while she does note that this kind of overconsumption impacts her sleep and general sense of well-being, she does not indicate any kind of concern for the other drivers on the road. Her focus is on herself, not on the needs of others. Sadie even argues that driving while under the influence sharpens her focus and makes her a better driver. She makes a similar argument about stealing. She notes that it “refocuses the mind” and helps her think clearly (22). She claims that this kind of laser-like focus improves her work in general, making her a better spy. Again, Sadie’s lack of attunement to right and wrong showcases the murky moral territory that spies occupy and asks big-picture questions about the industry.
Through her depiction of the agricultural region of Guyenne, France, Kushner examines the rise of monocrop farming, the way that industrialized farming saps natural resources, and the way that both modernization and industrialization result in the loss of established customs and culture.
The planned transition from small-scale family farming to large-scale agribusiness in Guyenne is, in many ways, this novel’s inciting incident. That the Moulinards responded to this threat with an act of eco-terrorism is what piques the interest of Sadie’s shadowy employer and results in Sadie being hired to infiltrate their commune. Although figured as antagonists by the French government and the various security firms operating outside the bounds of government control, the Moulinards as well as the small farmers in Guyenne see their act as heroic. Shortly after arriving in Guyenne, Sadie learns that “[c]orporations from outside the region were buying up land for large-scale farming of seed corn, as part of a state-led initiative to revitalize the Guyenne with a mono-crop economy” (36). The French government, with the aid of outside corporations, hopes to re-orient Guyenne toward the production of a single product, itself used in other large-scale farming operations. This threatens the area’s biodiversity and resources but also its people: Small farmers are shut out of large agribusinesses, and the onset of industrialized agriculture will uproot people whose families have farmed the region for centuries.
Water is of particular importance in the Guyenne and within the narrative as a whole. The plan for the area is to create large systems of cisterns into which the Guyenne’s underground water will be pumped. Here, too, the transition to industrialized agriculture will harm both land and people. Draining a water table has disastrous results for all living things in the area, both flora and fauna. The smaller plants, trees, insects, animals, and even soil depend on this underground water, and without it, the entire ecosystem will be damaged. The people whose land and livelihoods depend on this water will also be without a key resource, and that resource will be concentrated in the hands of outsiders, sending capital outside of the region.
In addition to the economic impact of industrialized agriculture, Kushner’s novel also grapples with the cultural loss that comes as a result of commercial farming in rural areas. Bruno and Pascal, in particular, because of their anti-capitalist and even anti-civilization views, place a high value on traditional culture and long-established ways of being. Rural society revolves around small farms but also around the sense of community that those farms engender, with relationships built around the values of cooperation, hard work, honesty, and unity. According to Bruno and Pascal, these are the very values that capitalism imperils, and the absence of these values from modern society leads to the condition that Guy Debord termed “alienation.” In fighting industrialized agriculture in the Guyenne, Pascal and Bruno seek to preserve not only the environment but also traditional agrarian culture.
The interplay between history and modernity forms a key cornerstone of Bruno’s philosophy and a major part of Creation Lake’s thematic project. Through the fictional theorist Bruno, Kushner engages with the possibility that early hominids created happier and more harmonious societies than contemporary people, and this possibility informs the novel’s critique of both capitalist society and urban living.
Although all of Bruno’s theories are underpinned by the idea that industrial society is profoundly unhealthy for individuals and groups, much of what he writes in his emails to Pascal and the Moulinards focuses on Neanderthals. Neanderthals, Bruno argues, were better equipped to create social groups in which each individual member had an important role and was supported by each other member. He notes that even their flaws, like a genetic predisposition toward substance use disorders, might be better understood as positive attributes: “The gene for addiction […] might have served quite a practical purpose for Neanderthals” (55), Bruno writes, because it oriented them toward joy. Substance use indicated an interest in feeling good, and Bruno does not think that should be seen as a detriment. He also argues that Neanderthals were more complex than contemporary paleoanthropologists give them credit for: Bruno feels strongly that there is evidence suggesting that Neanderthals were able to hunt small animals alone, contradicting the establishment view that they required large communities to take down large creatures such as mastodons. He also sees evidence that they were able to navigate and that they understood the solar system. Their identities were thus complex, and they displayed real intelligence, but what is more important to Bruno is that they derived a sense of self from their likes, dislikes, and abilities, from group cohesion, and from one another. By contrast, Bruno argues that modern humanity is nothing outside of a capitalist framework. The modern individual is nothing other than a worker and a consumer of goods.
As critical as Bruno is of industrial capitalism, he has concluded that it is not possible to overthrow this system. While he was once hopeful that the workers of the world could unite and throw off the oppressive mantle of the ruling classes, he now thinks that workers are too embedded within capitalist systems and too dependent on production and consumption and that they derive their sense of self entirely from what they can purchase. For this reason, he argues that the only real path forward is to withdraw from society entirely. Here, he brings up Neanderthals again, as it is their social organization that he finds superior to that of modernity, and he argues that if people withdraw from society in groups, they should model themselves after Neanderthals.
Although the Moulinards do not share Bruno’s opinion that it is no longer possible to overthrow industrial capitalism, they do share many of his ideas about the superiority of rural life and of communal forms of social organization. Pascal explains to Sadie, “In cities, there is no support for parents. They are stressed and isolated and exhausted” (203). This is in part because of the way that capitalist society orients its citizens toward work and consumption. Both parents work long hours to make as much money as possible so that the family has the maximum amount of purchasing power. This leaves little time for parenting and household management. The Moulinards are communal, and everyone shares work duties, including childcare. This means that parents are not stressed or overworked: If they have too much to do, someone else can help them. It should be noted that the Moulinards’ society reproduces normative gender roles in that the men tend to work outside of the home while the women cook, clean, and care for the children. In escaping capitalist life, Pascal and his group have turned back the clock on equality and returned to a form of social organization in which women perform work that is uncompensated and often unrecognized.
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By Rachel Kushner