48 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
To their surprise, Jack and Annie find themselves in a green meadow filled with sunlight and colorful flowers. The children see three horses grazing. The Otherworld is much warmer than the world they just left, so they remove the knight’s heavy cloak. At Annie’s request, Jack reads the first rhyme aloud: “Beyond the iron gate / The Keepers of the Cauldron wait” (53). Annie thinks that the Keepers might be the guards they snuck past, but Jack points out that the riddle says the Keepers are beyond the gate rather than in front of it. The children hear music coming from over a hill. Annie hopes that the Keepers are making the joyful sound and wants to hurry to meet them. However, Jack advises them to approach with caution, so they cover themselves with the cloak of invisibility.
When they reach the crest of the hill, Jack and Annie look down into a misty glade filled with musicians and hundreds of people dancing in a great circle. The brightly clothed revelers look similar to humans with the notable exceptions of “glittering gold skin and wings that shimmered in the mist like spun silver” (56). Jack and Annie are moved by the merrymakers’ happiness and beauty and believe they are trustworthy. Shedding the cloak, they race down the hill. Jack takes off his backpack and sees three swords discarded in the grass. The children feel an intense desire to take part in the celebration, and they join hands with the dancers.
Jack loses his glasses as he dances, but he hardly notices. The quest for the cauldron and the friends he left behind in Camelot fade from his memory, along with “all his fears and worries” (56). Annie sees three knights dancing on the other side of the circle and cries, “They look awful! They look sick!” (59). Alarmed, she breaks free from the ring and calls out to her brother, but Jack wants to go on dancing forever.
Annie chases Jack around the ring and cries out to him to stop dancing. He tells her to leave him alone, but she grabs his shirt and pulls until he tumbles out of the circle. The winged dancers close the circle and carry on as though they don’t notice his absence. Jack scolds his sister for interrupting his fun. Annie gives him his glasses and tells him to look at the knights. One of the knights looks much older than the other two, but they all appear tired and ill with bony, pallid faces “frozen in ghostly smiles” (61). The children realize that they are looking at Camelot’s lost knights and that the men will dance themselves to death unless they rescue them.
Jack suggests that he and Annie rejoin the circle and position themselves between the winged dancers and the knights so that they can pull the men to safety. He worries about losing himself to the music again, so Annie tells him to focus on Morgan. On Annie’s signal, the children rush into the ring on either side of the knights and join in the dance. Immediately, Jack is swept up in “a wave of great joy” that washes his worries away (61). Annie shouts at her brother to pull away from the circle, but to no avail. When she yells out Morgan’s name, Jack remembers his quest and lets go of the winged dancer’s hand. It takes all of his strength, but he and Annie manage to break free with the three knights. The five humans tumble onto the grass, and the dancers close the circle and continue their endless dance.
The knights gasp for breath as they lie in the grass. The oldest of the three asks Jack and Annie who they are, and the children explain that they are friends who have journeyed from King Arthur’s castle on a quest to find the Water of Memory and Imagination and save Camelot. The oldest knight acknowledges that he is Sir Lancelot, traveling with his son, Sir Galahad, and their companion Sir Percival. Jack surmises that the winged dancers are the Keepers of the Cauldron and they guard it by trapping people in their dance. Sir Percival asks the children to wait until the knights have regained their strength and can accompany them on their journey, but Jack and Annie explain that Camelot is running out of time. To aid them on their quest, each of the three knights bestows a gift upon the siblings. Sir Galahad gives them a silver cup, Sir Percival gives them a wooden compass, and Sir Lancelot gives them a key made of glass.
After presenting these gifts, the three knights fall fast asleep. Annie whispers, “Sweet dreams [...] You guys need a long nap” (68). Jack retrieves his backpack and checks his notes. With the Christmas Knight’s cloak and the objects from the lost knights, they now have all four of the gifts mentioned in the second rhyme. Jack reads the third rhyme again, which tells them to look to the west for a secret door. Confidently, Annie proclaims that they can easily use the compass to travel west, unlock the door with the key, and fill the silver cup with the cauldron’s water. However, Jack worries that this is all a “little too easy” (71). He puts the cup in his backpack and uses the compass to guide them west. The children walk into a tangled thicket full of thorny branches. The landscape is eerily silent compared to the glade, and Jack begins to wonder if the compass is broken. Annie spots a glass door set in a hill on the other side of the thicket.
Jack and Annie scramble through the thicket and up the hill. Using Sir Lancelot’s glass key, she unlocks the secret door. The children step into an enormous cave made entirely of glittering, clear crystal. They find a room in which a golden cauldron hangs over a purple fire. Jack gives Annie a boost so she can reach the cauldron and fill the silver cup with the shimmering Water of Memory and Imagination. Annie is thrilled that they have what they need to save Morgan, but the children’s excitement turns to fear when they smell something rotten and hear ominous sounds. A scaly, winged creature with “glowing red eyes and long, curled claws” crawls toward them (77). Blue flames spew from its jaws. Soon, the children are surrounded by four dragons. Jack realizes that the fearsome creatures are the “real Keepers of the Cauldron” (77).
The four angry dragons crawl closer to Jack and Annie. She suggests that drinking the Water of Memory and Imagination could help them think of a way to escape. He thinks the idea is absurd, but the dragons’ approach convinces him to give her plan a try. Annie takes a sip from the cup and gives it to Jack, who holds it with trembling hands. After they both drink the water, Annie urges her brother, “Now imagine we’re saved!” (79). He closes his eyes and imagines the dragons retreating. Annie asks him if he’s ready to fight, and he suddenly feels fearless and strong. The children hurry to the fire under the cauldron and seize branches that “blazed with purple fire like flaming swords” (80). Jack and Annie charge, shouting and waving the burning branches. The dragons hiss and hurl blue fireballs. Eventually, the dragons’ flames grow weaker, and they each retreat down a different corridor. The siblings use the burning branches to block the dragons’ routes so they won’t come back. Annie picks up the cup of water, and they leave the crystal cave. Jack feels calm and composed until he locks the secret door behind them. Then his knees give out, and he slumps to the ground.
In the novel’s third section, The Journey From Innocence to Heroism leads Jack and Annie to the Water of Memory and Imagination, highlighting the central message of Osborne’s story as she continues to weave aspects of legends and lore into her fantasy world. In Celtic mythology, the Otherworld is a mysterious supernatural realm often filled with great joy and beauty. Three of the most famous Knights of the Round Table appear in Chapter 9, and Osborne alludes to the legend of Sir Galahad’s quest for the Holy Grail by having the Grail Knight himself give Jack and Annie “a silver cup” (67). In addition, the author incorporates other staples of medieval fantasy—fairies and dragons. British and Irish folklore often depict fairies dancing in a ring and warn that any human who joins them will dance themselves to death. Dragons feature in many fantasy stories set in medieval Europe, and the Keepers of the Cauldron continue this established literary tradition. The appearance of mythical beings like dragons and fairies characterizes the Otherworld as a place of magic and wonder beyond even the realm of Camelot.
Jack and Annie’s time in the Otherworld advances their journey from innocence to heroism through obstacles that test their bravery, creativity, and imagination. Even though Jack loses himself to the fairies’ dance, he braves it again for the sake of the lost knights. In fact, he’s the one who proposes that he and his sister rejoin the ring: “What about this? We get back in the dance—and we take places between the dancers and the knights” (62). For her part, Annie shows heroism by rescuing her brother so that they can save the knights together. Although Jack and Annie’s rescue efforts succeed, the Knights of the Round Table, much like King Arthur and Morgan Le Fay, express concern about their innocence and youth: “‘But you…you are just children,’ said Sir Percival, the third knight. ‘You must wait…for us….’” (66). The young heroes prove their resolve by continuing on their quest alone rather than waiting for the knights to regain their strength. The story reaches its climax during the daring scene in which the children fight off four dragons to claim the Water of Memory and Imagination: “With each jab and shout, Jack felt stronger and braver. Waving their burning branches, he and Annie drove the Keepers toward the walls” (82). Jack and Annie journey from innocence to heroism by weathering the Otherworld’s perils together.
The protagonists’ time in the Otherworld also emphasizes the novel’s thematic interest in The Significance of Hope and Imagination—two concepts that prove invaluable on Jack and Annie’s quest. Instead of surrendering to fear, Annie thinks of a creative way to escape the dragons’ trap and collect the magical water they seek: “‘It’s the Water of Memory and Imagination, right?’ said Annie. ‘So maybe if we drink it, we can imagine a way to escape!’” (79). As when Annie proposes that they follow the dove and ride the stag, Jack is initially skeptical but soon learns that his little sister’s idea is sound. The water gives the children the courage they need to fight dragons, emphatically displaying The Significance of Hope and Imagination. Osborne also highlights generosity, a key component of The Magic of Christmas and its Values, by making the knights’ gifts critical to the completion of the quest. The compass, the key, and the cup allow the main characters to locate and gather the Water of Memory and Imagination, emphasizing the importance of generosity within Osborne’s narrative.
Osborne uses foreshadowing to increase the story’s suspense and encourage reader engagement. For example, the three horses in the meadow and the three swords near the ring of dancers offer clues that the lost knights are nearby. In Chapter 8, Jack’s uncharacteristic eagerness foreshadows that there is something dangerous about the dance: “It was strange—he was usually shy about dancing. But he wanted to join this dance more than anything” (56). Osborne also builds excitement by going against expected patterns. The order of the riddles tricks Jack and Annie into thinking that they’ve already faced the Keepers of the Cauldron because they are mentioned in the first riddle. Instead, the Keepers are the last peril the siblings face.
Color symbolism imbues to the story’s settings and plot with thematic meaning. King Arthur describes the Otherworld as a dangerous place, but Jack and Annie’s first view of it is filled with beauty: “They were standing at the edge of a pale green meadow. The meadow was bathed in warm, rosy sunlight [...] On a hillside beyond the meadow, red and purple flowers sparkled like bright buttons” (53). The Otherworld’s vibrancy offers hope that the realm contains the cure for Camelot’s curse. Likewise, the Water of Memory and Imagination is in a “gleaming golden cauldron” suspended over “leaping purple flames” (74). These vivid descriptions strengthen the symbolic link between bright colors and joy. Having unraveled all three riddles and retrieved the water, the young heroes can now return to Camelot.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Mary Pope Osborne