63 pages 2 hours read

City of Ashes

Fiction | Novel | YA | Published in 2008

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Symbols & Motifs

The Mortal Sword/Soul-Sword/Maellartach

One of the three Mortal Instruments given by the angel Raziel to Jonathan (the first Shadowhunter and Jace’s namesake), the adamas Mortal Sword is described by Jace as a “dark, heavy silver, glimmering with a dull sheen” (242). Light moves across the blade of the Sword as if the Sword is lit from within. The Sword, which is also called Maellartach and the Soul-Sword, has a dual role in the narrative, functioning as both motif and symbol. As a motif, it illustrates the important theme of The Complicated Battle Between Good and Evil. The novel argues that the boundaries between right and wrong can be shifty and treacherous. Further, evil can be as self-righteous as good, invoking noble ideals to justify its agenda.

Similarly, the Sword, as a hallowed and angelic object, is meant to do good and judge the truth, but Valentine seizes it to convert it into an evil instrument. This shows that the Sword is a mere weapon: Who wields it and why is more important. By the time Jace holds the Sword in the demon ship, Valentine has already dowsed it twice in the blood of a Downworlder child. The Sword’s allegiance is shifting, so Jace can see the demons it has attracted to the edge of their world.

The Sword is also a symbol of the purity of the Nephilim, as well as of truth. Valentine believes that it was this sword that angels used to drive Adam and Eve out of the Garden of Eden in the Bible. It is a symbol of truth because the Sword has the ability to compel Nephilim to confess. When it draws out the truth, the process manifests itself as a deep, physical pain. Correspondingly, holding the Sword is excruciating for Jace and Clary. When Clary attempts to use the Sword against Valentine, “a searing blast of cold shot up Clary’s arm […] she gasped with pain, her fingers going numb” (377).

Blood

Blood is an important motif, highlighting the paranormal and horror elements of the narrative. As a symbol, blood represents power and the vital life-force. Since the first Shadowhunters were created by partaking in angelic blood, blood is both sacred and filled with special powers. The reference to Shadowhunters consuming angel blood is related to the Christian rite of communion, where believers partake bread and wine as the flesh and body of Jesus. By partaking in angel blood, the Shadowhunters created a community, one with angelic forces, much as Christians become a part of the Church and Jesus through the communion rite. The symbolism of blood as a life force is also reinforced through the images of Jace feeding Simon his blood to revive him, and Simon feasting on lamb’s blood after he rises as a vampire.

As blood represents life itself, senseless blood-shedding is a repugnant act. Valentine’s draining teenagers of blood and storing their blood in vats thus represents a sacrilege, a mockery of life. Ironically, Valentine dubs vampires “revenants” because they survive on the blood of others, yet he himself commits a vampiric act by shedding blood. The text’s blood-imagery adds to the horror in the narrative, such as through the description of the bloodied slaughter in the Silent City and Clary’s dream of Simon having blood-soaked wings. The blood motif moves the plot along, as the Shadowhunters are on a quest to prevent Valentine from gathering the Downworlder blood and converting the Sword.

The Demon Ship

Valentine’s ship is an important symbol in City of Ashes, representing death, cruelty, and dark power. Longer than a football field, the ship is ramshackle and rusty, and has been painted black all over, even on its windows, so that it appears “lightless.” Jace compares its narrow hull and sleek appearance to a silent, deadly shark.

The ship is invisible to mortals because of glamours Valentine has placed around it. It floats at a particular spot on the East River, somewhere between Manhattan and Long Island, as the wards between the worlds are thin there, so Valentine can easily summon demons to the ship. The ship is a key setting in the novel, as this is where Jace refuses Valentine’s offer, where Simon and Maia are taken, and where the final battle takes place.

Since the ship is where Valentine is storing the blood of the Downworlders, it is associated with violence and depravity. The ship represents a dank, dangerous, and unhygienic space, far from the warmth of Luke’s house or the grandeur of the Institute. Hovering on water so that it is difficult to track, the ship also represents purgatory or limbo, states of stasis. When Clary dismantles the ship with her rune at the end of the novel, it signals a dismantling of Valentine’s dark power. Almost all the demons on the ship drown, while the Shadowhunters are rescued by water fairies. Thus, evil is temporarily defeated.

Literature

Allusions to works of literature, religion, mysticism, and folklore form a prominent motif in the novel. The references add layers of meaning to the text and serve as signposts to familiarize readers with the book’s themes of good and evil, coming of age, and magic and transformation. For instance, the references to Dante Alighieri’s 14th-century poem Inferno (Hell) and John Milton’s epic Paradise Lost (1667) immediately signal the novel will discuss rebel angels, sins and virtues, and the meaning of hell. In Part 1, Jace quotes Dante to the Inquisitor, suggesting he is in hell. The Inquisitor says he is not in hell yet but will soon wish he were. Later, Valentine quotes Paradise Lost to Jace, reminding him that “it’s better to reign in hell than serve in heaven” (237). This shows that the characters believe hell is a subjective state, rather than a preexisting destination.

Biblical allusions are also common in the text, with Clary’s ship-destroying rune manifesting as a line from the Old Testament. The name of angels and prophets abound through the novel as well: For instance, the Malachi Configuration in which the Inquisitor traps Jace refers to Malachi, a biblical prophet. While Shadowhunters do not follow real-world religions, Cassandra Clare uses religious imagery and allusions to enrich the world in her texts.

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