53 pages • 1 hour read
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January 2022
Suzy Weatherton is on a local gambling boat playing slots. Everyone around her is excited over LSU’s big win, but as a University of Alabama alumna, Suzy does not share their enthusiasm for Louisiana sports teams. She is focused instead on the slots. She is in luck that night and takes home a sizeable prize. On her way out to her car, she drops her keys. As she stoops down to retrieve them, someone comes up beside her. She is momentarily blinded by the flash of a polaroid camera. The flash will be the last thing she remembers seeing.
Broken Bayou, Louisiana
August 2018
Psychologist Dr. Willa Watters returns to Broken Bayou, Louisiana, the small town where she spent her childhood summers. Her aunts, who lived in Broken Bayou, died recently, and a box of her mother’s things was discovered in their attic. Willa is there to fetch it. She is also in Broken Bayou to lie low. After years of private practice, Willa began to write a newspaper column focused on helping parents of children with autism. The column turned into a radio show, and eventually Willa pivoted to podcasting. She wrote a best-selling book, also on children with autism, and it seemed as though her star was rising. A few days ago, however, she had a disastrous interview. She misheard one of the callers, and what she heard triggered a traumatic memory from her past: The woman was asking where to find Willa’s book, but Willa heard her say, “Can you help me hide it?”. She’d panicked and fled the studio, ripping her blouse off on-air while trying to remove her microphone. Because no one knew what was really going on inside her head at the moment, Willa’s actions appeared truly bizarre. The clip has been re-posted and re-tweeted thousands of times already. Willa is mortified. Unfortunately for her, several people in the grocery store at Broken Bayou recognize her immediately. They are put off by her “highfalutin” clothing, and their animosity toward Willa is palpable. She realizes that she will not be able to “hide out” in Broken Bayou after all.
Willa leaves the store and heads to her aunts’ house. Her great aunts—twin sisters—died within a few moments of each other. In their will, they donated their home to the local preservation society. Willa accepted their lawyer’s invitation to stay there for a few days but now regrets it and wishes she’d booked a nearby hotel instead. She spent summers in this little town with her mother and sister Mabry when she was young. They lived further upstate, but her mother enjoyed the bayou back country and the temporary escape it provided her from her life at home, which included a job in a school cafeteria, numerous warrants for her arrest, bad boyfriends, and alcohol addiction—though Willa admits to herself that she didn’t actually escape the alcohol here in Broken Bayou. Willa feels conflicted about being back. On the one hand, this place is the site of many fond childhood memories. On the other hand, her childhood was not particularly happy. She texts her sister (whom she ended up raising) but gets no response. The two fought recently, and Mabry hasn’t spoken to her since. She gets a call from her mother, who is in her sixties and lives in a retirement home. Her mother sounds very ill, and her memory loss is especially pronounced today. She does tell Willa that the police and the media are descending on Broken Bayou, something about a missing schoolteacher and a drought bringing up “secrets” from the swamp. As she is driving, a pickup truck tailgates her aggressively. When she finally gets the man to pass her, he looks menacing enough that she checks to make sure her doors are locked.
Willa walks through the door of Shadow Bluff, the aunts’ old home, and is instantly flooded with memories. Her aunts graciously hosted them each summer, and Willa and Mabry both loved the visits. Their mother had bipolar disorder, and the stress of keeping track of her medication and anticipating her mood swings was too much for Willa sometimes. Summers were more relaxing. The house itself seems smaller than it did when she was a girl, but Willa reflects that 20 years have passed since she was last here. She walks around, taking it all in. Her phone rings. The caller is her best friend, Amy, with whom she hosts her podcast. Amy also had a strained relationship with her mother growing up. Amy’s mother dealt with alcohol addiction, and Amy often spent the night at Willa’s. Amy wants to talk about the interview, but Willa does not. She has a glass of wine and goes to bed, deciding to tackle the box of her mother’s things the next morning.
June 2015
Destiny Smith is at a concert, but she is no longer having fun. Her buzz is wearing away, and the crowd is too boisterous. She recently moved to New Orleans and likes it so far. She is underage but has a fake ID and managed to get a dancing job on Bourbon Street. She hopes to save enough to move to California and “clean up.” As she is trying to make her way out of the throng of people, a man takes her picture quickly with a Polaroid camera. She punches him in the face, but instead of falling down, he smiles and grabs her ponytail. The last thing she remembers is a small, but sharp, poking sensation in her neck.
Willa wakes the next morning to a daddy-long-legs spider brushing up against her. She finds it somewhat disorienting to be back in her aunts’ home and feels groggy. As she is making coffee, there is a knock at the door. It is a law enforcement officer who immediately tells her that she is under arrest. She panics and explains that she has permission to be in the house and is not trespassing. The officer breaks out into a smile and introduces himself: It is Travis Arceneaux, her teenage sweetheart. Travis, like Willa, comes from a difficult family, and the two bonded over their experiences. She was a popular girl in the parish because she was an outsider who only spent summers there. All his brothers were interested in Willa, but she only had eyes for Travis. He tells her that he’s followed her career and asks her if she’d like to have dinner while she’s in town. When she says yes, he suggests breakfast instead and asks if she is hungry.
Travis and Willa drive to Nan’s, the only breakfast restaurant in town. Willa thinks back to all the rides the two took together as teens. It feels good to be sitting next to Travis again. The town itself looks tired, and Willa reflects on its struggles. Young people move out because there are so few jobs. As the years pass, Broken Bayou sinks further and further into decline. At the restaurant, the locals are all glaring at a table of reporters. Willa asks about them and Travis fills in the story that her mother began on the phone: Broken Bayou is in the news because the body of a young woman was discovered inside a barrel in the bayou. Drought decreased its water levels and exposed the barrel. This is the second time that such a grisly discovery has been made. This girl was only 15 and was a runaway last seen in New Orleans. Willa’s heart aches for the girl, who was surely trying to escape a traumatic home life and just needed help. Another woman has gone missing, a local schoolteacher. A car is visible, now only barely submerged in the bayou’s waters, and the police think it might be her. While they are talking, a group of ladies recognizes Willa and comes over to greet her. She doesn’t recognize many of them, but one of them is Ermine, a woman who had been like a second mother to her. Willa is touched to see her again after so many years.
Travis and Willa leave Nan’s. Willa is chagrined to learn that they are headed out to the bayou to watch the car getting dragged out of the water. She flashes back to a dark and difficult night, many years ago. She was in trouble and asked Travis for help. She cannot will herself to remember all the details of the crime she’d taken part in, but she realizes that the car could be her mother’s, dumped into the bayou by Willa herself. Travis, she understands, has also come to this conclusion. At the bayou, a group of law enforcement officers from the town and the state are gathered along with reporters and the missing schoolteacher’s family. Two of Travis’s brothers are there. One is pointedly rude to Willa, and the other, who doesn’t speak much, is kinder. Police dredge up the car. It is not the schoolteacher’s. With a pit in her stomach, Willa realizes that it is her mother’s.
May 2006
Teri Thompson is in New Orleans for a jazz festival with a group of girlfriends. She’s left her two children at home with their father and is having fun drinking and staying out late. As she makes her way down Bourbon Street, a man grabs her arm and tells her that it isn’t safe for her to be there alone. As she tries to explain to him that she is with friends, a camera flashes in her eyes and she feels a sharp pinprick on her neck.
The novel begins with a brief account of Suzy Weatherton’s final moments. Suzy will be revealed as one of Travis Arceneaux’s many victims, and the author’s choice to begin with her story and to name her is deliberate. Many works of crime fiction are criticized for focusing on the pathology of killers rather than the identities and experiences of their victims. Because so many crime victims in these kinds of texts and films are women and girls, there is also a substantial body of criticism that examines the way that crime fiction, thrillers, and sensationalist books (and films) normalize violence against women. Here, the author works against that stereotype, giving details to this victim’s story and naming her. This kind of description is intended to make clear that she is more than a victim. The novel will continue this pattern throughout the novel: Each of Travis’s victims is named, their deaths are described from their points of view, and the details provided about their lives inspire understanding and empathy.
The other framing device that the author uses is to introduce setting. Jennifer Moorhead is a Louisiana native, and like many crime writers, her works of fiction are an homage to her home. Setting is a key component of many thrillers and in Broken Bayou in particular. The town of Broken Bayou is a place in decline. Willa observes:
The town looks tired. The ditches are overgrown with weeds and the small houses are sagging, some even boarded up. The complete opposite of the town down the road. St. Francisville capitalized on its antebellum homes and gardens and created a quaint place for tourists to ooh and ahh over a past we have no business oohing and aahing over: (52).
Like many other small towns in rural Louisiana, Broken Bayou provides few economic opportunities, and many of its young people leave to seek work elsewhere. The lack of opportunity means that local law enforcement is under-funded and stretched thin, as there is very little money to pay for police officers. This is part of why Travis has been able to operate as a serial killer for so long: There are few cops watching over the parish, and he is one of them.
After describing Travis’s victim and the town of Broken Bayou, the author moves on to introduce Willa. As she is the protagonist, her characterization is a key facet of these early chapters, and although much has yet to be revealed about her, her early descriptions contain keys to who she is. Willa is introduced initially through the framework of career and professionalism. She is an expert in her field and has managed to turn a successful clinical career into media stardom. Her clothing is chic and far too dressy for the town, and she radiates professionalism, but this outward polish belies a tumultuous interior life: This inner turmoil recently became public during a disastrous on-air interview in which Willa recently had a breakdown. Willa’s panic attack is not explained yet, but it is apparent from the author’s initial description of the interview that Willa is struggling with powerful, negative emotions. The sources of Willa’s psychological distress are not yet clear, and this mystery functions as one of the novel’s key sources of suspense.
As Willa describes her mother’s bipolar disorder, struggles with addiction, and neglectful parenting, it becomes clear that Willa’s own emotional turmoil is rooted in The Generational Impact of Inadequate Mental Health Resources. Willa’s mother was never able to access effective treatment for her bipolar disorder. Instead, she self-medicated with alcohol, and her unpredictable moods caused trauma for Willa and her younger sister Mabry. Willa was forced to take on the role of caretaker for Mabry, and this role strained their relationship and placed undue pressure on Willa when she was still a child herself. Willa’s relationships with both her mother and sister remain tense in the present, compounding her anxiety. Two other characters introduced in this section, Travis Arceneaux (eventually revealed as the novel’s antagonist) and Willa’s friend Amy, are also the product of troubled homes. Willa bonds the most readily with people whose histories align with her own, and there too it is evident that complex familial relationships and family dysfunction have shaped Willa profoundly.
The convertible that Willa’s mother asked her to push into the bayou many years ago emerges as a key symbol as the novel begins to engage with The Psychological Impact of Secrets. Initially, the car represents Willa’s fear that her role in her mother’s insurance scam will be uncovered, and this prospect is especially distressing to Willa as she navigates the media fallout from her on-air breakdown. The bayou itself is a symbol in this context: It hides all manner of secrets, from the submerged car to the barrels in which a serial killer has been hiding his victims’ bodies. As drought depletes the bayou—another symbol of the town’s decline—what was hidden beneath the waters comes back into the light of day. Although Willa is a successful psychologist, her traumatic past still impacts her and shapes her decision-making process. The author also reveals Travis’s role in the crime, and she uses the mystery surrounding the night that Willa dumped the car to create tension. Bodies are being pulled out of the bayou, but the red convertible is also dredged up. The stress of being discovered weighs heavily on both Willa and Travis at this point in the narrative.
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